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The present book is an attempt to delineate 'The Status of Women in the Epics'. Many scholars have thrown light on the position of women in the Vedic, Buddhist and later periods of ancient Indian history and have also made a study of their status in the legal literature of the times. Only few attempt mainly deals with sexual life in Epics. In this book the original sources drawn upon are the two great Epics, the Mahabharata and the Ramayana. The secondary sources are commentaries, translations and dissertations written on these works. In tracing the status of women in the Epics, the author has strictly endeavored to draw conclusions from the evidences gathered from these two great Epics. The very nature of Epic literature is dealt with in detail in the introduction, pre-Vedic and Vedic traditions provide the social background of the Epic Society. The characters of the Epics, particularly those of the Mahabharata belong to the Brahmanas and Upanisads period. The customs traced in the narrative parts of the Epics are those found in Sutras. The author has attempted to collect, collate and scrutinize parallel evidences of customs and conditions from the above mentioned literature on the one hand and the Epics on the other.
From concept stage through production in Egypt to release of the film: Katherine Orrison carefully recreates the behind-the-scenes story of Cecil B. DeMille's beloved epic.
(Book). Based on the official Top 20 charts from Billboard in the US and NME/Music Week in the UK, this entertaining book shows at a glance the monthly international status of the hits. The fully updated and revised fourth edition lists the charts since they began in January 1954 all the way through December 2000. Each song is listed with artist name and nationality, current and previous month's chart position, record label, weeks on the chart, and simultaneous position on the "other side of the pond." Special symbols indicate million-sellers, plus artists' first and most recent hits. All stars and songs are indexed separately, making it especially easy to pinpoint any Top 20 hit. Includes 200 photos, plus new pop trivia and star gossip!
Does fate or free will determine the course of your life? What is the purpose of life? Why do only a handful of people in any given society could make it big? And, why do some successful people feel something is missing in their lives? In Success without Fulfilment, author Au Yong Chee Tuck explores the gap between success and fulfillment while addressing the dichotomy between the theory and practice of Ba Zi astrology. He discusses that many Ba Zi students grasp the theoretical aspects of the subject, but they have difficulty applying the principles to practical situations. Au Yong Chee Tuck examines how some of the Ba Zi theories work by examining the lives of several well-known people and tries to discern whether they enjoyed success without fulfillment or if they were fortunate to find satisfaction during their lifetime.
"Epic" films, those concerned with monumental events and larger-than-life characters, cover the period from the Creation to the A.D. 1200s and have been churned out by Hollywood and overseas studios since the dawn of filmmaking. Cecil B. DeMille, a master of the genre, hit upon the perfect mixture of sex, splendor, and the sacred to lure audiences to his epic productions. The 355 film entries include casts and credits, plot synopsis, and narratives on the making of the films. There are 190 photographs in this editon.
Folklore has been a phenomenon based on nostalgic and autochthonous nuances conveyed with a story-telling technique with a penchant for over-playing and nationalistic pomp and circumstance, often with significant consequences for societal, poetic, and cultural areas. These papers highlight challenges that have an outreaching relationship to the regional, rhetorical, and trans-rhetorical devices and manners in Kurdish folklore, which subscribes to an ironic sense of hope all the while issuing an appeal for a largely unaccomplished nationhood, simultaneously insisting on a linguistic solidarity. In a folkloric literature that has an overarching theory of poetics – perhaps even trans-figurative cognitive poetics due to the multi-faceted nature of its application and the complexity of its linguistic structure – the relationship of man (and less frequently woman) with others takes center stage in many of the folkloric creations. Arts are not figurative representations of the real in the Kurdish world; they are the real.
'Joshua and the Rhetoric of Violence' examines the book of Joshua as a construction of national identity. This pioneering New Historicist analysis shows how the Deuteronomist used war oracle language and epic historical lore to negotiate sociopolitical boundaries. It asserts that text and context interacted in a programme consolidating King Josiah's authority in the wake of Assyrian imperial collapse. The book argues that the conquest narrative is not simple 'us against them' propaganda but a complex web of negotiations defining identity and otherness. The analysis draws on Foucault's principle that power is something exercised rather than merely possessed.
Notwithstanding its renowned comprehensive narrative encapsulation of the Indic culture, the Mahabharata keeps on posing a challenge to its contemporary readers: how do we relate to something over two-millennia old in today’s context without freezing it in time? This volume looks at the problem from diverse periods and standpoints and shows us that this challenge is, in fact, a legacy of the Mahabharata and the responses to this challenge are what makes the text ever-contemporary to different readers of different times and positions. It traces the evolution of the Mahabharata from its inception in the fifth century BCE to twenty-first century, spanning classical Sanskrit tradition, Persian and Bengali adaptations, the Mahabharata as a serialized TV show to more recent graphic narratives. By attempting to analyse this diversity, this volume further delves into how the issues in the Mahabharata resonate across time, from the world of ancient sages to contemporary struggles of women. The essays in this book adopt a dual perspective to appreciate both the Mahabharata’s historical context, its exploration of war, heroes and heroines, gender, psychology, philosophy, and its implications for the future. This book will be of interest to scholars and researchers of Indian literature, ancient literature and philosophy, English literature, cultural studies, visual studies, gender studies, and translation studies.