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First Published in 1993. Written specifically for students and assuming no prior knowledge of the subject, David Trotter’s The English Novel in History 1895-1920 provides the first detailed and fully comprehensive analysis of early twentieth-century English fiction. Whereas all previous studies have been rigorously selective, Trotter looks at over 140 novelists across the whole spectrum of fiction: from the innovations of Joyce’s Ulysses through to popular mass-market genres such as detective stories and spy-thrillers. By examining the novels in both stylistic and historical terms, David Trotter looks at the ways in which writers responded to contemporary preoccupations such as the spectacle of consumption and the growth of suburbia, or to anxieties about the decline of Empire, racial ‘degeneration’ and ‘sexual anarchy’. He also challenges the view that literature of the period can be interpreted as a neat procession from realism to Modernism.
Written especially for students and assuming no prior knowledge of the subject, David Trotter's "The English Novel in History 1895-1920" provides a comprehensive introduction to early 20th-century fiction This study embraces the whole range of early 20th-century fiction, from avant-garde innovations to popular mass-market genres. Separate sections are devoted to James, Conrad, Kipling, Bennett, Lawrence, Lewis, and Joyce. It establishes a classification of literary styles in the period. Based on this classification, it offers an account of the subject-matters which preoccupied writers of all kinds: gender, race, nationality, sexual psychology, production and consumption. "The English Novel in History" aims to redefine our understanding of literary Modernism, and should be useful reading for all students of modern English literature.
The construction of history as a social common denominator is a powerful achievement of the nineteenth-century novel, a form dedicated to experimenting with democratic social practice as it conflicts with economic and feudal visions of social order. Through revisionary readings of familiar nineteenth-century texts The English Novel in History 1840-1895 takes a multidisciplinary approach to literary history. It highlights how narrative shifts from one construction of time to another and reformulates fundamental ideas of identity, nature and society. Elizabeth Ermarth discusses the range of novels alongside other cultural material, including painting, science, religious, political and economic theory. She explores the problems of how a society, as defined in democratic terms, can accommodate political, gender and class differences without resorting to hierarchy; and how narrowly conceived economic agendas compete with social cohesion. Students, advanced undergraduates, postgraduates and specialists will find this text invaluable.
Written especially for students and assuming no prior knowledge of the subject, this book aims to provide a comprehensive introduction to early 20th-century fiction.
The English Novel in History 1700-1780 provides students with specific contexts for the early novel in response to a new understanding of eigtheenth-century Britain. It traces the social and moral representations of the period in extended readings of the major novelists, as well as evaluatiing the importance of lesser known ones. John Richetti traces the shifting subject matter of the novel, discussing: * scandalous and amatory fictions * criminal narratives of the early part of the century * the more disciplined, realistic, and didactic strain that appears in the 1740's and 1750's * novels promoting new ideas about the nature of domestic life * novels by women and how they relate to the shift of subject matter This original and useful book revises traditional literary history by considering novels from those years in the context of the transformation of Britain in the eighteenth century.
Steven Connor provides in-depth analyses of the novel and its relationship with its own form, with contemporary culture and with history. He incorporates an extensive and varied range of writers in his discussions such as * George Orwell * William Golding * Angela Carter * Doris Lessing * Timothy Mo * Hanif Kureishi * Marina Warner * Maggie Gee Written by a foremost scholar of contemporary culture and theory, The English Novel in History, 1950 to the Present offers not only a survey but also a historical and cultural context to British literature produced in the second half of this century.
The Death of Christian Britain uses the latest techniques to offer new formulations of religion and secularisation and explores what it has meant to be 'religious' and 'irreligious' during the last 200 years. By listening to people's voices rather than purely counting heads, it offers a fresh history of de-christianisation, and predicts that the British experience since the 1960s is emblematic of the destiny of the whole of western Christianity. Challenging the generally held view that secularization has been a long and gradual process beginning with the industrial revolution, it proposes that it has been a catastrophic short term phenomenon starting with the 1960's. Is Christianity in Britain nearing extinction? Is the decline in Britain emblematic of the fate of western Christianity? Topical and controversial, The Death of Christian Britain is a bold and original work that will bring some uncomfortable truths to light.
An unlikely lothario, one of the most successful writers of his time, a figure at the heart of the age's political and artistic debates—H. G. Wells' life is a great story in its own right When H. G. Wells left school in 1880 at 13 he seemed destined for obscurity—yet he defied expectations, becoming one of the most famous writers in the world. He wrote classic science-fiction tales such as The Time Machine, The Invisible Man, and The War of the Worlds; reinvented the Dickensian novel in Kipps and The History of Mr Polly; pioneered postmodernism in experimental fiction; and harangued his contemporaries in polemics which included two bestselling histories of the world. He brought equal energy to his outrageously promiscuous love life—a series of affairs embraced distinguished authors such as Dorothy Richardson and Rebecca West, the gun-toting travel writer Odette Keun, and Russian spy Moura Budberg. Until his death in 1946 Wells had artistic and ideological confrontations with everyone from Henry James to George Orwell, from Churchill to Stalin. He remains a controversial figure, attacked by some as a philistine, sexist, and racist, praised by others as a great writer, a prophet of globalization, and a pioneer of human rights. Setting the record straight, this authoritative biography is the first full-scale account to include material from the long-suppressed skeleton correspondence with his mistresses and illegitimate daughter.
Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
Frances Hodgson Burnett is remembered today as the author of the children’s classic The Secret Garden, but in her lifetime she had a long and successful career as a novelist, dramatist and writer of children’s stories. Of high literary quality, her novels covered a range of genres, including industrial novels, American-themed social novels, historical novels, transatlantic novels and post–World War I novels. The Novels of Frances Hodgson Burnett reads her novels in the context of the changing literary field in England and the United States in the years between the death of George Eliot in 1880 through to the Great War. Read as a body of literary fiction in relation to Elizabeth Gaskell, Henry James and T. S. Eliot among others, and read in the context of literary realism, historical fiction, the sensation novel and so on, Burnett’s novels constitute an important thread that chronicles the changing contexts and forms of English and American fiction from the end of the Victorian period to the Jazz Age of the 1920s.