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*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly* An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.* Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through her experiences growing up on a farm thirty miles west of Wichita, we are given a unique and essential look into the lives of poor and working class Americans living in the heartland. During Sarah’s turbulent childhood in Kansas in the 1980s and 1990s, she enjoyed the freedom of a country childhood, but observed the painful challenges of the poverty around her; untreated medical conditions for lack of insurance or consistent care, unsafe job conditions, abusive relationships, and limited resources and information that would provide for the upward mobility that is the American Dream. By telling the story of her life and the lives of the people she loves with clarity and precision but without judgement, Smarsh challenges us to look more closely at the class divide in our country. Beautifully written, in a distinctive voice, Heartland combines personal narrative with powerful analysis and cultural commentary, challenging the myths about people thought to be less because they earn less. “Heartland is one of a growing number of important works—including Matthew Desmond’s Evicted and Amy Goldstein’s Janesville—that together merit their own section in nonfiction aisles across the country: America’s postindustrial decline...Smarsh shows how the false promise of the ‘American dream’ was used to subjugate the poor. It’s a powerful mantra” *(The New York Times Book Review).
Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape.
The Russell and Mab Grimwade Bequest comprises a rich and sometimes unexpected variety of art, books and objects. A scientist, businessman and philanthropist, Sir Russell had wide-ranging interests embracing industry, history and botany. In all of these he was strongly supported by his wife Mab. The core of the bequest is Russell’s collection of visual and textual material, which provides a perspective on the European exploration of the Pacific and the British colonisation and settlement of Australia. His keen interest resulted in an extensive body of prints, drawings, watercolours and books, as well as oil paintings, decorative arts and personal records. These are jointly housed by the University of Melbourne’s Ian Potter Museum of Art, Special Collections (Library) and University Archives. Pride of Place is the first publication to explore the diversity of this remarkable collection. In this beautifully illustrated book, numerous experts share their interpretations of its highlights, responding to past historical attitudes and offering twenty-first century insights.
What makes for a good life? The seven deadly vices and seven holy virtues, ingrained in our cultural imagination, help us answer this perennial question. For two millennia, these fourteen character traits have stirred our imagination of human nature and desire. Sometimes, however, lists like the seven deadly sins remain mere caricatures that shame and exclude. The world, however, is not divided up into priests and convicts, saints and sinners, virtuous and vicious people. Much of the time, we live between the boundaries of vice and virtue. The Cardinal and the Deadly challenges simplistic bifurcations in order to reimagine a more faithful, hopeful, and loving life. It adopts a unique approach to examining the virtues and vices by pairing them in unexpected ways to reveal something significant about being human. Hope redirects greed; wisdom corrects pride; faith enlivens sloth. Bringing ancient and contemporary authors into dialogue, the book offers a concrete and accessible introduction to virtue ethics for students, pastors, and churches. Its ultimate goal is to engage the reader's intellect and imagination, so that we may respond creatively to the ethical challenges of living together.
This book examines the role of religious and spiritual experiences in people’s understanding of their environment. The contributors consider how understandings and experiences of religious and place connections are motivated by the need to seek and maintain contact with perceptual objects, so as to form meaningful relationship experiences. The volume is one of the first scholarly attempts to discuss the psychological links between place and religious experiences.The chapters within provide insights for understanding how people’s experiences with geographical places and the sacred serve as agencies for meaning-making, pro-social behaviour, and psychological adjustment in everyday life.
With Digging Up the Dead, Pulitzer Prize–winning historian Michael Kammen reveals a treasure trove of fascinating, surprising, and occasionally gruesome stories of exhumation and reburial throughout American history. Taking us to the contested grave sites of such figures as Sitting Bull, John Paul Jones, Frank Lloyd Wright, Daniel Boone, Jefferson Davis, and even Abraham Lincoln, Kammen explores how complicated interactions of regional pride, shifting reputations, and evolving burial practices led to public and often emotional battles over the final resting places of famous figures. Grave-robbing, skull-fondling, cases of mistaken identity, and the financial lures of cemetery tourism all come into play as Kammen delves deeply into this little-known—yet surprisingly persistent—aspect of American history. Simultaneously insightful and interesting, masterly and macabre, Digging Up the Dead reminds us that the stories of American history don’t always end when the key players pass on. Rather, the battle—over reputations, interpretations, and, last but far from least, possession of the remains themselves—is often just beginning.
History textbooks typically list 1945–1990 as the Cold War years, but it is clear that tensions from that period are still influencing world politics today. While much attention is given to political and social responses to those first nuclear threats, none has been given to the reactions of Christian churches. North American Churches and the Cold War offers the first systematic reflection on the diverse responses of Canadian and American churches to potential nuclear disaster. A mix of scholars and church leaders, the contributors analyze the anxieties, dilemmas, and hopes that Christian churches felt as World War II gave way to the nuclear age. As they faced either nuclear annihilation or peaceful reconciliation, Christians were forced to take stands on such issues as war, communism, and their relationship to Christians in Eastern Europe. As we continue to navigate the nuclear era, this book provides insight into Chris-tian responses to future adversities and conflicts. CONTRIBUTORS William Alexander Blaikie James Christie Nicholas Denysenko Gary Dorrien Mark Thomas Edwards Peter Eisenstadt Jill K. Gill Michael Graziano Barbara Green Raymond Haberski Jr. Jeremy Hatfield Gordon L. Heath D. Oliver Herbel Norman Hjelm Daniel G. Hummel Dianne Kirby Leonid Kishkovsky Nadieszda Kizenko John Lindner David Little Joseph Loya Paul Mojzes Andrei V. Psarev Bruce Rigdon Walter Sawatsky Axel R. Schäfer Todd Scribner Gayle Thrift Steven M. Tipton Frederick Trost Lucian Turcescu Charles West James E. Will Lois Wilson