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Bach's Six English Suites have been newly engraved from the acclaimed Hans Bischoff edition. These fresh, easily read pages will make lessons and work towards performance more simple and exciting. Included is a lengthy preface by Bischoff, discussing materials used to develop this edition, along with various footnotes throughout the text to clarify performance. Titles: * No. 1 in A Major * No. 2 in A Minor * No. 3 in G Minor * No. 4 in F Major * No. 5 in E Minor * No. 6 in D Minor
(Music Sales America). The French Suites were written in 1722. But it was not until Bach biographer Johann Forkel prepared an edition in the early nineteenth century that the pieces became known by the collective title French . It is true that Bach gave each of the dance movements a French title, but it was Forkel who declared that they were 'written in the French taste, with an emphasis on tunefulness and consonant harmony rather than German structure and counterpoint'.
This collection of 28 short, melodious pieces by J. S. Bach was compiled and edited by Walter Carroll in order to provide a varied set of easier compositions for study by pianists first being introduced to Bach's work. Includes 11 Minuets, 4 Polonaises, 3 Marches, 2 Musettes, a Bourree, 4 Gavottes, a Scherzo, a Sarabande, and a Prelude.
Hans Bischoff (1852--1889) was a German concert pianist and well-regarded music editor, who continues to be respected for his thorough research, attention to detail, and careful consideration of source materials. This newly engraved edition of the Six English Suites, BWV 806--811 is based on Bischoff's analysis of the autograph, along with several manuscripts, copies, and fragments. Bischoff's footnotes and prefatory commentary have been preserved, as well as his interpretive suggestions for performance. Also included are explanations of the ornaments used throughout the work and helpful fingering. Measure numbers and BWV numbers have been included for easy reference.
This edition of the Bach Cello Suites is appealing to both the scholar and the performer. The genesis of this edition was the alignment of the relevant manuscripts for easy comparison and study using a line-by-line layout. It has resulted in the ultimate scholarly approach to the study of these manuscripts and has led to many discoveries concerning notes, trills, dots, dynamics, and rhythm. In the scordatura version of "Suite No. 5," pitch names are given above the notes for the re-tuned top string, clarifying confusing elements in the notation. Fingerings and bowings in this edition reflect those used on the DVD set of Starkweather's performance of the suites (item number 730150). Reference to the manuscript edition makes it possible to visually assess the ambiguity of many of the slurs and to reach one's own conclusions.
This historical survey focuses on music for piano solo but also includes important compositions for piano duet and two pianos. Scholarly yet readable, it covers the entire repertoire from the Renaissance to the late 20th century and incorporates a bibliography of 1 100 sources for further study.