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This lavishly illustrated volume is the most complete study of Greek island embroidery yet published. Each group of islands developed quite different styles and repertoires of designs using linen, cotton, and silk. Varying populations — urban foreigners and rural natives, Catholic towns and Orthodox villages, invading navies and armies — all contributed to a fusion of styles and motifs that led to one of the greatest displays of decorative folk art to be found anywhere in the world. The styles range from aristocratic and patrician designs from Rhodes, the monochrome geometric work of Naxos, to the exuberant narrative style of Skyros and the Ottoman-influenced work of Epirus.
Unique in its diversity within a small region, the embroidery of the Epirus region of Greece and the islands of the Aegean and Ionian Seas provides an insightful look at the relationships between textiles and culture. The geographical position of the are
- Never-seen-before textiles with a wide appeal - Accompanies major exhibition of Greek Island embroideries at the Ashmolean Museum in Oxford - dates to be confirmed Embroideries from the Greek islands dazzle with their bright colors and charming motifs. This publication reveals little-known pieces from the Ashmolean Museum at the University of Oxford, newly photographed and published here for the first time. The embroideries include fragments of pillowcases, bed valances, tents and curtains, as well as items of dress. As with all collections of textiles, the story of the Ashmolean holdings is chiefly about their makers and their ingenuity. Once forming the bulk of bridal trousseaux, Greek embroidered textiles were produced and maintained by young and old women for themselves and the house using locally produced materials. A mark of their worth and a platform for self-expression, embroidered textiles also helped Greek women to negotiate their place in the community, signaling status and affiliation.
From USA Today Bestselling author Kathryn Gauci-A richly woven saga set against the mosques and minarets of Asia Minor and the ruins of ancient Athens, 1822: As The Greek War of Independence rages, a child is born to a woman of legendary beauty on the Greek island of Chios. The subsequent decades of bitter struggle between Greeks and Turks simmer to a head when the Greek army invades Turkey in 1919. During this time, Dimitra Lamartine arrives in Smyrna and gains fame and fortune as an embroiderer to the elite of Ottoman society. However, it is her granddaughter, Sophia, who takes the business to great heights as a couturier in Constantinople only to see their world come crashing down with the outbreak of war.1922: Sophia begins a new life in Athens, but the memory of a dire prophecy once told to her grandmother about a girl with flaming red hair begins to haunt her with devastating consequences with the occupation of Greece by the Axis Powers in 19411972: Eleni Stephenson is called to the bedside of her dying aunt in Athens. In a story that rips her world apart, Eleni discovers the chilling truth behind her family's dark past plunging her into the shadowy world of political intrigue, secret societies and espionage where families and friends are torn apart and where a belief in superstition simmers just below the surface.Extravagant, inventive, emotionally sweeping, The Embroiderer is a tale that travellers and those who seek culture and oriental history will love
This is a classic article on Greek embroidery, especially that found on women's chemises. The chemise is a basic garment worn by peasant women all over the Balkans for many centuries, as late as the twentieth century in some places. The article aims to illustrate and discuss the embroidery of nineteen chemises that could be found at the Metropolitan Museum if Art, New York, and was originally written as part of the author's doctoral dissertation. This volume is highly recommended for those with an interest in history of embroidery, and it would make for a worthy addition to collections of related literature. Contents include: “A History of Textiles and Weaving”, “Variables”, “Regional Embroidery Styles”, “Summary”, and “Appendix”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on the history of textile and weaving.