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This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
A comprehensive survey of the theatre practice and dramatic literature of the Victorian period.
This is the first book to examine the working world of the playwright in nineteenth-century Britain. It was often a risky and financially uncertain profession, yet the magic of the theater attracted authors from widely different backgrounds--journalists, lawyers, churchmen, civil servants, printers, and actors, as well as prominent poets and novelists. In a fascinating account of the frustrations and the rewards of dramatic authorship, Stephens uncovers fresh information on the playwright's earnings, relationships with actors, managers, publishers, and audience, and offers a new perspective on his growing status as a professional. Further chapters focus on the struggle for copyright reform and the complexities of dramatic publishing. A large number of major and minor authors are discussed, among them Planché, Fitzball, Boucicault, Pinero, Grundy, Gilbert, Jones, and Shaw.
Introduces general reference books, ready-reference guides, guides to manuscripts and dissertations, computer databases, and resources in rhetoric and composition.
Publisher Description
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.