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This monograph provides clarification around some of the disputable interpretations connected to the "Koroghlu" Epos. Some twenty different nations of the world have varying accounts concerning the history of creation and the national identities relating to the topic and motives of the Epos as well as the ethnic origin and ideal-topical specification of the heroes of that Epos. The author in this monograph adds his own hypothesis regarding a Chinese connection between the characters and motives of Turkic origin in the "Koroghlu" Epos. "...although an epos is not history, it is a form of artistic creation definitely expressing historical events." Jalil Gariboghlu
Fight the Beasts, Fear the Magic! Danger stirs in the land of Avantia. Max, son of Evil Wizard Malvel, has stolen the magical Golden Gauntlet. Using its power he plans to force the Good Beasts, Ferno and Epos, to fight each other¬ to the death! Meet a new hero of Avantia... Sam is an ordinary boy who must become a hero! His Quest is to tame a Beast and ride into battle to stop Max's evil plan. Can he survive the Battle of the Beasts? A brand new Beast Quest is about to begin!
One boy's journey to save his village becomes a quest to save the Kingdom. Tom and Elenna must journey on to face the last of the Beasts enslaved by the evil wizard Malvel: the Winged Flame, a phoenix of terrible power. It has been been slowly awakening a long-dead volcano. If Tom and Elenna cannot stop the Beast in time, it could mean a deadly eruption.
The aim of this volume is to study Silius’ poem as an important step in the development of the Roman historical epic tradition. The Punica is analyzed as transitional segment between the beginnings of Roman literature in the Republican age (Naevius and Ennius) and Claudian’s panegyrical epic in late antiquity, shedding light on its ‘inclusiveness’ and its peculiar, internal dialectic between antiquarian taste and problematic actualization. This is an innovative attempt to connect epic poems and authors belonging to different ages, to frame the development of the literary genre, according to its specific aims and interests throughout the centuries.
Posi and Nega live a care free existence of whirling and dancing and is filled with strange adventures!
Essay from the year 2017 in the subject Latin philology - Medivial and Modern Latin, , language: English, abstract: This essay deals with the Prudentius’s Epos and tries to link Classicism and Latin Middle Ages. In the imperial era the epic genre had undergone important modifications to its origins and developed radically with the coming of Christianity. The dissemination of Christ’s message covered all areas of culture and had deep repercussions on literary writing. The idea that literary production should be put to the service of the spread of faith went ahead and this ended up altering the formal features of new works. Unlike the Greek and Latin literature, that generally had an elitist destination, the Christian writers were also aimed to the humblest sections of population until then excluded from the literary communication. The novelties of the new Christian literature (the desire to speak to everyone, the approach to everyday life, the attribution of new importance to simple things) ended up scrapping the traditional set of literary genres, including the epic genre. Almost all literary genres used in Greek and Latin literature were reused by Christian writers, but modified for new needs and new contents.
This book is the first comprehensive study of the theory, the conventions and the history of the mock-heroic genre. In the first part, Ulrich Broich shows how mock-heroic poetry combines the characteristics of various discourses - epic, comedy, parody, satire and occasional poetry. The second part traces the history of mock-heroic poetry.