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For Enchanted Ground, Jayne Lewis and Maximillian E. Novak have brought together many of the world's experts on Dryden, and their essays reflect a range of new, uniquely twenty-first-century views of him.
DigiCat Publishing presents to you this special edition of "Enchanted Ground" by Temple Bailey. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The beginnings of modern literary scholarship in Britain are studied in this volume, which traces the emergence between about 1760 and 1810 in the work of Richard Hurd, Thomas Percy, Thomas Warton, Joseph Ritson, George Ellis, and Sir Walter Scott of a serious scholarly approach to the English metrical romances of the middle ages. These scholars, however, were not concerned solely with the rediscovery and editing of the original texts which two centuries of growing antiquarian research had ignored. Almost without exception men of letters themselves, they desired also to recover the 'world of fine fabling' in which the classical temper of the preceding age had preferred the virtues of 'good sense', and they consciously put their discoveries to the service of modern poetry, or urged that they should be so used. The consequences of this were far-reaching, and as he considers in detail the individual achievements of his principal subjects Dr Johnston does not neglect to bring out the nature and importance of the contributions they made to the general culture and literature of their own day and of the nineteenth century.
In Enchanted Ground, Sharon Hatfield brings to life the true story of a nineteenth-century farmer-turned-medium, Jonathan Koons, one of thousands of mediums throughout the antebellum United States. In the hills outside Athens, Ohio, Koons built a house where it was said the dead spoke to the living, and where ancient spirits communicated the wisdom of the ages. Curious believers, in homespun and in city attire, traveled from as far as New Orleans to a remote Appalachian cabin whose marvels would rival any of P. T. Barnum’s attractions. Yet Koons’s story is much more than showmanship and sleight of hand. His enterprise, not written about in full until now, embodied the excitement and optimism of citizens breaking free from societal norms. Reform-minded dreamers were drawn to Koons’s seances as his progressive brand of religion displaced the gloomy Calvinism of previous generations. As heirs to the Second Great Awakening, which stretched from New York State to the far reaches of the Northwest Territory, the curious, the faithful, and Koons himself were part of a larger, uniquely American moment that still marks the cultural landscape today.
In a fascinating work of religious history and cultural inquiry, Hatfield brings to life the true story of a nineteenth-century farmer-spiritualist, Jonathan Koons, whom thousands traveled to Ohio to see. As heirs to the second Great Awakening, he and his followers were part of a larger, uniquely American moment that still marks the culture today.
Enchanted Ground is about the challenge to modernist criticism by Surrealist writers-mainly André Breton but also Louis Aragon, Pierre Mabille, René Magritte, Charles Estienne, René Huyghe and others-who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism-Paul Cézanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh-became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
Dr. Peter Ferry, who came to Florida during the glamorous days of the boom period, refused to desert his patients when hard times followed. He is in love with Mary Hamilton, the daughter of one of his patients, but he is engaged to Lou Gorman, whom he met before the prosperity bubble burst. Lou’s interference results in Mary’s unhappy marriage to another man. Can Mary and Peter ultimately find happiness despite the misstep?
In this powerful companion to her award-winning memoir Enchanted Air, Newbery Honor–winning author Margarita Engle recounts her teenage years during the turbulent 1960s. Margarita Engle’s childhood straddled two worlds: the lush, welcoming island of Cuba and the lonely, dream-soaked reality of Los Angeles. But the revolution has transformed Cuba into a mystery of impossibility, no longer reachable in real life. Margarita longs to travel the world, yet before she can become independent, she’ll have to start high school. Then the shock waves of war reach America, rippling Margarita’s plans in their wake. Cast into uncertainty, she must grapple with the philosophies of peace, civil rights, freedom of expression, and environmental protection. Despite overwhelming circumstances, she finds solace and empowerment through her education. Amid the challenges of adolescence and a world steeped in conflict, Margarita finds hope beyond the struggle, and love in the most unexpected places.
Margarita is a girl from two worlds. Her heart lies in Cuba, her mother s tropical island country, a place so lush with vibrant life that it seems like a fairy tale kingdom. But most of the time she lives in Los Angeles, lonely in the noisy city and dreaming of the summers when she can take a plane through the enchanted air to her beloved island. Words and images are her constant companions, friendly and comforting when the children at school are not.
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