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Princess Elizabeth of Graycliff and Prince Edward of Whitehill have been bound to marry each other by the terms of a magical stone engraving. If they do not marry by their sixteenth birthday, only six days away, they will turn to stone. Moments before the wedding, they meet and discover they detest each other. With the clock ticking, they set out to find a stonecutter to release them from the dreadful enchantment. Along their journey, they encounter many treacherous traps and learn a lot about life and themselves.
Everything you need to know about entering the exciting and lucrative field of Natural Stone Engraving. Using the sandblasting method, Randi Hodges walks you through everything you need to know about the art and the markets for Natural Stone Engraving.
This book discuss different types of engraved gems in the collection of the Rijksmuseum van Oudheden Leiden, their makers, users and re-users, combining archaeological, culture historical and geological perspectives.
- Unusual approach to Cameos and Intaglios - Highly visual with archive material, preparatory drawings, photos and paintings - Includes 10 gate-fold pages This book is designed for the exhibition of the collection of Mr. Guy Ladrière, which will be presented by the School of Jewelery Arts in October 2021, under the commission of Mr. Philippe Malgouyres, chief curator of heritage in the art department of the Louvre. Widely illustrated and documented, this book will constitute a genuine introductory manual to the art of glyptics, thanks to its chrono-thematic approach to the history of engraved stones in the West. The author reveals a whole world in miniature, fascinating kings and emperors as much as collectors and art lovers. With materials with subtle engraved effects, cameos (relief engraving) and intaglios (intaglio engraving) have come down to us as jewels or relics, thus following all the themes of the History of Art: mythologies, symbols, portraits, allegories, etc.
Full-color, illustrated photographs that describe fifty inscribed monuments from across America that pays tribute to events and people throughout the nation's history, including the Lincoln Memorial, World War II, Korean, and Vietnam memorials, the Murrah Federal Building display in Oklahoma City, and September 11 memorials.
In the late 1800s, archaeologists began discovering engraved stone plaques in Neolithic (3500-2500 BC) graves in southern Portugal and Spain. About the size of one's palm, usually made of slate, and incised with geometric or, more rarely, zoomorphic and anthropomorphic designs, these plaques have mystified generations of researchers. What do their symbols signify? How were the plaques produced? Were they worn during an individual's lifetime, or only made at the time of their death? Why, indeed, were the plaques made at all? Employing an eclectic range of theoretical and methodological lenses, Katina Lillios surveys all that is currently known about the Iberian engraved stone plaques and advances her own carefully considered hypotheses about their manufacture and meanings. After analyzing data on the plaques' workmanship and distribution, she builds a convincing case that the majority of the Iberian plaques were genealogical records of the dead that served as durable markers of regional and local group identities. Such records, she argues, would have contributed toward legitimating and perpetuating an ideology of inherited social difference in the Iberian Late Neolithic.
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
Two years after the Taj Mahal is finally built, many secrets shroud its walls... In Agra to escort home the beautiful Shireen, Muzaffar Jang – maverick nobleman and ace detective – reluctantly finds himself at the centre of yet another murder investigation when Mumtaz Hassan, a prominent trader, is found dead under mysterious circumstances. The Diwan-i-kul, Mir Jumla, on his way to invade Bijapur, hands the task of finding the killer to Muzaffar. With almost no evidence to work with except an ambiguous scrawl on a scrap of paper found clutched in the dead man’s fist, Muzaffar knows he must find the killer before the Diwan-i-kul returns if he wants to save himself an invitation to a beheading. As he begins to uncover the dross beneath the golden opulence of the dead man and his murkily amorous past, Muzaffar chances upon another mystery: a long forgotten tale of a woman who vanished inexplicably one evening. Muzaffar Jang once again pits his wits against an array of potential suspects – even as he loses his heart... '
'Censorship may have to do with literature', Nadine Gordimer once said, 'but literature has nothing whatever to do with censorship.' As the history of many repressive regimes shows, this vital borderline has seldom been so clearly demarcated. Just how murky it can sometimes be is compellingly exemplified in the case of apartheid South Africa. For reasons that were neither obvious nor historically inevitable, the apartheid censors were not only the agents of the white minority government's repressive anxieties about the medium of print. They were also officially-certified guardians of the literary. This book is centrally about the often unpredictable cultural consequences of this paradoxical situation. Peter D. McDonald brings to light a wealth of new evidence - from the once secret archives of the censorship bureaucracy, from the records of resistance publishers and writers' groups both in the country and abroad - and uses extensive oral testimony. He tells the strangely tangled stories of censorship and literature in apartheid South Africa and, in the process, uncovers an extraordinarily complex web of cultural connections linking Europe and Africa, East and West. The Literature Police affords a unique perspective on one of the most anachronistic, exploitative, and racist modern states of the post-war era, and on some of the many forms of cultural resistance it inspired. It also raises urgent questions about how we understand the category of the literary in today's globalized, intercultural world.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.