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This is a classic article on Greek embroidery, especially that found on women's chemises. The chemise is a basic garment worn by peasant women all over the Balkans for many centuries, as late as the twentieth century in some places. The article aims to illustrate and discuss the embroidery of nineteen chemises that could be found at the Metropolitan Museum if Art, New York, and was originally written as part of the author's doctoral dissertation. This volume is highly recommended for those with an interest in history of embroidery, and it would make for a worthy addition to collections of related literature. Contents include: “A History of Textiles and Weaving”, “Variables”, “Regional Embroidery Styles”, “Summary”, and “Appendix”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of textile and weaving.
This book addresses issues that remain under-researched by feminist historians. They pertain to female economic contribution in specific geographical areas and countries such as Greece, Italy, a number of regions of France, Greek-speaking regions in the Ottoman-ruled Macedonia, and two countries in the Balkans: Romania and Bulgaria. Additionally, it compares and contrasts female economic agency in the above regions which is a field that hitherto lacks thorough study. Polly Thanailaki explores female contribution to the finances of their family and to the economy of their country and how they interlaced in a transnational historical setting, further exploring social norms and trading practices in these regions. The methodology is based on the study of original printed sources such as archives, newspapers, and journals of the period, along with secondary sources of literature. The book addresses the nexus of gender, economy, and society covering a broad spectrum of gender studies, economic history and social history in time and in geographic space.
This lavishly illustrated volume is the most complete study of Greek island embroidery yet published. Each group of islands developed quite different styles and repertoires of designs using linen, cotton, and silk. Varying populations — urban foreigners and rural natives, Catholic towns and Orthodox villages, invading navies and armies — all contributed to a fusion of styles and motifs that led to one of the greatest displays of decorative folk art to be found anywhere in the world. The styles range from aristocratic and patrician designs from Rhodes, the monochrome geometric work of Naxos, to the exuberant narrative style of Skyros and the Ottoman-influenced work of Epirus.
Unique in its diversity within a small region, the embroidery of the Epirus region of Greece and the islands of the Aegean and Ionian Seas provides an insightful look at the relationships between textiles and culture. The geographical position of the are
Shortlisted for the Katharine Briggs Folklore Award 2000. Relationships between dress and the body have existed in European and Anatolian folk cultures well into the twentieth century. Traditional cultures have long held the belief that certain articles of dress could protect the body from harm by warding off the 'evil eye,' bring fertility to new brides, or assure human control of supernatural powers. Ritual fringes, archaic motifs, and colors such as black and red were believed to have powerful, magical effects. This absorbing and interdisciplinary book examines dress in a broad range of folk cultures - from Turkey, Greece, and Slovakia to Norway, Latvia, and Lithuania, to name but a few. Authors reveal the connection between folk dress and ancient myths, cults and rituals, as well as the communicative aspects of folk dress. How is an individual attired in a specific ensemble located within a community? Is the community the gendered one of women, the village of residence, the larger geographical region or the nation? The intriguing connections between dress and the supernatural beliefs of agrarian communities, as well as the reinvention of such beliefs as part of nationalism, are also discussed. This book represents a significant contribution to the growing body of literature on the cultural meanings of dress, as well as to material culture, anthropology, folklore, art history, ethnohistory, and linguistics. Nominated for Millia Davenport award
Jeanne Villepreux-Power was never expected to be a scientist. Born in 1794 in a French village more than 100 miles from the ocean, she pursued an improbable path that brought her to the island of Sicily. There, she took up natural history and solved the two-thousand-year-old mystery of how of the argonaut octopus gets its shell. In an era when most research focused on dead specimens, Jeanne was determined to experiment on living animals. And to keep sea creatures alive for her studies, she had to invent a contraption to hold them—the aquarium. Her remarkable life story is told by author, marine biologist, and octopus enthusiast Danna Staaf.