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This comprehensive anthology attempts to give the common reader possession of six centuries of great British and American poetry. The book features a large introductory essay by Harold Bloom called "The Art of Reading Poetry," which presents his critical reflections of more than half a century devoted to the reading, teaching, and writing about the literary achievement he loves most. In the case of all major poets in the language, this volume offers either the entire range of what is most valuable in their work, or vital selections that illuminate each figure's contribution. There are also headnotes by Harold Bloom to every poet in the volume as well as to the most important individual poems. Much more than any other anthology ever gathered, this book provides readers who desire the pleasures of a sublime art with very nearly everything they need in a single volume. It also is regarded as his final meditation upon all those who have formed his mind.
Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.
Jibanananda Das' lyricism is unparalleled in Bengali literature. His early poems are vivid, eloquent celebrations of the beauty of Bengal; his later works, written in the 1940s and 50s, are darker, comments on political issues and current affairs like the Second World War, the Bengal Famine of '43 and Hindu - Muslim riots at the time of Partition. Born in 1899, Jibanananda belonged to a group of poets who tried to shake off Tagore's poetic influence. While he is best known for poetry that reveals a deep love for nature and rural landscapes, tradition and history, Jibanananda is also strikingly urban, and introspective, his work centring on themes of loneliness, depression and death. He was a master of word-images, and his unique poetic idiom drew on tradition but was startlingly new.
Now back in print, this collection of poems by one of the most popular and best-loved poets in France, whose famous poem "Liberte" was dropped on French towns by the RAF during World War II. This bilingual edition contains a representative selection of poems from different periods and different aspects of his vast output.