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Rory and her friends are determined to stop the Snow Queen once and for all in this thrilling conclusion to the Ever Afters series, which Kirkus Reviews calls a “fast-paced combination of middle school realism and fairy-tale fantasy.” How will this tale end? The whole fairy-tale world is on high alert. The Snow Queen and her minions are targeting Characters, and Ever After School is the only safe refuge left. Rory Landon knows a final confrontation is inevitable, and she worries about the safety of her family and friends—particularly Chase, who has been acting very strange lately. Will Rory be able to count on Chase when she needs him most? Is she strong enough to put an end to the Snow Queen’s terrible reign once and for all? Only one thing is certain: it’s time for Rory to find out if her tale ends in happily-ever-after.
Stone Reeves was my neighbor, and I’ve hated him since sixth grade. Gorgeous and charismatic, he became the town’s football god, while I became the town’s invisible girl. He went to a Division 1 school for football, while my father was fired by his father. His team won the National Championship, while my mother died the same day. He was a first round pick for the NFL ... ... while I made the worst decision of my life. Now I’m in Texas trying to pick up the pieces of my life. But, Stone is here. Stone is everywhere. It doesn’t matter that disaster has struck my life again. It doesn’t matter that he’s the one trying to console me. It doesn’t matter that he’s the nation’s newest football obsession. Because for me, he always has been and always will be my enemy.
'Better mad with the crowd than sane all alone' In these witty, Machiavellian aphorisms, unlikely Spanish priest Baltasar Gracián shows us how to exploit friends and enemies alike to thrive in a world of deception and illusion. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Baltasar Gracián (1601-1658). Gracián's work is available in Penguin Classics in The Pocket Oracle and Art of Prudence.
In the wake of a devastating disease, everyone sixteen and older is either dead or a decomposing, brainless creature with a ravenous appetite for flesh. Teens have barricaded themselves in buildings throughout London and venture outside only when they need to scavenge for food. The group of kids living a Waitrose supermarket is beginning to run out of options. When a mysterious traveler arrives and offers them safe haven at Buckingham Palace, they begin a harrowing journey across London. But their fight is far from over???the threat from within the palace is as real as the one outside it. Full of unexpected twists and quick-thinking heroes, The Enemy is a fast-paced, white-knuckle tale of survival in the face of unimaginable horror.
A post-Apocalyptic YA novel with a steampunk twist, based on an Apache legend.
Former car thief Ray Lilly is now the expendable grunt of a sorcerer responsible for destroying extradimensional predators summoned to our world by power-hungry magicians. Luckily, Ray has some magic of his own, and so far it’s kept him alive. But when a friend from his former gang calls him back to his old stomping grounds in Los Angeles, Ray may have to face a threat even he can’t handle. A mysterious spell is killing Ray’s former associates, and they blame him. Worse yet, the spell was cast by Wally King, the sorcerer who first dragged Ray into the brutal world of the Twenty Palace Society. Now Ray will have to choose between the ties of the past and the responsibilities of the present, as he and the Society face not only Wally King but a bizarre new predator.
C. P. Ellis grew up in the poor white section of Durham, North Carolina, and as a young man joined the Ku Klux Klan. Ann Atwater, a single mother from the poor black part of town, quit her job as a household domestic to join the civil rights fight. During the 1960s, as the country struggled with the explosive issue of race, Atwater and Ellis met on opposite sides of the public school integration issue. Their encounters were charged with hatred and suspicion. In an amazing set of transformations, however, each of them came to see how the other had been exploited by the South's rigid power structure, and they forged a friendship that flourished against a backdrop of unrelenting bigotry. Rich with details about the rhythms of daily life in the mid-twentieth-century South, The Best of Enemies offers a vivid portrait of a relationship that defied all odds. By placing this very personal story into broader context, Osha Gray Davidson demonstrates that race is intimately tied to issues of class, and that cooperation is possible--even in the most divisive situations--when people begin to listen to one another.
Alliance of Enemies tells the thrilling history of the secret World War II relationship between Nazi Germany's espionage service, the Abwehr, and the American OSS, predecessor of the CIA. The actors in this great as-yet-untold story were often at odds with their respective governments. Working in the face of competing ideologies and at great personal risk, these unorthodox collaborators struggled to bring about an early peace. By mining secret World War II files that were only recently declassified, as well as personal interviews, diaries, and previously unpublished accounts to unearth some of history's surprises, Agostino von Hassell and Sigrid MacRae shed new light on Franklin Roosevelt's surprising stance toward Hitler before the U.S. entered the war, and on the relationship of American business to the Third Reich. They offer vivid details on the German resistance's desperate efforts to at first avert war and then to make common cause with enemy representatives to end it. And their work details the scope and depth of German resistance and its many plots to eliminate Hitler and why they failed. New names and incredible wartime plots reveal the titanic power struggles that took place in Istanbul and Lisbon---cities crawling with spies. Intense, clandestine communications and spy rings come clear, as do the self-serving neutrality of Switzerland and Portugal and the shocking postwar scramble for German spies, scientists, and more, all to aid in the fight against a new enemy: communism. Alliance of Enemies fills a huge void in our knowledge of the hidden, layered warfare---and the attempts for peace---of World War II. It will fascinate and excite historians, spy and policy enthusiasts, and anyone concerned with the uses of intelligence in trying times. Nowhere has such a complete and provocative history of the wars behind World War II been told---until now.
A “wonderfully twisted meditation on identity and individuality” from a Nobel Prize–winning author who pushes fiction to its very limits (The Boston Globe). As this novel by the author of Blindness and All the Names begins, Tertuliano Máximo Afonso is a divorced, depressed history teacher. To lift his spirits, a colleague suggests he rent a certain video. Tertuliano watches the film, unimpressed. But during the night, when he is awakened by noise, he finds the VCR replaying the video and watches in astonishment as a man who looks exactly like him—or, more specifically, exactly like he did five years earlier, mustachioed and fuller in the face—appears on the screen. Against his own better judgment, Tertuliano decides to pursue his double. As he roots out the man’s identity, what begins as a whimsical chase becomes a probing investigation into what makes us human. Can we be reduced to our outward appearance, rather than the sum of our experiences? The inspiration for the film Enemy starring Jake Gyllenhaal and directed by Denis Villeneuve, The Double is a timeless novel from a writer John Updike described in The New Yorker as “like Faulkner, so confident of his resources and ultimate destination that he can bring any impossibility to life by hurling words at it.” “It’s tempting to think of [The Double] as his masterpiece.” —The New York Times Translated from the Portuguese by Margaret Jull Costa