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*WINNER OF THE T. S. ELIOT PRIZE 2015* *WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015* *SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015* There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots. With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
Hidden Heartbreak follows the progression of a doomed relationship from blissful beginning to devastating end, capturing the all-encompassing and blinding euphoria of love as well as the crushing doubt and disappointment that accompany a breakup. In comics that are relatable, vulnerable, and often funny, as well as interactive pieces that invite readers to process their own heartbreak, Emma Lee charts a path forward, reminding us that the heart is a resilient thing.
Sometimes love is blind. Emmalee Bradford thinks she's an expert at matchmaking, and she won't rest until all her friends are as happy as she is. Especially Hannah, the girl she's decided to make popular. Everyone loves Emmalee's advice--everyone, that is, except her annoying neighbor Chase Anderson, who has taken it upon himself to "fix" her. This modern version of Jane Austen's Emma is the hilarious journey of a girl who believes she knows all about love. But when it comes to recognizing the perfect guy for her, Emmalee is absolutely clueless.
When Emma Vaile's parents leave on a mysterious business trip, it gives her the perfect excuse to be a rebellious teen. But then her best friend stops talking to her, the police crash her party and Emma finds herself in the hands of a new guardian, Bennett Stern, and on a plane to his museum-like mansion in New England. After enrolling at Thatcher Academy, Emma settles in by making friends with the popular crowd. She has memories of Thatcher she can't explain and strange visions are haunting her. Emma doesn't trust anyone any more - except maybe Bennett. But he's about to reveal a ghostly secret to her. One that will explain the visions . . . and make Emma fear for her life.
A young British -Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her: mother, grandmother, and aunt. During her trips to Brazil, sometimes alone, often with family, our narrator accesses a different side of herself that is as much of who she is as anything else. -- adapted from back cover
In this lyrical picture book with subtle conservation themes, a girl helps rescue a whale who has washed ashore. Here is a beautifully written, moving story that will appeal to all animal lovers, and to those interested in protecting our oceans and marine life. Emma lives in a crooked house in an old whaling town, and often takes her dog, Nemo, to the beach. On their walks, they find amazing treasures, like shells and stones and sea glass—and even a loggerhead turtle. But one day, they find something completely unexpected: a baby whale, washed ashore. Emma empathizes with the animal’s suffering, imagining what the whale is thinking and feeling. When the tide starts to come in, Emma pushes as the water swirls and rises, and eventually the whale swims free, back to her mother.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. When Linda Tuhiwai Smith's Decolonizing Methodologies was first published, it ignited a passion for research change that respected Indigenous peoples and knowledges, and campaigned to reclaim Indigenous ways of knowing and being. At a time when Indigenous voices were profoundly marginalised, the book advocated for an Indigenous viewpoint which represented a daily struggle to be heard, and to find its place in academia. Twenty years on, this collection celebrates the breadth and depth of how Indigenous writers are shaping the decolonizing research world today. With contributions from Indigenous female researchers, this collection offers the much needed academic space to distinguish methodological approaches, and overcome the novelty confines of being marginal voices.
Emma Lee is the classic biography of one of John D. Lee's plural wives. Emma experienced the best and worst of polygamy and came as near to the Mountain Meadows Massacre as anyone could without participating first hand.