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This book, the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years, accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay, Paris, the Van Gogh Museum, Amsterdam, and The Metropolitan Museum of Art, New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings, drawings, watercolours, and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries, these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet, Guillaumin, and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony, contrasts, and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned, decorative colour surfaces. In a series of essays the exhibition's curators disc
With a history that stretches back to the hauntingly beautiful mummy portraits of Greco-Roman Egypt, encaustic art is now enjoying a renewal of popularity among artists and art lovers alike. Today, museums are staging exhibitions of encaustic art, workshops in the technique are thriving, and art collectors and dealers are assimilating encaustic art into their collections and galleries. The word encaustic is taken from the Greek and means “to burn in.” In the encaustic process, pigmented wax is applied and then fused to a surface with heat. The result is a broad range of surface effects and a luminous translucency that is unique to the encaustic medium. Encaustic Art is a complete resource for artists who wish to learn to create fine art with wax. It features step-by-step techniques with easy-to-understand instructions and detailed illustrations, stunning examples of encaustic works of art (including sculpture), along with practical advice and thoughtful aesthetic observations from more than 60 professional artists working in the encaustic medium.
The first ever book to provide a comprehensive overview of British pottery, The Potter's Arttraces this remarkable history of pottery all the way from the rudimentary pots of the Middle Ages to the sophisticated art of today's studio potters. Beginning with the peasant potter, Garth Clark moves on to describe the development of style and fashion under the notorious Josiah Wedgwood. He also examines the work of the artist-potters William De Morgan and the Martin brothers, and the studio potters Bernard Leach and Lucie Rie. Focusing particularly on the distinctly human angle to the craft, the author brings the potters to life by describing their working conditions, lifestyles and characters. For all collectors and potters, this is an indispensable survey which sheds new light on the history of British pottery. For anyone with a sense of aestheticism or a general interest in the arts, it is an absorbing introduction to perhaps the most fundamental artistic medium in the history of civilization.
In this fascinating study, Partha Mitter traces the history of European reactions to Indian art, from the earliest encounters of explorers with the exotic. East to the more sophisticated but still incomplete appreciations of the early twentieth century. Mitter's new Preface reflects upon the profound changes in Western interpretations of non-Western societies over the past fifteen years.