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People—especially Americans—are by and large optimists. They're much better at imagining best-case scenarios (I could win the lottery!) than worst-case scenarios (A hurricane could destroy my neighborhood!). This is true not just of their approach to imagining the future, but of their memories as well: people are better able to describe the best moments of their lives than they are the worst. Though there are psychological reasons for this phenomenon, Karen A.Cerulo, in Never Saw It Coming, considers instead the role of society in fostering this attitude. What kinds of communities develop this pattern of thought, which do not, and what does that say about human ability to evaluate possible outcomes of decisions and events? Cerulo takes readers to diverse realms of experience, including intimate family relationships, key transitions in our lives, the places we work and play, and the boardrooms of organizations and bureaucracies. Using interviews, surveys, artistic and fictional accounts, media reports, historical data, and official records, she illuminates one of the most common, yet least studied, of human traits—a blatant disregard for worst-case scenarios. Never Saw It Coming, therefore, will be crucial to anyone who wants to understand human attempts to picture or plan the future. “In Never Saw It Coming, Karen Cerulo argues that in American society there is a ‘positive symmetry,’ a tendency to focus on and exaggerate the best, the winner, the most optimistic outcome and outlook. Thus, the conceptions of the worst are underdeveloped and elided. Naturally, as she masterfully outlines, there are dramatic consequences to this characterological inability to imagine and prepare for the worst, as the failure to heed memos leading up to both the 9/11 and NASA Challenger disasters, for instance, so painfully reminded us.”--Robin Wagner-Pacifici, Swarthmore College “Katrina, 9/11, and the War in Iraq—all demonstrate the costliness of failing to anticipate worst-case scenarios. Never Saw It Coming explains why it is so hard to do so: adaptive behavior hard-wired into human cognition is complemented and reinforced by cultural practices, which are in turn institutionalized in the rules and structures of formal organizations. But Karen Cerulo doesn’t just diagnose the problem; she uses case studies of settings in which people effectively anticipate and deal with potential disaster to describe structural solutions to the chronic dilemmas she describes so well. Never Saw It Coming is a powerful contribution to the emerging fields of cognitive and moral sociology.”--Paul DiMaggio, Princeton University
Al Qaeda detonates a nuclear weapon in Times Square during rush hour, wiping out half of Manhattan and killing 500,000 people. A virulent strain of bird flu jumps to humans in Thailand, sweeps across Asia, and claims more than fifty million lives. A single freight car of chlorine derails on the outskirts of Los Angeles, spilling its contents and killing seven million. An asteroid ten kilometers wide slams into the Atlantic Ocean, unleashing a tsunami that renders life on the planet as we know it extinct. We consider the few who live in fear of such scenarios to be alarmist or even paranoid. But Worst Cases shows that such individuals—like Cassandra foreseeing the fall of Troy—are more reasonable and prescient than you might think. In this book, Lee Clarke surveys the full range of possible catastrophes that animate and dominate the popular imagination, from toxic spills and terrorism to plane crashes and pandemics. Along the way, he explores how the ubiquity of worst cases in everyday life has rendered them ordinary and mundane. Fear and dread, Clarke argues, have actually become too rare: only when the public has more substantial information and more credible warnings will it take worst cases as seriously as it should. A timely and necessary look into how we think about the unthinkable, Worst Cases will be must reading for anyone attuned to our current climate of threat and fear.
"Tracing all the pre-colonial representations of "Hottentots" and "Hottentotism" operative in early-modern England allows us to see the birth and the development of a prejudice that became central to the nation. In their constructions of "Hottentots" the English found a way to vent their own fear, anger, and conflict about themselves and their society, particularly as they were transforming and redefining their nation as imperial Great Britain. The very invention of the "Hottentots" shows that the English needed to envision a worst people in order to imagine themselves as the world's most advanced people."--BOOK JACKET.
