Download Free Equal To The Madness Book in PDF and EPUB Free Download. You can read online Equal To The Madness and write the review.

In Black Madness :: Mad Blackness Therí Alyce Pickens rethinks the relationship between Blackness and disability, unsettling the common theorization that they are mutually constitutive. Pickens shows how Black speculative and science fiction authors such as Octavia Butler, Nalo Hopkinson, and Tananarive Due craft new worlds that reimagine the intersection of Blackness and madness. These creative writer-theorists formulate new parameters for thinking through Blackness and madness. Pickens considers Butler's Fledgling as an archive of Black madness that demonstrates how race and ability shape subjectivity while constructing the building blocks for antiracist and anti-ableist futures. She examines how Hopkinson's Midnight Robber theorizes mad Blackness and how Due's African Immortals series contests dominant definitions of the human. The theorizations of race and disability that emerge from these works, Pickens demonstrates, challenge the paradigms of subjectivity that white supremacy and ableism enforce, thereby pointing to the potential for new forms of radical politics.
It isn’t very hard to fall madly in love with your own wife and even though Durjoy was deeply embedded to this reality and the one his father imposed on him since his childhood, Nadia was already a part of another one. While Durjoy grew as the mad child of the misty hills, close to poetry and his mother, Nadia was the traditional, internally strong-headed woman of a motherless home. None of them revolted each other’s love and yet they ended up crossing each other at a threshold there was no coming back from. The story captures an endless wait on a mad lover’s part and his wife’s failed realization of the same. A series of attempts, hidden letters, awkward emotions and grave family secrets end into a loveless insanity behind the bars of a mental asylum Nadia and Durjoy share their fate in. What follows is a flashback they wish they could go back to, what’s left, is a longing and a life, without each other.
The volume for 1886 is a report of the proceedings of the "Conference on temperance legislation, London, 1886."
HOW TO MAKE OPPORTUNITY EQUAL “Paul Gomberg makes a powerful and provocative case that real equality of opportunity can only be achieved by overturning the social division of labor that unfairly handicaps not just blacks but the working class in general.” —Charles W. Mills, University of Illinois at Chicago “An important and original contribution to contemporary debates about justice in political philosophy; an accessible introduction to those debates for students and the lay reader; and a powerful and important challenge to policymakers, educators and employers, to think hard about their responsibilities for enabling people to lead flourishing lives.” —Harry Brighouse, University of Wisconsin-Madison “In this impressive book, Paul Gomberg argues ardently, with great optimism, and with philosophical and sociological sophistication, for a radical new theory of egalitarian justice.” —David Copp, University of Florida Distributive injustices such as low pay, inferior healthcare and housing, as well as diminished opportunities in school continue to blight the lives of millions of the urban poor in America and beyond. This book announces a new theory of justice. Paul Gomberg: focuses on how race and class structure unequal life prospects shows how human society can be organized in a way that does not socialize children for lives of routine labor maintains that true equality of opportunity comes only when all labor, both routine and complex, is shared proposes a new paradigm for the theory of justice. While Rawls, Sen, Nozick, and Walzer conceive justice as addressing how various goods are fairly obtained or distributed, Gomberg argues that justice in distribution must advance contributive opportunities and duties. On Gomberg’s contributive theory of justice, each person contributes to society not for individual material gain, but from a sense of what is required in order to build just relations with others. Passionate and radical, but rigorously argued, this book makes a vital and original contribution to philosophy and social thought.
How a simple equation reshaped mathematics Leonhard Euler’s polyhedron formula describes the structure of many objects—from soccer balls and gemstones to Buckminster Fuller’s buildings and giant all-carbon molecules. Yet Euler’s theorem is so simple it can be explained to a child. From ancient Greek geometry to today’s cutting-edge research, Euler’s Gem celebrates the discovery of Euler’s beloved polyhedron formula and its far-reaching impact on topology, the study of shapes. Using wonderful examples and numerous illustrations, David Richeson presents this mathematical idea’s many elegant and unexpected applications, such as showing why there is always some windless spot on earth, how to measure the acreage of a tree farm by counting trees, and how many crayons are needed to color any map. Filled with a who’s who of brilliant mathematicians who questioned, refined, and contributed to a remarkable theorem’s development, Euler’s Gem will fascinate every mathematics enthusiast. This paperback edition contains a new preface by the author.
London, 1921. The world's greatest wax sculptor watches in horror as flames consume his museum and melt his uncannily lifelike creations. Twelve years later, he opens a wax museum in New York. Crippled, disfigured, and driven mad by the fire, he resorts to body snatching and murder to populate his displays, preserving the bodies in wax. "In a thousand years you will be as lovely as you are now, " he assures one victim. In The Mystery of the Wax Museum (1933), director Michael Curtiz perfectly captures the macabre essence of realistic wax figures that have excited the darker aspects of the public's imagination ever since Madame Tussaud established her famous museum in London in 1802. Artists, too, have been fascinated by wax sculptures, seeing in them--and in the unique properties of wax itself--an eerie metaphoric power with which to address sexual anxiety, fears of mortality, and other morbid subjects. In Waxworks, Michelle E. Bloom explores the motif of the wax figure in European and American literature and art. In particular, she connects the myth of Pygmalion to the obsession with wax statues of women in the nineteenth-century fetishization of prostitutes and female corpses and as depicted in such "wax fictions" as Dickens's The Old Curiosity Shop (1841). Filmmakers, too, have sought inspiration from wax museums, and Bloom analyzes works from the silent era to such waxwork-themed Hollywood horror films as Mad Love (1935) and House of Wax (1953). Bringing her discussion to the present, Bloom examines the work of contemporary artists who use the medium of wax in ways never imagined by Madame Tussaud. As extravagant new wax museums open in Las Vegas, Times Square, and Paris, Waxworksoffers a provocative cultural history of this enduring--and disturbing--art form.