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For fans of Jim Butcher and Kevin Hearne comes an action-packed new urban fantasy series featuring a tough, bleakly funny, down-on-his luck oil rig worker with an unlikely destiny as a monster-slayer and savior of the planet. “Monsters,” said Vince Martinelli. “There are monsters on the rig, Dave.” Dave Hooper has a hangover from hell, a horrible ex-wife, and the fangs of the IRS deep in his side. The last thing he needs is an explosion at work. A real explosion. On his off-shore oil rig. But this is no accident, and despite the news reports, Dave knows that terrorists aren’t to blame. He knows because he killed one of the things responsible. When he wakes up in a hospital bed guarded by Navy SEALs, he realizes this is more than just a bad acid trip. Yeah, Dave’s had a few. This trip is way weirder. Killing a seven-foot-tall, tattooed demon has transformed the overweight, balding safety manager into something else entirely. A foul-mouthed, beer-loving monster slayer, and humanity’s least worthy Champion.
For fans of Jim Butcher and Kevin Hearne comes an action-packed new urban fantasy series featuring a tough, bleakly funny, down-on-his luck oil rig worker with an unlikely destiny as a monster-slayer and savior of the planet. “Monsters,” said Vince Martinelli. “There are monsters on the rig, Dave.” Dave Hooper has a hangover from hell, a horrible ex-wife, and the fangs of the IRS deep in his side. The last thing he needs is an explosion at work. A real explosion. On his off-shore oil rig. But this is no accident, and despite the news reports, Dave knows that terrorists aren’t to blame. He knows because he killed one of the things responsible. When he wakes up in a hospital bed guarded by Navy SEALs, he realizes this is more than just a bad acid trip. Yeah, Dave’s had a few. This trip is way weirder. Killing a seven-foot-tall, tattooed demon has transformed the overweight, balding safety manager into something else entirely. A foul-mouthed, beer-loving monster slayer, and humanity’s least worthy Champion.
Three women in three corners of a world plunged into electrifying chaos. Nation-states struggling for their survival. Immigrants struggling for new lives. Birmingham's astounding new novel is an intense adventure.
"Monsters of the Market" investigates modern capitalism through the prism of the body panics it arouses. Examining "Frankenstein," Marx s "Capital" and zombie fables from sub-Saharan Africa, it offers a novel account of the cultural and corporeal economy of global capitalism.
The extraordinary world introduced in Paul Pope's Battling Boy is rife with monsters and short on heroes... but in this action-driven extension of the Battling Boy universe, we see it through a new pair of eyes: Aurora West, daughter of Arcopolis's last great hero, Haggard West. A prequel to Battling Boy, The Rise of Aurora West follows the young hero as she seeks to uncover the mystery of her mother's death, and to find her place in a world overrun with supernatural monsters and all-too-human corruption. With a taut, fast-paced script from Paul Pope and JT Petty and gorgeous, kinetic art from David Rubin, The Rise of Aurora West (the first of two volumes) is a tour de force in comics storytelling.
In Portland in 1983, girls are disappearing. Noah, a teen punk with a dark past, becomes obsessed with finding out where they’ve gone—and he’s convinced their disappearance has something to do with the creepy German owners of a local brewery, the PfefferBrau Haus. Noah worries about the missing girls as a way of avoiding the fact that something’s seriously wrong with his best friend, Evan. Could it be the same dark force that’s pulling them all down? When the PfefferBrau Haus opens its doors for a battle of the bands, Noah pulls his band, the Gallivanters, back together in order to get to the bottom of the mystery. But there’s a new addition to the band: an enigmatic David Bowie look-alike named Ziggy. And secrets other than where the bodies are buried will be revealed. From Edgar-nominated author M. J. Beaufrand, this is a story that gets to the heart of grief and loss while also being hilarious, fast paced, and heartbreaking.
"David Sarac is a handler at the Intelligence Unit of the Stockholm Police Force, identifying, recruiting, and wrangling anyone who can support the police in their battle against organized crime. And David is very good at what he does: manipulation, bribes, and threats--anything goes, so long as he delivers. Other agents can do nothing but watch jealously as his top-secret, high-level informant, Janus, rockets David to success. But after David suffers a stroke during a high-speed car chase, crashing violently into the wall of a tunnel, he wakes up in a hospital with no memory at all of Janus or the past two years of his life. David only knows that he has to reconnect with Janus to protect himself and his informants before outside forces bring the whole network crashing down. Fortunately, he has his supportive friends and colleagues to help him rebuild his life ... or does he?"--
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
The breathtaking sequel to the acclaimed The Girl from Everywhere. “Fresh and exciting . . . truly the perfect playground for adventure.”—NPR.org “Thrilling.”—School Library Journal (starred review) Nix has spent her whole life journeying to places both real and imagined aboard her time-traveling father’s ship. And now it’s finally time for her to take the helm. Her future lies bright before her—until she learns that she is destined to lose the one she loves. Desperate to change her fate, Nix sails her crew to a mythical utopia to meet another Navigator who promises to teach her how to manipulate time. But everything in this utopia is constantly changing, and nothing is what it seems. Not even her relationship with Kash: best friend, thief, charmer extraordinaire. Heidi Heilig weaves fantasy, history, and romance together to tackle questions of free will, fate, and what it means to love another person. At the center of this adventure are extraordinary, complicated, and multicultural characters who leap off the page, and an intricate, recognizable world that has no bounds. This sequel—and conclusion—to The Girl from Everywhere includes five black-and-white maps of historical and mythical locations. Fans of Leigh Bardugo, Sabaa Tahir, and Outlander will be swept away.