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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

Who's winning and who's losing? This book provides hard data for all who ponder the shifting sands of power, whether economic, military or demographic, and seek keys to decipher the media news. Going far beyond the major powers and the BRIC countries, this economic statistical work, issued every few years, presents historical statistics in nine sections.

This is Volume 2, which lists (1) Population/Growth Rates of Population by country, (2) GDP Per Capita/Growth Rates of GDP Per Capita by country, and (3) GDP/Growth Rates of GDP by country.

Volume 1 (sold separately) covers: (1) Population by rank, (2) GDP Per Capita by rank, (3) GDP by rank, (4) Growth Rates of Population by rank, (5) Growth Rates of GDP Per Capita by rank, (6) Growth Rates of GDP by rank.

This biennial work contains data generally not available elsewhere, and in ways that help make it possible to draw useful comparisons.

First, it provides statistical data for all countries of the world (236 countries, within their 2011 borders) since the year 1950 (by decade, with 2011 in addition), plus forecasts for 2020 and 2030. Second, it provides data for 135 countries since the year 1000 (with data for 1000, 1500, 1600, 1700, 1820, 1870, 1880, 1890, 1900, 1913, 1920, 1929, and 1938). Third, it provides data for 134 countries for the first year AD.

In Volume 1 [572 pages], this data is arranged by rank, or size. In this, Volume 2 [438 pages], the countries are listed alphabetically.

This book is based on the groundbreaking works of Angus Maddison but it gives data up to the most recent year available and calculates GDP (gross and per capita) in the prices of that year.

For recent years, the World Bank, CIA, and Encyclopedia Britannica were principal sources. But, despite the author's great debt to these sources, the preponderance of data in the book is not direct citations from them but rather the result of calculations. Among other computational techniques he uses a new logarithmic interpolation which takes care of cross-country statistical distortions when calculating in the prices of the most recent year. For every line of data (for every country, each year), he provides a note on the technique used in obtaining his estimate (i.e., proxy, exponential interpolation, direct estimate with source citation, etc.).

Dr. Avakov's annual title, "Quality of Life, Balance of Powers, and Nuclear Weapons," gives a current snapshot of world economic and military statistics. This work, "Two Thousand Years of Economic Statistics," gives world population figures and current GDP data in a historical perspective.

This fully updated new edition of The Law of International Watercourses examines the rules of international law governing the use of international rivers, lakes, and groundwater shared by two or more countries.
This is a stimulating intellectual and spiritual autobiography of Otto Bird, a pioneer in the Great Books Movement in this country.
Determinants of the Death Penalty seeks to explain the phenomenon of capital punishment - without recourse to value judgements - by identifying those characteristics common to countries that use the death penalty and those that mark countries which do not. This global study uses statistical analysis to relate the popularity of the death penalty to physical, cultural, social, economical, institutional, actor oriented and historical factors. Separate studies are conducted for democracies and non-democracies and within four regional contexts. The book also contains an in-depth investigation into determinants of the death penalty in the USA.
Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
This book presents an alternative roadmap for a world characterised by geopolitical uncertainty. The surging expectations about a future world of democratic values and high economic growth, born out of superpower bonhomie at the end of the Cold War, did not lead to the promised outcomes. Instead we are faced with deeply destabilising challenges, like climate change, widespread state fragility, terrorism, arms race, disruptive newer technologies, global economic volatility, and ineffectiveness of multilateral institutions, old and new. The volume: surveys the intellectual discourse, the attempts to redesign the global institutions, and the geopolitical trends since the end of the Cold War for an understanding of the contemporary geopolitics, analyses the characteristics of the contemporary geopolitics, the seeming intractability of the global challenges, and the ongoing discourse about preventing their further deterioration, foregrounds the Gandhian praxis and IR theory for managing power transitions anchored in non-violent mobilisation of empowered masses, ensuring institutional resilience, and illustrates them through ongoing conflicts in Iraq and Afghanistan, outlines an approach, based on the Gandhian experience of managing political change, towards conflict, geopolitical uncertainties, and institutional ineffectiveness for securing a better future globally, including South Asia. Accessibly written, this volume will be indispensable for foreign policy experts, government think tanks, and career bureaucrats. It will also be essential for scholars and researchers of international relations, foreign policy, politics, and governance and public policy.
How big data is transforming the creative industries, and how those industries can use lessons from Netflix, Amazon, and Apple to fight back. “[The authors explain] gently yet firmly exactly how the internet threatens established ways and what can and cannot be done about it. Their book should be required for anyone who wishes to believe that nothing much has changed.” —The Wall Street Journal “Packed with examples, from the nimble-footed who reacted quickly to adapt their businesses, to laggards who lost empires.” —Financial Times Traditional network television programming has always followed the same script: executives approve a pilot, order a trial number of episodes, and broadcast them, expecting viewers to watch a given show on their television sets at the same time every week. But then came Netflix's House of Cards. Netflix gauged the show's potential from data it had gathered about subscribers' preferences, ordered two seasons without seeing a pilot, and uploaded the first thirteen episodes all at once for viewers to watch whenever they wanted on the devices of their choice. In this book, Michael Smith and Rahul Telang, experts on entertainment analytics, show how the success of House of Cards upended the film and TV industries—and how companies like Amazon and Apple are changing the rules in other entertainment industries, notably publishing and music. We're living through a period of unprecedented technological disruption in the entertainment industries. Just about everything is affected: pricing, production, distribution, piracy. Smith and Telang discuss niche products and the long tail, product differentiation, price discrimination, and incentives for users not to steal content. To survive and succeed, businesses have to adapt rapidly and creatively. Smith and Telang explain how. How can companies discover who their customers are, what they want, and how much they are willing to pay for it? Data. The entertainment industries, must learn to play a little “moneyball.” The bottom line: follow the data.