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This catalogue is published to mark the anniversary of the Emerige Revelation Grant and to introduce the 58 artists who took part in the Grant with interviews by Julie Ackermann, Guillaume Benoit, Paloma Blanchet-Hidalgo, Gaël Charbau, Aurélie Faure, Sarah Ihler-Meyer, Sophie Lapalu, Marine Relinger, Julien Verhaeghe, Anne-Lou Vicente and Marion Zilio.
This book features Karl Lagerfeld's most beautiful photographs of haute-couture garments shot for French fashion magazine Numéro, to celebrate its 15 years of collaboration with the famous fashion designer. Who else but Lagerfeld could better reveal the timeless and intricate beauty of couture? With all his innate imagination and indulgence, Lagerfeld has immortalized the iconic models of our time within the covers of Numéro: Cara Delevingne, Linda Evangelista, Natasha Poly, Anja Rubik, Lara Stone, Stella Tennant, Natalia Vodianova--all these and more have participated in his game, often framed by sumptuous decors worthy of the greatest Hollywood productions. Lagerfeld's spectacular stagings visualize our most daring fantasies of female archetypes, from fairytale princesses to contemporary muses.
This book examines the overlooked topic of the influence of anti-Bolshevik, anti-Semitic Russian exiles on Nazism. White émigrés contributed politically, financially, militarily, and ideologically to National Socialism. This work refutes the notion that Nazism developed as a peculiarly German phenomenon: it arose primarily from the cooperation between völkisch (nationalist/racist) Germans and vengeful White émigrés. From 1920–1923, Adolf Hitler collaborated with a conspiratorial far right German-White émigré organization, Aufbau (Reconstruction). Aufbau allied with Nazis to overthrow the German government and Bolshevik rule through terrorism and military-paramilitary schemes. This organization's warnings of the monstrous 'Jewish Bolshevik' peril helped to inspire Hitler to launch an invasion of the Soviet Union and to initiate the mass murder of European Jews. This book uses extensive archival materials from Germany and Russia, including recently declassified documents, and will prove invaluable reading for anyone interested in the international roots of National Socialism.
"Since their first project together in 1995, Michael Elmgreen and Ingar Dragset have created a much-respected oeuvre, as well as a world entirely of their own. Their amazing architectural sculptures and installations have brought them international renown - for example, there is the multifaceted series Powerless Structures, which now includes over one hundred pieces; the duo's witty permanent installation Prada Marfa in the middle of the Texas desert; and their socio-critical traveling exhibition The Welfare Show." "This Is the First Day of My Life introduces the most important works by this artistic duo, as well as previously unpublished creations. Three fictional texts help to expand the Elmgreen/Dragset universe into new, related fields."--BOOK JACKET.
ELEMENTE DER ENERGIE UND KOMPLEXITÄT Fiona Rae (geb. 1963 in Hongkong, lebt und arbeitet in London) wurde mit ihrer abstrakten Malerei einem breiten Publikum mit der Teilnahme an der legendären Ausstellung Freeze 1988 in den Londoner Docklands bekannt. Sie war damit eine der frühen Vertreterinnen der Young British Artists, die nicht nur die britische Kunstwelt verändern sollten. Ausgehend von einer konzeptuellen Auseinandersetzung mit den Fragestellungen und Möglichkeiten der abstrakten Malerei sind Raes unverkennbare Arbeiten bis heute herausragend und wegweisend. 2011 wurde sie als eine der ersten Frauen als Professorin für Malerei an die Royal Academy berufen. Der Katalog zeigt erstmals die wichtigsten Bilder aus dieser Zeit, die Row Paintings. Sie markieren den Beginn des international beachteten Werks der Künstlerin. Terry R. Myers würdigt in seinem Essay die Bedeutung der Row Paintings in historischem Zusammenhang sowie im aktuellen Diskurs der Malerei.
The Politics of Law is the most widely read critique of the nature and role of the law in American society. This revised edition continues the book's concrete focus on the major subjects and fields of law. New essays on emerging fields and the latest trends and cases have been added to updated versions of the now-classic essays from earlier editions. A unique assortment of leading scholars and practitioners in law and related disciplines - political science, economics, sociology, criminology, history, and literature - raise basic questions about law, challenging long-held ideals like the separation of law from politics, economics, religion, and culture. They address such issues contextually and with a keen historical perspective as they explain and critique the law in a broad range of areas. This third edition contains essays on all of the subjects covered in the first year of law school while continuing the book's tradition of accessibility to non-law-trained readers. Insightful and powerful, The Politics of Law makes sense of the debates about judicial restraint and the range of legal controversies so central to American public life and culture.