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Princess Elizabeth of Graycliff and Prince Edward of Whitehill have been bound to marry each other by the terms of a magical stone engraving. If they do not marry by their sixteenth birthday, only six days away, they will turn to stone. Moments before the wedding, they meet and discover they detest each other. With the clock ticking, they set out to find a stonecutter to release them from the dreadful enchantment. Along their journey, they encounter many treacherous traps and learn a lot about life and themselves.
Everything you need to know about entering the exciting and lucrative field of Natural Stone Engraving. Using the sandblasting method, Randi Hodges walks you through everything you need to know about the art and the markets for Natural Stone Engraving.
This book discuss different types of engraved gems in the collection of the Rijksmuseum van Oudheden Leiden, their makers, users and re-users, combining archaeological, culture historical and geological perspectives.
Two years after the Taj Mahal is finally built, many secrets shroud its walls... In Agra to escort home the beautiful Shireen, Muzaffar Jang – maverick nobleman and ace detective – reluctantly finds himself at the centre of yet another murder investigation when Mumtaz Hassan, a prominent trader, is found dead under mysterious circumstances. The Diwan-i-kul, Mir Jumla, on his way to invade Bijapur, hands the task of finding the killer to Muzaffar. With almost no evidence to work with except an ambiguous scrawl on a scrap of paper found clutched in the dead man’s fist, Muzaffar knows he must find the killer before the Diwan-i-kul returns if he wants to save himself an invitation to a beheading. As he begins to uncover the dross beneath the golden opulence of the dead man and his murkily amorous past, Muzaffar chances upon another mystery: a long forgotten tale of a woman who vanished inexplicably one evening. Muzaffar Jang once again pits his wits against an array of potential suspects – even as he loses his heart... '
The book reveals the physical engraved Cornerstone that was placed in the corner of the Temples of Israel, in Solomons and Zerubbabels Temples. It was refused to be placed in Herods temple modification. Years of preaching has not revealed it. In the story, it is shown how it may have come into existence. The central character is a boy who grows up in Israel during the time of construction of King Davids house and the building of Solomons Temple. He learns of the trade of a stone mason, of the God of Israel and embraces the faith of Israel. He is led to engrave seven eyes on what is to be the Cornerstone.
'Censorship may have to do with literature', Nadine Gordimer once said, 'but literature has nothing whatever to do with censorship.' As the history of many repressive regimes shows, this vital borderline has seldom been so clearly demarcated. Just how murky it can sometimes be is compellingly exemplified in the case of apartheid South Africa. For reasons that were neither obvious nor historically inevitable, the apartheid censors were not only the agents of the white minority government's repressive anxieties about the medium of print. They were also officially-certified guardians of the literary. This book is centrally about the often unpredictable cultural consequences of this paradoxical situation. Peter D. McDonald brings to light a wealth of new evidence - from the once secret archives of the censorship bureaucracy, from the records of resistance publishers and writers' groups both in the country and abroad - and uses extensive oral testimony. He tells the strangely tangled stories of censorship and literature in apartheid South Africa and, in the process, uncovers an extraordinarily complex web of cultural connections linking Europe and Africa, East and West. The Literature Police affords a unique perspective on one of the most anachronistic, exploitative, and racist modern states of the post-war era, and on some of the many forms of cultural resistance it inspired. It also raises urgent questions about how we understand the category of the literary in today's globalized, intercultural world.
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs. In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.