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National Book Award Winner: A grieving teenager wonders if she’ll ever understand anything—especially the big things—in life. Time passed, and all the minutes hurt . . . After her father’s death, Victoria Finch’s life changes completely. To save money, she and her mother move from Boston to a small house in the town of New Oxford. There, Victoria attends school in a building that resembles a train station, where no one pays her much attention. Then she meets Hugh Todd, the rich kid who runs the school’s theater club. He’s charming, adventurous, and encouraging, and he takes particular interest in Victoria’s writing. Hugh’s presence reinvigorates Victoria’s life. But he needs something as well, and as the months pass, Victoria realizes that his friendship comes at a high price. A New York Times Outstanding Book of the Year, A Place Apart is a lyrical novel of loss, friendship, and moving on.
In contrast to the popular view of human sexuality, the Catholic Church promotes an understanding that not only includes unique considerations on the ethical level but also appreciates the most profound aspects of sexuality. In this insightful study, Donald Asci shows how the Catholic concept of sexuality and sexual intercourse articulates the ethical norms by which these profound realities are preserved. The teachings of the Church open the path to a fulfillment that only the deepest aspects of sexuality can supply. Beyond the moral norms of the Church's sexual ethics lies a theology of sexuality that recalls what is at stake in the realm of sexual activity. Thus, the Church not only affirms marriage as the only morally acceptable context for sexual intercourse, but also develops a specific concept of the conjugal act for husband and wife. ""Asci's study is a great help in showing the beauty of the Church's teaching on the truly personal character of the conjugal act as love-giving, life-giving, grace-giving and in providing the wider theological understanding of the human person, male and female, that serves as the context for this teaching."" -William E. May, Author, Marriage: The Rock on Which the Family is Built
In Original Forgiveness, Nicolas de Warren challenges the widespread assumption that forgiveness is always a response to something that has incited it. Rather than considering forgiveness exclusively in terms of an encounter between individuals or groups after injury, he argues that availability for the possibility of forgiveness represents an original forgiveness, an essential condition for the prospect of human relations. De Warren develops this notion of original forgiveness through a reflection on the indispensability of trust for human existence, as well as an examination of the refusal or unavailability to forgive in the aftermath of moral harms. De Warren engages in a critical discussion of philosophical figures, including Martin Heidegger, Hannah Arendt, Mikhail Bakhtin, Edmund Husserl, Gabriel Marcel, Emmanuel Levinas, and Jean Améry, and of literary works by William Shakespeare, Fyodor Dostoevsky, Heinrich von Kleist, Simon Wiesenthal, Herman Melville, and Maurice Sendak. He uses this discussion to show that in trusting another person, we must trust in ourselves to remain available to the possibility of forgiveness for those occasions when the other person betrays a trust, without thereby forgiving anything in advance. Original forgiveness is to remain the other person’s keeper—even when the other has caused harm. Likewise, being another’s keeper calls upon an original beseeching for forgiveness, given the inevitable possibility of blemish or betrayal.
Research reveals the causes of violence in a high school, including social inequality among students and the lack of prevention efforts by the staff, and proposes reforms to alleviate this growing problem in all schools.
How do religious traditions create strangers and neighbors? How do they construct otherness? Or, instead, work to overcome it? In this exciting collection of interdisciplinary essays, scholars and activists from various traditions explore these questions. Through legal and media studies, they reveal how we see religious others. They show that Jewish, Christian, Islamic, and Sikh texts frame others in open-ended ways. Conflict resolution experts and Hindu teachers, they explain, draw on a shared positive psychology. Jewish mystics and Christian contemplatives use powerful tools of compassionate perception. Finally, the authors explain how Christian theology can help teach respectful views of difference. They are not afraid to discuss how religious groups have alienated one another. But, together, they choose to draw positive lessons about future cooperation.
Theological conversations about violence typically frame the conversation in terms of victim and perpetrator. Comprehensive theological responses to violence must also address the role of collective passivity of bystanders of violence. Beyond Apathy examines the theological significance of bystander participation in patterns of violence and violation within contemporary Western culture, giving particular attention to the social issues of bullying, white racism, and sexual violence.In doing so, it constructs a theology of redeeming grace for bystanders to violence that foregrounds the significance of social action in bringing about Gods basileia.
'A beautifully written historical novel with characters who linger long after the last page is turned.' - Hazel Gaynor, New York Times bestselling author of The Girl Who Came Home. It's 1828, and Ireland is in turmoil as Irish tenants protest against their upper-class English landlords. Nineteen-year-old Bridget Muldowney is thrilled to return to the estate in Carlow she'll inherit when she comes of age. But since she left for Dublin seven years earlier, the tomboy has become a refined young lady, engaged to be married to a dashing English gentleman. Cormac McGovern, now a stable hand on the estate, has missed his childhood friend. He and Bridget had once been thick as thieves, running wild around the countryside together. When Bridget and Cormac meet again their friendship begins to rekindle, but it's different now that they are adults. Bridget's overbearing mother, determined to enforce the employer-servant boundaries, conspires with Bridget's fiancé to keep the pair apart. With the odds stacked against them, can Bridget and Cormac's childhood attachment blossom into something more?
Jersild responds to a fundamental issue in the theology of the church: what is the nature of our language in addressing the mysteries of our faith, such as speaking of God, or of the incarnation? Advocating a "modest" theology in facing the mystery of God, and acknowledging the impact of postmodern sensibilities, he lifts up the metaphorical language of Jesus as the key to a responsible theology. Jersild makes his case for a "faith-based imagination" centering on the life, death, and resurrection of Jesus as God's man who brings a divine, redemptive love to the human story. Theology does not give us a line in the sand that divides the saved from the lost, nor is it the truth that makes all other religions false. This is a book for seekers as well as many church members who harbor questions and doubts about the church's theology.
This exciting collection of essays explores the complex area of madness and performance. The book spans from the 18th century to the present and unearths the overlooked history of theatre and performance in, and about, psychiatric asylums and hospitals. The book will appeal to historians, social scientists, theatre scholars, and artists alike.