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Why are relations between minorities and the police in France so fraught? Stripping away the myth that this tension is a sudden and recent disruption of its universalist republican tradition brought on by the presence of North African immigrants, Amit Prakash locates the origins of contemporary conflicts in race and empire in France's history. In Empire on the Seine, Prakash argues that the métropole and the colony dynamically co-developed a policing regime over the course of the nineteenth and twentieth centuries to manage colonial and racial difference. With the North African community emerging as a sizable and durable presence in Paris after World War I, this policing became a key state practice in imagining and administering the immigrant population. Prakash shows that despite the French state's current reluctance to use race as an official category, racial thought and racial targets animated police services, social services, and urban planning schemes from the 1920s until the 1970s. Using police archival records, reports from colonial officials, urban planning and housing studies, and the records of French social workers and immigrant associations, Prakash shows that colonial racism was integrated into the policing of Paris and that architecture, urbanism, and social housing assumed police functions for colonial and postcolonial migrants. In light of this history, contemporary social and racial segregation, periodic protests and rioting against police violence, and the aggressive posture of the Parisian police emerge as the material traces of French colonialism in the métropole. The city of Paris was the capital of an empire and its imperial shadows are long.
An American Library in Paris "Coups de Coeur" Selection A Los Angeles Times Bestseller "Elaine Sciolino is a graceful, companionable writer.… [She] has laid one more beautiful and amusing wreath on the altar of the City of Light.” —Edmund White, New York Times Blending memoir, travelogue, and history, The Seine is a love letter to Paris and the river that determined its destiny. Master storyteller and longtime New York Times foreign correspondent Elaine Sciolino explores the Seine through its lively characters—a bargewoman, a riverbank bookseller, a houseboat dweller, a famous cinematographer—and follows it from the remote plateaus of Burgundy through Paris and to the sea. The Seine is a vivid, enchanting portrait of the world’s most irresistible river.
A sparkling account of the nineteenth-century reinvention of Paris as the most beautiful, exciting city in the world In 1853, French emperor Louis Napoleon inaugurated a vast and ambitious program of public works in Paris, directed by Georges-Eugè Haussmann, the prefect of the Seine. Haussmann transformed the old medieval city of squalid slums and disease-ridden alleyways into a "City of Light" characterized by wide boulevards, apartment blocks, parks, squares and public monuments, new rail stations and department stores, and a new system of public sanitation. City of Light charts this fifteen-year project of urban renewal which -- despite the interruptions of war, revolution, corruption, and bankruptcy -- set a template for nineteenth and early twentieth-century urban planning and created the enduring landscape of modern Paris now so famous around the globe. Lively and engaging, City of Light is a book for anyone who wants to know how Paris became Paris.
The Paris we know today, with its grand boulevards, its bridges and parks, its monumental beauty, was essentially built in only seventeen years, in the middle of the nineteenth century. In this brief period, whole neighborhoods of medieval and revolutionary Paris -- over-crowded, dangerous, and filthy -- were razed, and from the rubble a modern city of light and air emerged. This triumphant rebuilding was chiefly the work of one man, Baron Georges Haussmann, Napoleon III's Prefect of the Seine. It was Haussmann's task to assert, in stone, the power and permanence of Paris, to show the world that it was the seat of an empire of mythic proportions. To this end, he imposed grand visual perspectives, as when he transformed Napoleon I's Arc de Triomphe into a magnificent twelve-armed star from which radiated the broadest boulevards of Europe. Below ground, his modern sewer system became one of the wonders of the civilized world, eagerly toured by royalty and commoners alike. Haussmann's mandate was not only to create an impression of grandeur but to secure the city for better control by government. By creating formal spaces where there had previously been a maze of chaotic streets, Haussmann opened Paris to effective police control and thwarted the recurrent demonstration of its well-known revolutionary fervor. The determined and autocratic Haussmann imprinted rational order and bourgeois civility on the unruly city which had for so long simmered with riot and insurrection. Though he planted chestnut trees, installed gas lights, rebuilt the water supply, and improved transportation and housing, Haussmann's labors were (and remain) controversial. He forced tens of thousands of the poor from the center of the city, and destroyed significant parts of old Paris. But in this important new biography David Jordan reminds us that Haussmann was not immune to the charms of the old city. By leaving some areas intact, the Baron achieved the grand effect of implanting a modern city boldly within an ancient one. Here, at last, Haussmann's labors are given the aesthetic as well as the historical appreciation they deserve.
In this luminous portrait of Paris, the celebrated historian gives us the history, culture, disasters, and triumphs of one of the world’s truly great cities. While Paris may be many things, it is never boring. From the rise of Philippe Auguste through the reigns of Henry IV and Louis XIV (who abandoned Paris for Versailles); Napoleon’s rise and fall; Baron Haussmann’s rebuilding of Paris (at the cost of much of the medieval city); the Belle Epoque and the Great War that brought it to an end; the Nazi Occupation, the Liberation, and the postwar period dominated by de Gaulle--Horne brings the city’s highs and lows, savagery and sophistication, and heroes and villains splendidly to life. With a keen eye for the telling anecdote and pivotal moment, he portrays an array of vivid incidents to show us how Paris endures through each age, is altered but always emerges more brilliant and beautiful than ever. The Seven Ages of Paris is a great historian’s tribute to a city he loves and has spent a lifetime learning to know. "Knowledgeable and colorful, written with gusto and love.... [An] ambitious and skillful narrative that covers the history of Paris with considerable brio and fervor." —LOS ANGELES TIMES BOOK REVIEW
Apostles of Empire contributes to ongoing research on the Jesuits, New France, and Atlantic World encounters, as well as on early modern French society, print culture, Catholicism, and imperialism.
Was Napoleon the 'heir' of the French Revolution, the great consolidator of its reforms, or did he distort and even abandon its principles? What were the aims and effects of Napoleonic rule in France and in conquered Europe more widely? This second edition of The Napoleonic Empire offers a critical reassessment of these central issues and provides a fresh synthesis of the most important research during the past forty years. Beginning with Napoleon's inheritance, Geoffrey Ellis balances the conflicting evidence for change or continuity over the years from the Revolutionary upheaval to the height of the 'Grand Empire'. The new edition: - Covers the administrative, military, social and economic aspects of the subject - Redefines the whole impact of Napoleonic imperialism in both the short and longer term - Offers more extensive coverage of Napoleon's treatment of the annexed lands and subject states of his Empire, as well as of military conscription, desertion, and the role of the Gendarmerie in the war against brigands and military defaulters - Provides an expanded discussion of the institutional legacy of Napoleonic rule in France and Europe With an up-dated and more comprehensive bibliography, this thoroughly revised text is an invaluable guide to Napoleon's Europe and is ideal for specialist and general readers alike.
This volume presents the proceedings of the eighth workshop of the international network 'Impact of Empire', which concentrates on the history of the Roman Empire and brings together ancient historians, archaeologists, classicists and specialists in Roman law from some thirty European and North American universities. The eighth volume focuses on the impact of the Roman Empire on religious behaviour, with a special focus on the dynamics of ritual. The volume is divided into three sections: ritualising the empire, performing civic community in the empire and performing religion in the empire.
Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.