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This book is an examination of the uneasy alliance of two confessions, Lutheran and Catholic, at the prominent seventeenth-century court of Dresden, and the implications of this alliance for the repertoire of sacred art music cultivated there, an influential repertoire that has received only scant attention from scholars.
Does religious confession privilege exist at common law? Most evidence law texts answer ‘no’. This analysis shows that most of the cases relied upon for the ‘no religious confession privilege conclusion’ are not authority for that conclusion. The origin of the privilege in the canon law in the first millennium AD is traced and its reception into common law is documented. Proof that religious confession privilege continues unbroken at common law through to the present day is of obvious importance in jurisdictions where there is no relevant statute. A correct understanding of the common law extant before statutes were passed will influence whether those statutes are broadly or narrowly interpreted. The book also brings the reader up to date on the state of religious confession privilege in the United States, Canada, England, Wales, Scotland, Ireland, Australia, New Zealand and South Africa.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Originally published in 1974. This book concerns the archetypal quality of Wordsworth's The Prelude, specifically the ways in which it develops and defines concepts of language, time, and narrative that influenced writers who came after Wordsworth. Frank D. McConnell sees the philosopher and theologian St. Augustine as the most suggestive analogue for the Wordsworthian quest for lost time and for the redemptive power of memory. McConnell maps similarities and dissimilarities between Wordsworth's Prelude and Augustine's Confessions. Each chapter of the book centers on an aspect of Wordsworth's confessional procedure in writing the poem. Chapter 1 ascribes peculiarities in the mode of address to The Prelude's definitive auditor, Coleridge, as a felt presence that shapes the overall form of the poem. Chapter 2 discusses the confessional—and Wordsworthian—view of the human career, contrasting the holistic and organic ideal of man's development with a more ancient and allegorical, or daemonic, view against which the confessional vision struggles. Chapter 3 carries the argument to the more fundamental level of the senses of sight and hearing. And chapter 4 deals with language itself, the irreducible counters of Wordsworth's vision and the highly specialized confessional language of "Edenic words." The general direction of the author's reading is a narrowing of focus from the most general to the most specific features of the confessional act.
If you like E.R., Scrubs, or Grey's Anatomy, you're going to love the hilarious and often touching ER Confessional. Take a look inside what Dr. Smith affectionately refers to as the ?beloved E.R.' With a dry wit and plenty of southern charm, he prescribes a healthy dose of the funniest'and most heart-wrenching'true-life emergency room experiences to ever come wheeling out of the hospital! Dr. Smith cleverly chronicles twenty years? worth of incredible events while interlocking a second story that details the healing process of a lovesick friend. This gurney ride full of twists and turns will have you laughing out loud as Dr. Smith introduces a host of patients with the zaniest afflictions you could ever imagine. But, be prepared to be side-swiped with the emotion and anguish that accompany the realization that no doctor can save every patient.
Taking the religiously diverse city of Augsburg as its focus, this book explores the underappreciated role of local clergy in mediating and interpreting the Peace of Augsburg in the decades following its 1555 enactment, focusing on the efforts of the preacher Johann Meckhart and his heirs in blunting the cultural impact of confessional religion. It argues that the real drama of confessionalization was not simply that which played out between princes and theologians, or even, for that matter, between religions; rather, it lay in the daily struggle of clerics in the proverbial trenches of their ministry, who were increasingly pressured to choose for themselves and for their congregations between doctrinal purity and civil peace.