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Three of Marianne Williamson's previous bestsellers -- A Return to Love, A Woman's Worth, and Illuminata -- explored the issue of relationships. Now, in this deeply personal collection of essays, prayers, and self-reflection, she turns to romantic love. In Illuminata, Williamson wrote that "we experience God to the extent to which we love, forgive, and focus on the good in others and ourselves." Now, in Enchanted Love, she writes that "enchanted partnership begins with the conscious understanding, on the part of two people, that the purpose of their relationship is not so much material as spiritual, and the internal skills demanded by it are prodigious." High romance, she says, "is not about past or future. It is not about practicality. It is not about society or worldly routines. It is an audacious ride to the center of what is, at the heart of every person. It is a bold and masterful inquiry into what two people really are and how we might become, while still on earth, the angels who reside within us."
The second two volumes of Patricia C. Wrede's beloved, bestselling Enchanted Forest Chronicles!
Drawing on hundreds of operas, singspiels, ballets, and plays with supernatural themes, Magic Flutes and Enchanted Forests argues that the tension between fantasy and Enlightenment-era rationality shaped some of the most important works of eighteenth-century musical theater and profoundly influenced how audiences and critics responded to them. David J. Buch reveals that despite—and perhaps even because of—their fundamental irrationality, fantastic and exotic themes acquired extraordinary force and popularity during the period, pervading theatrical works with music in the French, German, and Italian mainstream. Considering prominent compositions by Gluck, Rameau, and Haydn, as well as many seminal contributions by lesser-known artists, Buch locates the origins of these magical elements in such historical sources as ancient mythology, European fairy tales, the Arabian Nights, and the occult. He concludes with a brilliant excavation of the supernatural roots of Mozart’s The Magic Flute and Don Giovanni, building a new foundation for our understanding of the magical themes that proliferated in Mozart’s wake.