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A collection of recipes and anecdotes, inspired by the world famous restaurant Joanne Trattoria, owned by Joe Germanotta, father of Lady Gaga. Family, food, and love are the foundation upon which Joe and Cynthia Germanotta raised their daughters. Built on those same principles, the Germanottas family-run restaurant is world-renowned for its vibrant hospitality, delicious Southern Italian fare, and warm familial atmosphere. Named in honor of Joe’s sister who died of Lupus three months shy of her 20th birthday, Joanne Trattoria is more than a neighborhood restaurant; it is a mecca for Lady Gaga fans, a frequent gathering place for celebrities and notable New Yorkers, and a home to its faithful regulars and devoted staff. In his debut cookbook, Joe shares a mix of time-tested family recipes and house favorites—such as Joanne’s Meatballs, Papa G’s Chicken Scarpariello, and the unforgettable Nutellasagna—and for the first time recounts his inspirational story of fulfilling his lifelong dream of opening his own restaurant. With never-before released family photos, heartwarming testimonials and entertaining anecdotes from the extended Joanne family, as well as a moving foreword by the Germanottas’ older daughter, Golden Globe®- and six-time Grammy®-winning, Academy Award-nominated global icon Lady Gaga, Joanne Trattoria Cookbook: Classic Recipes and Scenes from an Italian-American Restaurant will delight both fans and foodies alike.
The diaries of a remarkable young woman who was determined to live a meaningful and happy life despite her struggle with cystic fibrosis and a rare superbug—from age fifteen to her death at the age of twenty-five—the inspiration for the original streaming documentary Salt in My Soul “An exquisitely nuanced chronicle of a terrified but hopeful young woman whose life was beginning and ending, all at once.”—Los Angeles Times Diagnosed with cystic fibrosis at the age of three, Mallory Smith grew up to be a determined, talented young woman who inspired others even as she privately raged against her illness. Despite the daily challenges of endless medical treatments and a deep understanding that she’d never lead a normal life, Mallory was determined to “Live Happy,” a mantra she followed until her death. Mallory worked hard to make the most out of the limited time she had, graduating Phi Beta Kappa from Stanford University, becoming a cystic fibrosis advocate well known in the CF community, and embarking on a career as a professional writer. Along the way, she cultivated countless intimate friendships and ultimately found love. For more than ten years, Mallory recorded her thoughts and observations about struggles and feelings too personal to share during her life, leaving instructions for her mother to publish her work posthumously. She hoped that her writing would offer insight to those living with, or loving someone with, chronic illness. What emerges is a powerful and inspiring portrait of a brave young woman and blossoming writer who did not allow herself to be defined by disease. Her words offer comfort and hope to readers, even as she herself was facing death. Salt in My Soul is a beautifully crafted, intimate, and poignant tribute to a short life well lived—and a call for all of us to embrace our own lives as fully as possible.
(Piano Solo Songbook). "I think there is a similarity between the infinite big and the infinite smallness of everything," says Yann Tiersen. "It's the same experiment looking through a microscope as it is a telescope." Named after a chapel in a small village on the island of Ushant, Kerber marks a new chapter in critically-acclaimed composer Yann Tiersen's career. A chapter still true to Tiersen's nuanced and subtle approach but one that sets out with his most overtly electronic material to date. Beautifully textured, highly immersive and thoughtfully constructed, Tiersen creates an electronic world, providing an environment in which the piano source exists. A sense of place has often been a central theme in Tiersen's work and here that is no different. Each track is tied to a place mapping out the immediate landscape that surrounds Tiersen's home, linking back to his thoughts on the possibilities of the infinite smallness. This official, exclusive folio is beautifully printed on high-quality, uncoated paper with striking graphic artwork. All seven pieces are presented for solo piano and follow an exclusive introduction to the project.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
Six months into their relationship, Bryony found out that Tim suffered from severe clinical depression. This was a secret Tim had kept for a very long time. Fake it ‘til you Make it is Edinburgh Fringe First-winner Bryony Kimmings’ new work about clinical depression and men, made in collaboration with her partner Tim, who works in advertising. A wickedly warming, brutally honest and powerfully heartbreaking show about the wonders of the human brain, being in love and what it takes to be a "real man". The book contains articles by Andy Field (Forest Fringe), The Vacuum Cleaner (activist and performer) and Georgie Harman (CEO of Beyond Blue), covering performance, art and mental health.
(Piano/Vocal/Guitar Artist Songbook). 12 songs from the third album by this Mississippi rock band: Behind Those Eyes * Here by Me * It's Not Me * Landing in London * Let Me Go * My World * The Real Life * Right Where I Belong * and more.
How to Keep an Alien is a funny and tender autobiographical tale in which Irish Sonya and Australian Kate meet and fall in love, but Kate's visa is up and she must leave the country. Together they must find a way to prove to the Department of Immigration that they have the right to live together in Ireland. The paper trail of evidence for 'the visa people' takes them on a global odyssey from County Offaly to the Queensland Bush. It's a tricky business coming from opposite ends of the earth. It takes an Olympian will and the heart of a whale, but above all else, paperwork. How to Keep an Alien is written and performed by Sonya Kelly, with Justin Murphy. Sonya Kelly's debut show, The Wheelchair on My Face, won a Scotsman Fringe First Award in 2012 and was the New York Times Critics' Pick. This edition was published to coincide with a revival of the original production, including performances at the Traverse Theatre, Edinburgh.
The respected industry standard for technicians working in live entertainment.
After being sexually abused by her father and her brother being sentenced to 5 years in prison for killing him, Quinn is left to move in with her brother DJ's best friend Nakhai and his mother. Nakhai loves Quinn as if she was his little sister, and wants nothing but the best for her. When Quinn makes the decision that she wants to help Nakhai run the “business” while DJ is locked up, he is reluctant, butagainst his better judgment, he brings her in and teaches her everything. Khai has just stepped up from the world of marijuana and into the world of cocaine and has linked up with the only other team that can make as much money if not more than he can. When Khai links up with Stylez and Mar, the streets of Buffalo don't know what hit them. After running into Quinn in the mall, Stylez wants nothing more to make her his, but can he handle the fact that she's the other half of the duo that's serving him his product? Will Quinn ever tell Stylez that she is his supplier, or will she remain a silent partner until her brother comes home and bow out gracefully without ever saying anything to him?
Australia's Empire is the first collaborative evaluation of Australia's imperial experience in more than a generation. Bringing together poltical, cultural, and aboriginal understandings of the past, it argues that the legacies of empire continue to influence the fabric of modern Australian society.