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Explores performances of developing young male identity in case studies from twentieth- and twenty-first-century federal and civic organizations that recruit boys and young men using appeals to American national identity, often coding these appeals as character building.
Twenty-eight illustrations are included."--Jacket.
The role of athletics in ancient Greece extended well beyond the realms of kinesiology, competition, and entertainment. In teaching and philosophy, athletic practices overlapped with rhetorical ones and formed a shared mode of knowledge production. Bodily Arts examines this intriguing intersection, offering an important context for understanding the attitudes of ancient Greeks toward themselves and their environment. In classical society, rhetoric was an activity, one that was in essence "performed." Detailing how athletics came to be rhetoric's "twin art" in the bodily aspects of learning and performance, Bodily Arts draws on diverse orators and philosophers such as Isocrates, Demosthenes, and Plato, as well as medical treatises and a wealth of artifacts from the time, including statues and vases. Debra Hawhee's insightful study spotlights the notion of a classical gymnasium as the location for a habitual "mingling" of athletic and rhetorical performances, and the use of ancient athletic instruction to create rhetorical training based on rhythm, repetition, and response. Presenting her data against the backdrop of a broad cultural perspective rather than a narrow disciplinary one, Hawhee presents a pioneering interpretation of Greek civilization from the sixth, fifth, and fourth centuries BCE by observing its citizens in action.
Persuasion has long been one of the major fields of interest for researchers across a wide range of disciplines. The present volume aims to establish a framework to enhance the understanding of the features, manifestations and purposes of persuasion across all Greek and Roman genres and in various institutional contexts. The volume considers the impact of persuasion techniques upon the audience, and how precisely they help speakers/authors achieve their goals. It also explores the convergences and divergences in deploying persuasion strategies in different genres, such as historiography and oratory, and in a variety of topics. This discussion contributes towards a more complete understanding of persuasion that will help to advance knowledge of decision-making processes in varied institutional contexts in antiquity.
Being Subordinate Men offers a gender critical examination of Paul's use of gender and power in the argument of 1 Corinthians. By elevating femininity and misperforming masculinity, Paul consistently undermines first century Roman norms of masculinity. Such norms of masculinity would have allowed some of the higher status men among the Corinthian believers to occupy positions of power that would give them control over lower status members of the community. Instead of supporting such a patriarchal model, Paul articulates a form of masculinity that would require these higher status men to abandon their positions of power and occupy positions that would put them on equal status with women and men whose bodies and identities forced them to the margins of society. Such a move subverts forms of toxic, or hegemonic, masculinity that give a select few men power over the bodies of others. Instead of a toxic masculinity, Paul commands the men in his audience to embody a failed, or subordinate, masculinity. This failed masculinity not only imitates Paul's own subordinate masculinity, seen in his embrace of feminine imagery and his failure to live up to first century Roman norms of masculinity, but also supports Paul's main reason for writing 1 Corinthians by confronting the factionalism that threatens to destroy the believing community. Paul's vision for the believing community is one of equality that centers itself in imitation of the crucified body of Jesus, a body that demonstrates that equality, not domination, is the path to the kingdom of God.
Rhetorical theory, the core of Roman education, taught rules of public speaking that are still influential today. But Roman rhetoric has long been regarded as having little important to say about political ideas. The State of Speech presents a forceful challenge to this view. The first book to read Roman rhetorical writing as a mode of political thought, it focuses on Rome's greatest practitioner and theorist of public speech, Cicero. Through new readings of his dialogues and treatises, Joy Connolly shows how Cicero's treatment of the Greek rhetorical tradition's central questions is shaped by his ideal of the republic and the citizen. Rhetoric, Connolly argues, sheds new light on Cicero's deepest political preoccupations: the formation of individual and communal identity, the communicative role of the body, and the "unmanly" aspects of politics, especially civility and compromise. Transcending traditional lines between rhetorical and political theory, The State of Speech is a major contribution to the current debate over the role of public speech in Roman politics. Instead of a conventional, top-down model of power, it sketches a dynamic model of authority and consent enacted through oratorical performance and examines how oratory modeled an ethics of citizenship for the masses as well as the elite. It explains how imperial Roman rhetoricians reshaped Cicero's ideal republican citizen to meet the new political conditions of autocracy, and defends Ciceronian thought as a resource for contemporary democracy.
The careers of two popular second-century rhetorical virtuosos offer Maud Gleason fascinating insights into the ways ancient Romans constructed masculinity during a time marked by anxiety over manly deportment. Declamation was an exhilarating art form for the Greeks and bilingual Romans of the Second Sophistic movement, and its best practitioners would travel the empire performing in front of enraptured audiences. The mastery of rhetoric marked the transition to manhood for all aristocratic citizens and remained crucial to a man's social standing. In treating rhetoric as a process of self-presentation in a face-to-face society, Gleason analyzes the deportment and writings of the two Sophists--Favorinus, a eunuch, and Polemo, a man who met conventional gender expectations--to suggest the ways character and gender were perceived. Physiognomical texts of the era show how intently men scrutinized one another for minute signs of gender deviance in such features as gait, gesture, facial expression, and voice. Rhetoricians trained to develop these traits in a "masculine" fashion. Examining the successful career of Favorinus, whose high-pitched voice and florid presentation contrasted sharply with the traditionalist style of Polemo, Gleason shows, however, that ideal masculine behavior was not a monolithic abstraction. In a highly accessible study treating the semiotics of deportment and the medical, cultural, and moral issues surrounding rhetorical activity, she explores the possibilities of self-presentation in the search for recognition as a speaker and a man.
Sexual rhetoric is the self-conscious and critical engagement with discourses of sexuality that exposes both their naturalization and their queering, their torquing to create different or counter-discourses, giving voice and agency to multiple and complex sexual experiences. This volume explores the intersection of rhetoric and sexuality through the varieties of methods available in the fields of rhetoric and writing studies, including case studies, theoretical questioning, ethnographies, or close (and distant) readings of "texts" that help us think through the rhetorical force of sexuality and the sexual force of rhetoric.
Moderating Masculinity in Early Modern Culture proposes a definition of gender based on a ternary model in which moderation and masculinity are inextricably linked. Like the Aristotelian virtue of moderation, which requires the presence of excess a