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Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XLI is the second of three volumes that ambitiously survey half a milliennium of poetry in the English language. More than 300 works by 60 authors in this volume alone span the 18th and 19th centuries, and include: [ George Sewell: "The Dying Man in His Garden" [ Alison Rutherford Cockburn: "The Flowers of the Forest" [ Henry Fielding: "A Hunting Song" [ Oliver Goldsmith: "The Traveller; or, A Prospect of Society" [ Richard Brinsley Sheridan: "Drinking Song" [ Carolina Oliphant, Lady Nairne: "The Auld House" [ William Blake: "The Tiger" [ William Wordsworth: "Nature and the Poet" [ Samuel Taylor Coleridge: "The Rime of the Ancient Mariner" [ Sir Walter Scott: "To a Lock of Hair" [ Thomas Campbell: "The Soldier's Dream" [ George Gordon, Lord Byron: "She Walks in Beauty" [ Percy Bysshe Shelley: "To a Skylark" [ John Keats: "Ode on a Grecian Urn" [ Elizabeth Barrett Browning: "Sonnets" [ and much more.
This text features 28 essays written by important international scholars on the major poems of the English Renaissance. It offers scholarship on subjects ranging from the invention of English verse, Petrarchism, pastoral, elegy, and satire, to women's religious verse, the place of homoeroticism and Cavalier poetry.
This 'prosodical' syntax is intended to replace the famous syntactic laws of Hans Kuhn through its greater accuracy and wider range of application.
Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.
This book investigates the ways in which poets have exploited the resources of the language as a spoken medium - its characteristic rhythms, its phonetic qualities, its deployment of syntax - to write verse that continues to move and delight.
A thought-provoking, sustained meditation on sex, love, power, and poetry.