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"Elizabeth "Lisl" Scheu Close (1912-2011) was the first female modern architect in Minnesota. Over her 60-year career, she designed more than 150 residences in the state, which were stylistically rooted in Austrian and other European modern movements of the 1920s and 30s. The work of architect Adolf Loos was a primary influence -Close grew up in the 1912 Loos-designed Scheu House, a seminal early modern house in Vienna, Austria. In 1938 with her husband Winston Close, she cofounded the first practice in Minnesota dedicated to modern architecture. The book traces Lisl's life, education, and career from pre-World War I Vienna, to MIT, to Minnesota. Lisl was in the vanguard of professionally-trained women architects. Not only was she perceived as a "woman in a man's field" when she launched her career, she was also committed to a design aesthetic then not widely adopted by the public or the profession. Modernism, to Lisl, meant the design of buildings that "fit the modern style of living," or those that were practical, efficient, durable, and of their time"--
Architect, artist, furniture designer, and educator, Ralph Rapson has played a leading role in the development and practice of modern architecture and design, both nationally and internationally.
Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee's drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman.
This updated second edition of Acute Ischemic Stroke: Imaging and Intervention provides a comprehensive account of the state of the art in the diagnosis and treatment of acute ischemic stroke. The basic format of the first edition has been retained, with sections on fundamentals such as pathophysiology and causes, imaging techniques and interventions. However, each chapter has been revised to reflect the important recent progress in advanced neuroimaging and the use of interventional tools. In addition, a new chapter is included on the classification instruments for ischemic stroke and their use in predicting outcomes and therapeutic triage. All of the authors are internationally recognized experts and members of the interdisciplinary stroke team at the Massachusetts General Hospital and Harvard Medical School. The text is supported by numerous informative illustrations, and ease of reference is ensured through the inclusion of suitable tables. This book will serve as a unique source of up-to-date information for neurologists, emergency physicians, radiologists and other health care providers who care for the patient with acute ischemic stroke.
This Shirley Jackson Award–winning novel is “a true surreal phantasmagoria . . . [a] gothic supernatural” horror story set in the decadent world of British rock (Chelsea Quinn Yarbro). When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?
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Volcanoes are unquestionably one of the most spectacular and awe-inspiring features of the physical world. Our paradoxical fascination with them stems from their majestic beauty and powerful, sometimes deadly, destructiveness. Notwithstanding the tremendous advances in volcanology since ancient times, some of the mystery surrounding volcanic eruptions remains today. The Encyclopedia of Volcanoes summarizes our present knowledge of volcanoes; it provides a comprehensive source of information on the causes of volcanic eruptions and both the destructive and beneficial effects. The early chapters focus on the science of volcanism (melting of source rocks, ascent of magma, eruption processes, extraterrestrial volcanism, etc.). Later chapters discuss human interface with volcanoes, including the history of volcanology, geothermal energy resources, interaction with the oceans and atmosphere, health aspects of volcanism, mitigation of volcanic disasters, post-eruption ecology, and the impact of eruptions on organismal biodiversity. - Provides the only comprehensive reference work to cover all aspects of volcanology - Written by nearly 100 world experts in volcanology - Explores an integrated transition from the physical process of eruptions through hazards and risk, to the social face of volcanism, with an emphasis on how volcanoes have influenced and shaped society - Presents hundreds of color photographs, maps, charts and illustrations making this an aesthetically appealing reference - Glossary of 3,000 key terms with definitions of all key vocabulary items in the field is included
Completing his major analysis of Elizabethan high politics with this eagerly awaited third volume, Wallace MacCaffrey investigates how Elizabeth I, the unwarlike war leader", and her ministers made the great decisions that shaped English political history in the years between the Armada of 1588 and her death in 1603. As in the previous volumes, the author examines the ramifications of selected themes, such as the Queen's reluctant entry into war with Spain, the integration of Ireland into the English imperial system, and the threat of renewed political faction with the appearance of a new favorite at court, the Earl of Essex. Throughout, MacCaffrey reveals the intentions, motivations, and assumptions that guided Elizabeth's strategy in a struggle fought on many fronts: on the high seas, in the West Indies, on the European continent, and in Ireland. In light of the Queen's desire to uphold her popularity through the maintenance of peace and prosperity, the author explains why she pursued war with Spain by only half-measures and how the brutal conquest of Ulster and the destruction of Tyrone came to be seen as prerequisites for the incorporation of Northern Ireland. A lively narrative outlines international circumstances as perceived by the policy makers, exposing the preconceptions and limited knowledge behind decisions that ultimately worked to England's advantage.
The worldwide use of building envelopes in steel and glass is one of the characteristic features of modern architecture. Many of these pre- and post-war buildings are now suffering severe defects in the building fabric, which necessitate measures to preserve the buildings. In this endeavor, aspects of architectural design, building physics, and the preservation of historic buildings play a key role. Using a selection of 20 iconic buildings in Europe and the USA, the book documents the current technological status of the three most common strategies used today: restoration, rehabilitation, and replacement. The buildings include Fallingwater House by Frank Lloyd Wright, Farnsworth House by Ludwig Mies van der Rohe, Fagus Factory and Bauhaus Building by Walter Gropius.
In 1932 nineteen-year-old John H. Howe arrived at Taliesin as a charter member of Frank Lloyd Wright's Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as "the pencil in Wright's hand" before establishing his own architectural practice in Minnesota. This is the first book to tell Howe's story and also the first full account of his place in the history of modern architecture--as chief draftsman and valued interpreter of Wright's designs and as a prolific architect in his own right. Illustrated throughout with Howe's sublime drawings, this biography is a testament to the underappreciated architect's extraordinary design and rendering skills. Influenced by Wright's principles of organic architecture, Howe operated under the conviction that "the land is the beginning of architecture." Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector--futuristic visions that anticipated Eero Saarinen's later designs for airports and Victor Gruen's for America's first indoor shopping mall. An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment--and significance--of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.