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This book brings to the attention of the collecting public nearly 300 transferware items from 1780-1840. With more than 1200 images, this book of pottery objects for every conceivable use will appeal to collectors, historians, and dealers.
Printed transferwares had significant cultural impact as they were produced and exported around the world from the early 19th century. Melding historical enquiry with contemporary practice, this book illustrates how artists have re-appropriated this historical genre to observe, record, comment, and re-animate printed tablewares.
The Material Culture of Tableware is a fascinating and authoritative study of patterned tableware in the US. The book undertakes a visual analysis of Johnson Brothers patterns of tableware pottery, with reference to comparable designs by other British companies, such as Spode and Adams. It examines how this practical genre reflected the aesthetic values, sense of identity and aspirations of the American consumers who purchased its products. The study also sheds light on British opinions and understandings of American culture. The book's chronological organization shows how tableware designs reflected the cultural developments of American society during the long 20th century. From status-seeking 1890s beaux-arts patterns and the nostalgic historical scenes of the 1930s, to whimsical 1960s patterns and the contemporary motifs of the 1970s, The Material Culture of Tableware tells a compelling story about who 20th century middle-class Americans were and wanted to be.
Although there are other books about renovating old houses, this is the first that prioritizes the identification and preservation of the historic, character-defining features of a house as a starting point in the process. That is the purpose of this book: to describe and illustrate a best-practices approach for updating historic homes for modern life in ways that do not attempt to turn an old house into a new one. The book also suggests many ways to save money in the process, without settling for cheap or inappropriate solutions. Scott Hanson is a historic-building preservation professional and has 40 years' experience rehabilitating historic houses. He has illustrated this authoritative book with hundreds of step-by-step photos, illustrations, charts, and decision-making guides. Interspersed throughout are photo essays of 13 restored historic houses representing a range of periods and architectural styles: Italianate, Victorian, Queen Anne, Federal, Colonial, Colonial Revival, Greek Revival, Ranch, Adobe, Craftsman, Shingle, and Rustic. With interior and exterior photography by David Clough, these multi-page features show what can be achieved when a historic home is renovated with a desire to preserve or restore as much historic character as possible.
Barry Dixon Inspirations takes the reader through eight homes transformed by renowned designer Barry Dixon. From a cottage and a chic chateau to a grand estate home, with a high-rise apartment and a row house in between, we see the broad range of Dixon's decorating style and learn what inspired his colors and materials for each location.Barry Dixon, named the "2010 Master of Design" by Veranda magazine, has worked for such clients as Diane Sawyer and former Senate Majority Leader Bill Frist. He spent his childhood living in places such as India, New Caledonia and South Africa. This early exposure to many cultures and traditions clearly helped him to become a master at blending traditional décor with various colors and textures that are not forgetful about beauty and functionality.In Barry Dixon Inspirations, designers will learn all about what inspired Barry's choices for colors and materials for designs he created for a beach house, a renovated urban loft, and more.Designs include: Montecito California Weekend Living Showhouse Stately Living in Nashville Industrial Redux in Corinth, Mississippi Georgian Tradition on the Banks of the Potomac Sky High Living on Chicago's Michigan Avenue Delaware Shore Beach House
Can Andie's cute co-star Max get her out of Colombia alive? And what will this trip mean for their reluctant romance? Hold on to your seats for another adventure-filled ride.
This essential new reference identifies thousands of marks from American, English and European potters. Marks are presented in alphabetical and chronological order by potters with historical facts. American and Canadian importers and the potters for whom they imported are identified. Ware types, printed patterns, registry dates, glossary and bibliography are included. Now identification of pottery has a single authoritative source.
Leads the reader through the worlds between the tides, with tales of the origins of each shard, whether glass or ceramic.
Old-House Journal is the original magazine devoted to restoring and preserving old houses. For more than 35 years, our mission has been to help old-house owners repair, restore, update, and decorate buildings of every age and architectural style. Each issue explores hands-on restoration techniques, practical architectural guidelines, historical overviews, and homeowner stories--all in a trusted, authoritative voice.
Fifteen lavishly detailed Southern houses in Atlanta, Georgia, South Carolina, the Virginia Piedmont, along the Florida coasts, and in the mountains of North Carolina, from a leader in traditional architecture. Esteemed Atlanta architect Norman Davenport Askins made his name with his mastery of historical precedent. His gracious and livable designs recall such diverse sources as Italian Renaissance country villas, hillside castles in the Dordogne, and the very strong presence of the Colonial Revival and Federal houses in Atlanta and the greater South. Inspired by Tradition presents a portrait of Southern elegance through Askins’s trademark infusion of traditional design with understated innovation and style. New color photographs of interiors and landscape, commissioned specially for the book, complement traditional hand-drawn plans and elevations. In a special section dedicated to “Elements of Tradition,” Askins identifies the key components of traditional design and the parameters for using them successfully. Ultimately he believes in approaching tradition with innovation and individuality—adding touches of glamour, humor, and romance that bring his houses to life.