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In earlier times, people felt the need to leave a permanent record of who they were and what they stood for. Nowadays people tend to keep quiet about those things, at least in their final resting place. But many have found a new fascination in wandering about an old graveyard. They are often touched and moved by what they read there. Those people of former generations have much to say to us, although with great economy of words because each letter had to be chiseled in stone with hand tools.
Epitaphs are a unique artform. In previous centuries they were regarded as an opportunity to celebrate, mourn, reflect on, philosophize, lament, or affirm the individual and the mystery of life and death, often giving rise to carefully crafted verse.
“Show me Heaven! I have seen hell.” —Patricia Neal Larry King, world-famous radio and television personality, has asked the talented, the beautiful, the wise, and the rich a question all of us have pondered: How would you like to be remembered after your death? The result is REMEMBER ME WHEN I'M GONE, an entertaining and eloquent collection of “last words” from people in the arts, in politics, in sports, and in business, mostly still alive. In telling and moving reflections, often leavened by self-deprecating humor, these celebrities look back on their lives, their ambitions, their mistakes, and their accomplishments. The contributions range from pithy one-liners by Yogi Berra (“It’s over.”), Dave Barry, George Carlin, and Liz Smith (“Excuse my dust!”); to inspired sketches by Stephen King and Peter Falk; to candid reflections from Don Shula, Fred Rogers, and Chevy Chase; to hilarious rants from Margaret Cho and Tommy Lee; and a last request by Arthur Hailey. Often surprising and always memorable, REMEMBER ME WHEN I'M GONE is a timeless collection by stars who will live on forever.
The lively ancient epitaphs in this bilingual collection fit together like small mosaic tiles, forming a vivid portrait of Greek society. Cut These Words into My Stone offers evidence that ancient Greek life was not only celebrated in great heroic epics, but was also commemorated in hundreds of artfully composed verse epitaphs. They have been preserved in anthologies and gleaned from weathered headstones. Three-year-old Archianax, playing near a well, Was drawn down by his own silent reflection. His mother, afraid he had no breath left, Hauled him back up wringing wet. He had a little. He didn't taint the nymphs' deep home. He dozed off in her lap. He's sleeping still. These words, translated from the original Greek by poet and filmmaker Michael Wolfe, mark the passing of a child who died roughly 2,000 years ago. Ancient Greek epitaphs honor the lives, and often describe the deaths, of a rich cross section of Greek society, including people of all ages and classes— paupers, fishermen, tyrants, virgins, drunks, foot soldiers, generals—and some non-people—horses, dolphins, and insects. With brief commentary and notes, this bilingual collection of 127 short, witty, and often tender epigrams spans 1,000 years of the written word. Cut These Words into My Stone provides an engaging introduction to this corner of classical literature that continues to speak eloquently in our time.
An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts.