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On Earth, one gentle soul the less; in Heaven, one angel more. So reads the epitaph of Scottish nursemaid Janet Smith, the victim of a 1924 tragedy that ignited racial tension in a very young Vancouver. At the core of the issue were the mysterious circumstances surrounding Smith's death, particularly the fact that the only other adult in the house at the time was the Chinese house boy. When Smith's death was followed by the assassination of Davie Lew, a well-known Chinese man, it only strengthened the European view that Vancouver's Asian community was a hotbed of violence and corruption. Newspaper editors and most of Vancouver's white community raised an outcry, charging the police with incompetence and demanding arrests, while Presbyterian indignation called for law and order as well as an end to Chinese immigration. Before the summer was over, the tongs of Chinatown and the clans of Canada's West Coast were set to defend their own, and one Scottish minister went so far as to declare it a time of 'holy war'.
Considers the history of the American blockbuster-the large-scale, high-cost film-as it evolved from the 1890s to today.
“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”
The "bygdelag", the subject of this book, are societies that attempt to perpetuate the more intimate and cherished aspects of the Norwegian heritage.
"No author who lives in Greece," writes Peter Bien, "can avoid politics." This first volume of his major intellectual biography of Nikos Kazantzakis approaches the distinguished--and controversial--writer by describing his struggle with political questions that were in reality aspects of a fervent religious search. Beginning with Kazantzakis's early career in fin-de-siècle Paris and his discovery of William James, Nietzsche, and Bergson, the book continues by describing his experiments with communism in turbulent Greece, his visits to Soviet Russia, and the publication of his epic Odyssey in 1938. Bien demonstrates that politics and religion cannot be separated in Kazantzakis's development. His major concern was personal salvation, but the method he employed to win that salvation was political engagement. Did deliverance lie in nationalism? Communism? Fascism? He eventually rejected each of these possible solutions as morally appalling. Abused by both left and right, he insisted on an "eschatological politics" of spiritual fulfillment. This compelling biography will be essential reading for Kazantzakis scholars and for a wide audience of those who already admire the Greek author's work. In addition, it will provide an introduction to the first three decades of Kazantzakis's career for those who have yet to enjoy such passionate and stirring novels as Zorba the Greek, The Greek Passion, and The Last Temptation of Christ. This first volume provides an introduction to the initial three decades of Kazantzakis's career for those who have enjoyed such vibrant and stirring novels as Zorba the Greek, The Greek Passion, and The Last Temptation of Christ.
A sweeping history of American cities and towns, and the utopian aspirations that shaped them, by one of America’s leading urban planners and scholars. The first European settlers saw America as a paradise regained. The continent seemed to offer a God-given opportunity to start again and build the perfect community. Those messianic days are gone. But as Alex Krieger argues in City on a Hill, any attempt at deep understanding of how the country has developed must recognize the persistent and dramatic consequences of utopian dreaming. Even as ideals have changed, idealism itself has for better and worse shaped our world of bricks and mortar, macadam, parks, and farmland. As he traces this uniquely American story from the Pilgrims to the “smart city,” Krieger delivers a striking new history of our built environment. The Puritans were the first utopians, seeking a New Jerusalem in the New England villages that still stand as models of small-town life. In the Age of Revolution, Thomas Jefferson dreamed of citizen farmers tending plots laid out across the continent in a grid of enlightened rationality. As industrialization brought urbanization, reformers answered emerging slums with a zealous crusade of grand civic architecture and designed the vast urban parks vital to so many cities today. The twentieth century brought cycles of suburban dreaming and urban renewal—one generation’s utopia forming the next one’s nightmare—and experiments as diverse as Walt Disney’s EPCOT, hippie communes, and Las Vegas. Krieger’s compelling and richly illustrated narrative reminds us, as we formulate new ideals today, that we chase our visions surrounded by the glories and failures of dreams gone by.
Power and Control in the Imperial Valley examines the evolution of irrigated farming in the Imperial-Mexicali Valley, an arid desert straddling the California–Baja California border. Bisected by the international boundary line, the valley drew American investors determined to harness the nearby Colorado River to irrigate a million acres on both sides of the border. The “conquest” of the environment was a central theme in the history of the valley. Colonization in the valley began with the construction of a sixty-mile aqueduct from the Colorado River in California through Mexico. Initially, Mexico held authority over water delivery until settlers persuaded Congress to construct the All-American Canal. Control over land and water formed the basis of commercial agriculture and in turn enabled growers to use the state to procure inexpensive, plentiful immigrant workers.
The long-awaited second volume of A. David Moody's critically acclaimed three-part biography of Ezra Pound weaves together the illuminating story of his life, his achievements as a poet and a composer, and his one-man crusade for economic justice. The years 1921-1939 were the most productive of Pound's career. In 1920s Paris, he was among the leading figures of the avant-garde and, in that ambience, he composed an opera, made original contributions to the theory of harmony, and wrote the first thirty cantos of his great epic. Moody explores this creativity in fascinating detail, examining the environment that allowed for some of Pound's greatest work. This period also brought Pound's politics firmly into view and Moody is able to shed new light on his sympathy for Mussolini's Fascism, his invoking Confucian China as a model of responsible government, and his abiding commitment to the democratic values of the American Constitution. Pound is revealed as a great poet and a flawed idealist caught up in the turmoil of his darkening time and struggling, sometimes blindly and in error and self-contradiction, to be a force for enlightenment.
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