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Rain or no rain, Elmer is going for a walk. After being cooped up in a cave with his herd, he longs for a bit of fresh air and some peace and quiet. But he's going to have to wait—when Elmer goes outside, he discovers the rain has caused a flood. Can brave Elmer work out a way to save a stranded young elephant?
Elmer is enjoying his walk: smelling the flowers, watching the clouds, listening to the waterfall. But each time he points out one of these lovely things to the other animals, they say they don't have time to stop. They're far too busy. Luckily Wilbur arrives at last and shares Elmer's enjoyment in the stars. A celebration of mindfulness from master-storyteller David McKee.
The hunters are coming and all the elephants are worried. Elmer, the patchwork elephant, comes up with a plan to outwit the hunters but things don't turn out quite as planned...
It's two days before Christmas Eve, the night Papa Red visits, and the young elephants are very excited. They choose a tree to decorate and prepare the presents for Papa Red to collect during the night to take to those who need them. But this year Elmer has a special treat in store for the young elephants, if they can keep quiet and out of sight...
Once a year on Elmer's Day, all the elephants decorate themselves and have a parade, and this year Elmer comes up with a plan to include the other animals as well as the elephants. Children's BOMC Alt.
Elmer and his cousin Wilbur decide to go to the coast to see the whales. But their journey becomes far more of an adventure than they expected, when they find themselves lost at sea. Can the whales help them back to shore?
Elmer, the patchwork elephant, and his friends play in the snow.
The young elephants want to have a race to prove who is fastest, so Elmer and Wilbur organize a course. With each racer decorated a different color, they set off around the course and discover things about themselvesBlue is first, Orange is second, White is kind, Pink and Violet are funny, and Yellow is a cheat. Luckily Yellow also learns he is very good at saying sorry, so each young elephant gets a medal from Elmer.
The Texas Frontier, 1865 The Civil War is over and Texas is reluctantly yielding to the Union soldiers spreading across the state, even into the dangerous Comanche country. David "Rusty" Shannon, proud member of a "ranging company" attempting to protect Texas settlers from Indian depredations, finds that the rangers are being disbanded. He makes his way home to his land on the Red River, hoping to take up the life of a farmer and the hand of the beloved girl he left behind, Geneva Monahan. But Geneva has married in Rusty's long absence and the country is filled with hostiles—not just Indians, but hate-filled Confederates, overbearing Union soldiers, and army renegades. Rusty's youth as a captive of the Comanches returns to haunt him when, in pursuit of Indian raiders, he takes as prisoner Badger Boy, a white child taken from his murdered parents by a Comanche warrior. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
For a few decades now, They Might Be Giants' album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who care more about science fiction than Slayer, who are more often called clever than cool. Neither the band's hip origins in the Lower East Side scene nor Flood's platinum certification can cover up the record's singular importance at the geek fringes of culture. Flood's significance to this audience helps us understand a certain way of being: it shows that geek identity doesn't depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess-a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America's advancing leftist social tides. Whether or not it was the band's intention, Flood's jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.