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This is the fifth revised edition of a standard work of reference which was first published in 1969. It is a remarkable book that effortlessly and enjoyably takes the reader from the earliest pottery extant dating from the first Neolithic period, through the great classical names such as Wedgwood and Spode, Staffordshire and Ironstone to the more readily collectable pottery of the nineteenth and twentieth centuries. There are many individual studies of potteries and potters but here Griselda Lewis succeeds in putting this vast array of them into an understandable historical perspective and traces the links in the development of the rich tradition of pottery in England. This book triumphantly succeeds in the most difficult task of all, that of arousing enthusiasm. - this comment by a reviewer on a previous edition of the work neatly sums up one of the main reasons for the book's enduring success. The new edition contains almost three times as much colour as the first edition and benefits from the wealth of research that has gone on in the past twelve years. There is a large section on modern studio potters and commercial wares that will be of particular interest to the contemporary collector. AUTHOR: Griselda Lewis is author of many books on pottery including An Introduction to English Pottery, A Picture History of English Pottery, Prattware (with John Lewis) and A Handbook of Crafts. 175 colour & 173 b/w illustrations
The bible for pottery and porcelain collectibles, the third edition is all new from cover to cover. The only price guide of its kind, it features 300 photos, more than 200 categories and more than 10,000 price listings of today's hottest collectibles in the antiques marketplace.
A guide to the pottery and porcelain collections and their locations in the British Museum; history of British pottery and porcelain manufacture.
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.