Once upon a time, in a tower near you, Lived a sad princess; the Princess Sue. "Some day," she sighed, "my prince will come, But I wish he'd move his royal bum." But when Princess Sue's prince finally does arrive, he's not quite what she had in mind. Find out how the feisty princess escapes the clutches of her twit of a prince in this funny, feminist twist on the traditional princess tale. Forget about pretty dresses, fairytale weddings and grand balls, Princess Sue is all about adventure, mischief and making unusual friends. She really is the worst princess! An empowering picture book from the brilliant author Anna Kemp, with illustrations by Sara Ogilive, illustrator of The Detective Dog – perfect for fans of Fantastically Great Women Who Changed the World, Princess Smartypants,Goodnight Stories for Rebel Girls and Ada Twist, Scientist. ‘Those sick of the cult of pink princesses will appreciate this quirky take on the traditional princess tale… A very funny new picture book’ The Bookseller Children's Buyers Guide ‘Told in verse, and wonderfully illustrated by Sara Ogilvie, this picture book is so funny it could be safely recommended for all ages’ The Independent on Sunday ‘Girl power is celebrated in this picture book that turns the princess role firmly on its head’ Waking Brain Cells blog ‘This book will remind young girls that it takes courage and determination to be oneself, even when going after one’s dreams or when beginning and ending friendships’ curled up with a good kid's book
Good Strategy/Bad Strategy clarifies the muddled thinking underlying too many strategies and provides a clear way to create and implement a powerful action-oriented strategy for the real world. Developing and implementing a strategy is the central task of a leader. A good strategy is a specific and coherent response to—and approach for—overcoming the obstacles to progress. A good strategy works by harnessing and applying power where it will have the greatest effect. Yet, Rumelt shows that there has been a growing and unfortunate tendency to equate Mom-and-apple-pie values, fluffy packages of buzzwords, motivational slogans, and financial goals with “strategy.” In Good Strategy/Bad Strategy, he debunks these elements of “bad strategy” and awakens an understanding of the power of a “good strategy.” He introduces nine sources of power—ranging from using leverage to effectively focusing on growth—that are eye-opening yet pragmatic tools that can easily be put to work on Monday morning, and uses fascinating examples from business, nonprofit, and military affairs to bring its original and pragmatic ideas to life. The detailed examples range from Apple to General Motors, from the two Iraq wars to Afghanistan, from a small local market to Wal-Mart, from Nvidia to Silicon Graphics, from the Getty Trust to the Los Angeles Unified School District, from Cisco Systems to Paccar, and from Global Crossing to the 2007–08 financial crisis. Reflecting an astonishing grasp and integration of economics, finance, technology, history, and the brilliance and foibles of the human character, Good Strategy/Bad Strategy stems from Rumelt’s decades of digging beyond the superficial to address hard questions with honesty and integrity.
The tenth-anniversary edition of the book that changed lives in profound ways, now with a new foreword and afterword. In 2006, a groundbreaking feature-length film revealed the great mystery of the universe—The Secret—and, later that year, Rhonda Byrne followed with a book that became a worldwide bestseller. Fragments of a Great Secret have been found in the oral traditions, in literature, in religions and philosophies throughout the centuries. For the first time, all the pieces of The Secret come together in an incredible revelation that will be life-transforming for all who experience it. In this book, you’ll learn how to use The Secret in every aspect of your life—money, health, relationships, happiness, and in every interaction you have in the world. You’ll begin to understand the hidden, untapped power that’s within you, and this revelation can bring joy to every aspect of your life. The Secret contains wisdom from modern-day teachers—men and women who have used it to achieve health, wealth, and happiness. By applying the knowledge of The Secret, they bring to light compelling stories of eradicating disease, acquiring massive wealth, overcoming obstacles, and achieving what many would regard as impossible.
It started with a ring. A cheap ring. The yellow metal said brass, not gold, and the sparkly bits were certainly not diamonds. But the ring belonged to May's horseplaying uncle, who swore it brought good luck. Dortmunder, who wouldn't kick a little good luck out of bed, puts it to the test when he goes to burglarize Long Island billionaire Max Fairbanks. As luck would have it, Dortmunder is greeted by Fairbanks himself - and a loaded gun - as soon as he strolls through the door. When the cops arrive, the mogul adds insult to injury by claiming that Dortmunder's lucky ring is actually his. Big mistake, big guy. As soon as Dortmunder can give the cops the slip, the world's most single-minded burglar goes after the fat cat with a vengeance and a team of crooks that only he can assemble. And from the get go everything will go Dortmunder's way - everything, that is, except the ring.
How have African American writers drawn on "bad" black men and black boys as creative touchstones for their evocative and vibrant art? This is the question posed by Howard Rambsy’s new book, which explores bad men as a central, recurring, and understudied figure in African American literature and music. By focusing on how various iterations of the bad black man figure serve as creative muse and inspiration for literary production, Rambsy puts a wide variety of contemporary African American literary and cultural works in conversation with creativity research for the first time. Employing concepts such as playfulness, productivity, divergent thinking, and problem finding, Rambsy examines the works of a wide range of writers—including Elizabeth Alexander, Amiri Baraka, Paul Beatty, Ta-Nehisi Coates, Tyehimba Jess, Trymaine Lee, Adrian Matejka, Aaron McGruder, Evie Shockley, and Kevin Young—who have drawn on notions of bad black men and boys to create innovative and challenging works in a variety of genres. Through groundbreaking readings, Rambsy demonstrates the fruitfulness of viewing black literary art through the lens of creativity research.
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The Anxieties of Idleness: Idleness in Eighteenth-Century British Literature and Culture investigates the preoccupation with idleness that haunts the British eighteenth century. Jordan argues that as Great Britain began to define itself as a nation during this period, one important quality it claimed was industriousness. However, this claim was undermined and complicated by many factors, such as leisure's importance to class status. Thus idleness was a subject of intense anxiety. One result of this anxiety was an increased surveillance of the supposed idleness of those members of society with less power to wield: the working classes, the nonwhite races, and women. Jordan analyzes how the "idleness" of these groups is figured, in traditional literature and in extra-literary works. Idleness was also a concern for writers of the day, as writing became a money-earning profession. Jordan examines the lives and works of two writers especially obsessed with idleness, Samuel Johnson and William Cowper.