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The path of the modern novel has been marked by a dialectic of seemingly rival impulses: while certain novelists have sought to deal with wide-scale social and political dimensions of modern existence, others have concerned themselves primarily with interior sensibility.
Written Voices, Spoken Signs is a stimulating introduction to new perspectives on Homer and other traditional epics. Taking advantage of recent research on language and social exchange, the nine innovative essays in this volume--by leading scholars of Homer, oral poetics, and epic--focus on performance and audience reception of oral poetry.
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.
Jona's voice is imaginative, joyful and true, representing children's fears and hopes for future generations, and the Committee on the Rights of the Child fully endorses his call for environmental education programmes. Science plays a key role in a more sustainable world. In this book, a little boy and his brother illustrate how science, when used in a just and honest way, could change the world for the better. With their creativity, commitment and hopeful visions, the child authors can inspire us all to find the necessary will and resources to cooperate for sustainable solutions. These upcoming years are crucial as world leaders will agree on a new sustainable development framework for the next 15 years. The proposed 17 Sustainable Development Goals include targets to end poverty, to ensure healthy lives and quality education and to combat climate change, among others. The decisions taken will undoubtedly have a huge impact on children's lives and rights today as well as the lives and rights of future generations.
Harold is an amazing mimic, and can imitate the sound of everything in his home. Tired of repeating the same old noises, he yearns to find out what other voices there are in the big, wide world. But what happens when he suddenly realises that he doesn't yet have a voice of his own? This fantastic debut by author/illustrator Courtney Dicmas recounts Harold's hilarious tale. It's full of colour, humour and invention, and children will love to join in with Harold as he mimics everyday noises.
Milton's poetry is one of the glories of the English language, and yet it owes everything to Milton's widespread knowledge of other languages: he knew ten, wrote in four, and translated from five. In Milton's Languages, John K. Hale first examines Milton's language-related arts in verse-composition, translations, annotations of Greek poets, Latin prose and political polemic, giving all relevant texts in the original and in translation. Hale then traces the impact of Milton's multilingualism on his major English poems. Many vexed questions of Milton studies are illuminated by this approach, including his sense of vocation, his attitude to print and publicity, the supposed blemish of Latinism in his poetry, and his response to his literary predecessors. Throughout this full-length study of Milton's use of languages, Hale argues convincingly that it is only by understanding Milton's choice among languages that we can grasp where Milton's own unique English originated.
A Notable Social Studies Trade Book for Young People and a C. S. Lewis Noteworthy book: A rich history of the pilgrim experience, as recorded in real diaries Nearly four hundred years after the pilgrims left England in search of a better life, their stories still resonate with Americans today. In this account, the pilgrims’ own writings of their adventures and hardships are brought to life for young readers. This touching account shows the pilgrims’ voyage on the Mayflower, their first meeting with the native people, and the hardships of hunger, illness, and death that they faced during their first winter. Finally, after more than a year in the New World, they celebrate the harvest and truly give thanks.
It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.
W. B. Yeats and Fernando Pessoa (1888-1935) regarded style as a tool for metaphysical inquiry and, consequently, they adopted distinct poetic styles to convey different attitudes towards experience. Silva-McNeill's study examines how the poets' stylistic diversification was a means of rehearsing different existential and aesthetic stances. It identifies parallels between their styles from a comparative case studies approach. Their stylistic masks allowed them to maintain the subjectivity and authenticity associated with the lyrical genre, while simultaneously attaining greater objectivity and conveying multiple perspectives. The poets continuously transformed the fond and form of their verse, creating a protean lyrical voice that expressed their multilateral poetic temperament and reflected the depersonalisation and formal experimentalism of the modern lyric.