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Elizabeth Street is both a fascinating immigrant story and an intimate portrait of how a first-generation American--and the author’s own great-grandmother--outwits one of the most brutal crime organizations of the early 20th century.
From Sicily to Elizabeth Street analyzes the relationship of environment to social behavior. It revises our understanding of the Italian-American family and challenges existing notions of the Italian immigrant experience by comparing everyday family and social life in the agrotowns of Sicily to life in a tenement neighborhood on New York's Lower East Side at the turn of the century. Moving historical understanding beyond such labels as "uprooted" and "huddled masses," the book depicts the immigrant experience from the perspective of the immigrants themselves. It begins with a uniquely detailed description of the Sicilian backgrounds and moves on to recreate Elizabeth Street in lower Manhattan, a neighborhood inhabited by some 8,200 Italians. The author shows how the tightly knit conjugal family became less important in New York than in Sicily, while a wider association of kin groups became crucial to community life. Immigrants, who were mostly young people, began to rely more on their related peers for jobs and social activities and less on parents who remained behind. Interpreting their lives in America, immigrants abandoned some Sicilian ideals, while other customs, though Sicilian in origin, assumed new and distinctive forms as this first generation initiated the process of becoming Italian-American.
French-inspired Vietnamese cooking from the cultural hub of Austin, Texas – recommended by everyone from locals to Bon Appetit to The New York Times to goop. "A Vietnamese café plus French bakery, Elizabeth Street Café combines the best of two worlds." —goop Elizabeth Street Café – a celebrated eatery with a devoted following – features French-inspired Vietnamese cooking. Chefs Tom Moorman and Larry McGuire share 100 recipes of beautiful and delicious Vietnamese fare and French baked goods – from Spicy Breakfast Fried Rice and Eggs to Green Jungle Curry Noodles, and Palm Sugar Ice Cream to Toasted Coconut Cream Puffs. The café is always bustling, day and night, inside and outdoors, and it is one of the most photographed restaurants in Austin, Texas.
The lives of sisters Marianne and Marguerite take very unexpected courses when William, the man they both adore, writes after a ten year absence and asks for Marianne's hand in marriage, even though it is Marguerite he has always loved.
Caught on opposing sides of their families' fierce legal battle, will Libby and Michael risk everything for the truth--and love?
When the Phonies move into Stella Street, Henni and her buddies expose some of their criminal practices.
This beautiful volume focuses on a five-year period in Elizabeth Peyton’s evolving career to suggest not only a visual chronicle of an age, its heroes, heroines, and interests, but also of an individual’s life—that of Peyton herself. Elizabeth Peyton’s work has been renowned since the early 1990s, when she began exhibiting her paintings and drawings of artists, musicians, historical figures, and friends. This new volume, prepared by the artist in collaboration with designer Brendan Dugan, founder of Karma bookstore and gallery, presents a concentrated view of a period bookended by two exhibitions in Brussels, one in 2009 and the second in 2014, a time of introspection, and the development of a more personal painterly language. This phase of Peyton’s work is about a new realism and a considered situating of her interests and passions in relation to her own working practice. We see her range expand to take in lush still lifes composed of books, flowers, and fragmentary interiors; expressive, blooddrenched scenes drawn from Richard Wagner’s operas; and many magnificent and subtle portraits of peers and mentors, historical or present-day. From David Bowie to celebrated tenor Jonas Kaufmann; from Delacroix and Giorgione to Peyton’s artist peers such as Matthew Barney and Klara Liden; from Friday Night Lights actor Taylor Kitsch to tattoo artist Scott Campbell, as well as numerous self-portraits, her work is about narrowing the distance between the self and the object of fascination. “They are people expressing what it is to be human. Most art that’s any good is trying to do that—trying to put a voice to feeling. And in particular, the feeling of their time,” writes Peyton.