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Germany's invasion of France in August 1914 represented a threat to the great power status of both Britain and France. The countries had no history of co-operation, yet the entente they had created in 1904 proceeded by trial and error, via recriminations, to win a war of unprecedented scale and ferocity. Elizabeth Greenhalgh examines the huge problem of finding a suitable command relationship in the field and in the two capitals. She details the civil-military relations on each side, the political and military relations between the two powers, the maritime and industrial collaboration that were indispensable to an industrialised war effort and the Allied prosecution of war on the western front. Although it was not until 1918 that many of the war-winning expedients were adopted, Dr Greenhalgh shows that victory was ultimately achieved because of, rather than in spite of, coalition.
Between 1544 and 1604, Tudor England was involved in a series of wars which strained government and society to their limits. By the time Elizabeth became queen in 1558, England and Wales were likened to 'a bone thrown between two dogs' - the great European powers of France and Spain. Elizabeth's Wars tells the story of how Elizabeth I and her government overcame early obstacles and gradually rebuilt England's military power on both land and sea, absorbing vital lessons about modern warfare from 'secret wars' fought on the Continent and in the waters of the New World. Elizabeth herself was a reluctant participant in foreign wars and feared the political and material costs of overseas combat - misgivings which proved fully justified during England's great war with Spain in the 1580s and '90s. Nevertheless, Elizabeth's armies and navy succeeded in fighting Spain to a standstill in campaigns which spanned the Low Countries, northern France, Spain and the Atlantic, as well as the famous Armada campaign of 1588; whilst in Ireland the last Irish resistance to total English domination of the country was finally crushed towards the end of Elizabeth's reign. Combining original work and a synthesis of existing research, Paul E.J. Hammer offers a lively new examination of these long and costly, but ultimately successful, wars - military exploits which were to prove impossible acts to follow for Elizabeth's immediate successors.
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Ferdinand Foch ended the First World War as Marshal of France and supreme commander of the Allied armies on the Western Front. Foch in Command is a pioneering study of his contribution to the Allied victory. Elizabeth Greenhalgh uses contemporary notebooks, letters and documents from previously under-studied archives to chart how the artillery officer, who had never commanded troops in battle when the war began, learned to fight the enemy, to cope with difficult colleagues and allies, and to manoeuvre through the political minefield of civil-military relations. She offers valuable insights into neglected questions: the contribution of unified command to the Allied victory; the role of a commander's general staff; and the mechanisms of command at corps and army level. She demonstrates how an energetic Foch developed war-winning strategies for a modern industrial war and how political realities contributed to his losing the peace.
The story of the last great naval battle between England and Spain, evoking a number of colorful and dangerous personalities who fought in the climactic conclusion to these two countries’ great rivalry on the sea. Ireland: Christmas Eve, 1601. As thunder crashes and lightning rakes the sky, three very different commanders line up for a battle that will decide the fate of a nation. General Juan del Águila has been sprung from a prison cell to command the last great Spanish armada. His mission: to seize a bridgehead in Queen Elizabeth's England and hold it. Facing him is Charles Blount, a brilliant English strategist whose career is also under a cloud. His affair with a married woman edged him into a treasonous conspiracy—and brought him to within a hair’s breadth of the gallows. Meanwhile, Irish insurgent Hugh O’Neill knows that this is his final chance to drive the English out of Ireland. For each man, this is the last throw of the dice. Tomorrow they will be either heroes or failures. These colorful commanders come alive in this true story of courage and endurance, of bitterness and betrayal, and of drama and intrigue at the highest levels in the courts of England and Spain.
One of today's premier historical novelists, "New York Times" bestseller George dazzles here as she tackles her most difficult subject yet: the legendary Elizabeth Tudor, queen of enigma. But what was she really like? In this novel, her flame-haired, lookalike cousin, Lettice Knollys, thinks she knows all too well.
“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.
Elizabeth I's Final Years outlines the interwoven relationships and rivalries between politicians and courtiers surrounding England’s omnipotent queen in the years following the death in 1588 of the Earl of Leicester. Elizabeth now surrounded herself with magnetically attractive younger men with the courtly graces to provide her with what Alison Weir has called ‘an eroticised political relationship’. With these ‘favourites’ holding sway at court, they saw personal bravery in the tiltyard or on military exploits as their means to political authority. They failed to appreciate that the parsimonious queen would always resist military aggression and resolutely backed her meticulously cautious advisors, William Cecil, Lord Burghley, and later his son Robert. With its access to New World treasure, it was Spain who threatened the fragile balance of power in Continental Europe. With English military intervention becoming inevitable, the Cecils diverted the likes of Walter Raleigh and the Earl of Essex, despite their lack of military experience, away from the limelight at court into colonial and military expeditions, leaving them just short of the resources needed for success. The favourites’ promotions caused friction when seasoned soldiers, like Sir Francis Vere with his unparalleled military record in the Low Countries, were left in subordinate roles. When Spanish support for rebellion in Ireland threatened English security, Robert Cecil encouraged Elizabeth to send Essex, knowing that high command was beyond his capabilities. Essex retorted by rebelling against Cecil’s government, for which he lost his head. Both Elizabeth and Cecil realised that only the bookish Lord Mountjoy, another favourite, had the military acumen to resolve the Irish crisis, but his mistress, Essex’s sister, the incomparable Penelope Rich, was mired by involvement in her brother’s conspiracy. Despite this, Cecil gave Mountjoy unstinting support, biding his time to tarnish his name with James I, as he did against Raleigh and his other political foes.