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Spanning over 2 centuries, James Gregory's Mercy and British Culture, 1760 -1960 provides a wide-reaching yet detailed overview of the concept of mercy in British cultural history. While there are many histories of justice and punishment, mercy has been a neglected element despite recognition as an important feature of the 18th-century criminal code. Mercy and British Culture, 1760-1960 looks first at mercy's religious and philosophical aspects, its cultural representations and its embodiment. It then looks at large-scale mobilisation of mercy discourses in Ireland, during the French Revolution, in the British empire, and in warfare from the American war of independence to the First World War. This study concludes by examining mercy's place in a twentieth century shaped by total war, atomic bomb, and decolonisation.
Writing the Frontier: Anthony Trollope between Britain and Ireland is the first book-length study of the great Victorian novelist's relationship with Ireland, the country which became his second home and was the location of his first personal and professional success. It offers an in-depth exploration of Trollope's time in Ireland as a rising Post Office official, contextualising his considerable output of Irish novels and short stories and his ongoing interest in the country, its people, and its always complicated relationship with Britain. Trollope's Irish novels were long neglected but are vital to any understanding of his entire oeuvre and when given their just place alter our overall view of the writer and his take on the world. Uniquely among his fellow English novelists, Trollope consciously occupied a mediating position, believing he knew Ireland better than any other Englishman and better than most Irishmen and used his novels to represent that Ireland to an English public. Trollope's Irish works constitute a vital and distinct group of works, add significantly to our vision of the writer, change the prevalent view that he is always safe and "English", and represent a rich and underestimated contribution to the canon of the nineteenth century Irish novel tout court, complicating the sometimes arbitrary divisions that are drawn between the English and the Irish traditions.