Download Free Engraved Powder Horns Of The French And Indian War And Revolutionary War Era Book in PDF and EPUB Free Download. You can read online Engraved Powder Horns Of The French And Indian War And Revolutionary War Era and write the review.

This catalogue deals primarily with the collection of American powder horns and primers formed by J. H. Grenville Gilbert, of Ware, Massachusetts, and generously presented to The Metropolitan Museum of Art in 1937. An essay on American engraved powder horns and a résumé of the Gilbert collection precede the catalogue, which consists of detailed descriptions of the individual pieces and notes of genealogical or historical interest. Each horn in the collection is illustrated by a collotype reproduction and, with one exception (an undecorated horn), by a line drawing of the engraved area. An indexed checklist of the collections records the pertinent details of each powder horn.
Paul Revere's midnight ride looms as an almost mythical event in American history--yet it has been largely ignored by scholars and left to patriotic writers and debunkers. Now one of the foremost American historians offers the first serious look at the events of the night of April 18, 1775--what led up to it, what really happened, and what followed--uncovering a truth far more remarkable than the myths of tradition. In Paul Revere's Ride, David Hackett Fischer fashions an exciting narrative that offers deep insight into the outbreak of revolution and the emergence of the American republic. Beginning in the years before the eruption of war, Fischer illuminates the figure of Paul Revere, a man far more complex than the simple artisan and messenger of tradition. Revere ranged widely through the complex world of Boston's revolutionary movement--from organizing local mechanics to mingling with the likes of John Hancock and Samuel Adams. When the fateful night arrived, more than sixty men and women joined him on his task of alarm--an operation Revere himself helped to organize and set in motion. Fischer recreates Revere's capture that night, showing how it had an important impact on the events that followed. He had an uncanny gift for being at the center of events, and the author follows him to Lexington Green--setting the stage for a fresh interpretation of the battle that began the war. Drawing on intensive new research, Fischer reveals a clash very different from both patriotic and iconoclastic myths. The local militia were elaborately organized and intelligently led, in a manner that had deep roots in New England. On the morning of April 19, they fought in fixed positions and close formation, twice breaking the British regulars. In the afternoon, the American officers switched tactics, forging a ring of fire around the retreating enemy which they maintained for several hours--an extraordinary feat of combat leadership. In the days that followed, Paul Revere led a new battle-- for public opinion--which proved even more decisive than the fighting itself. ] When the alarm-riders of April 18 took to the streets, they did not cry, "the British are coming," for most of them still believed they were British. Within a day, many began to think differently. For George Washington, Thomas Jefferson, John Adams, and Thomas Paine, the news of Lexington was their revolutionary Rubicon. Paul Revere's Ride returns Paul Revere to center stage in these critical events, capturing both the drama and the underlying developments in a triumphant return to narrative history at its finest.
The author has gathered over 180 horns from his collection and placed them in historical context.
A world list of books in the English language.
Trench art is the evocative name given to a dazzling array of objects made from the waste of industrialized war. Each object, whether an engraved shell case, cigarette lighter or a pen made from shrapnel, tells a unique and moving story about its maker. For the first time, this book explores in-depth the history and cultural importance behind these ambiguous art forms. Not only do they symbolize human responses to the atrocities of war, but they also act as mediators between soldiers and civilians, individuals and industrial society, and, most importantly, between the living and the dead. Trench art resonates most obviously with the terror of endless bombardment, night raids, gas attacks and the bestial nature of trench life. It grew in popularity between 1919 and 1939 when the bereaved embarked on battlefield pilgrimages and returned with objects intended to keep alive the memory of loved ones. The term trench art is, however, misleading, as it does not simply refer to materials found in the trenches. It describes a diverse range of objects that have in some way emerged from the experience of war all over the world. Many distinctive objects, for example, were made during conflicts in Bosnia, Vietnam, Northern Ireland and Korea. Surprisingly, trench art predates World War I and it can be made in a number of earlier wars such as the Crimean War, the American Civil War, and the Boer War. Saunders looks at the broader issues of what is meant by trench art, what it was before the trenches and how it fits in with other art movements, as well as the specific materials used in making it. He suggests that it can be seen as a bridge between the nineteenth century certainties and the fragmented industrialized values and ideals of the modern world. This long overdue study offers an original and informative look at one of the most arresting forms of art. Spanning from 1800 to the present day, its analysis of art, human experience, and warfare will pave the way for new research.
The Academy of Natural Sciences, the American Philosophical Society, the John Bartram Association, the Library Company of Philadelphia, the Pennsylvania Horticultural Society, & the Philadelphia Botanical Club sponsored a three-day symposium in May 1999 to commemorate the 300th anniversary of John Bartram's birth. This collection of essays arises from that symposium. All of the essays contribute to the telling of the story of the multifaceted John Bartram, whose life spanned most of the 18th-century and who was called "the greatest natural botanist in the world." The work is published in cooperation with the Library Company of Philadelphia & John Bartram Association. Color & black & white illustrations.
As museums across Europe reckon with the post-colonial legacies of their collections, this volume combines approaches from material anthropology, imperial and military history to shed light on the acquisition and appropriation of objects during British colonial warfare. The authors offer a nuanced view of how the amassing of objects was governed and understood within military culture.