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Excerpt from Elizabeth Hooton: First Quaker Woman Preacher (1600-1672) Travelling on through some parts of Leicestershire and into Nottinghamshire, I met with a tender people, and a very tender woman whose name Was Elizabeth Hooton. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
New Critical Studies on Early Quaker Women, 1650-1800 takes a fresh look at archival and printed sources from England and America, elucidating why women were instrumental to the Quaker movement from its inception to its establishment as a transatlantic religious body. This authoritative volume, the first collection to focus entirely on the contributions of women, is a landmark study of their distinctive religious and gendered identities. The chapters connect three richly woven threads of Quaker women's livesRevolutions, Disruptions and Networksby tying gendered experience to ruptures in religion across this radical, volatile period of history. Includes a Foreword by Elaine Hobby.
Dramatic and documentary representations of aggressive and garrulous women, while often casting such women as reckless and ultimately unsuccessful usurpers of cultural authority, simultaneously highlight, in contending narrative lines, their effective manipulation and even subversion of social and gender hierarchies. Words Like Daggers explores the scolding invectives, malevolent curses, and ecstatic prophesies of early modern women as attested in legal documents, letters, self-narratives, popular pamphlets, ballads, and dramas of the era. By examining the framing and performance of such violent female speech between the 1590s and the 1660s, Kirilka Stavreva dismantles the myth of the silent and obedient women who allegedly populated early modern England. Blending gender theory with detailed historical analysis, Words Like Daggers highlights the capacity of women's language to shape gender and social relationships in the early modern era. Stavreva not only reconstructs the speech acts of individual contentious women but also examines the powerful performative potential of women's violent speech, revealing how the stage, arguably the most influential cultural institution of the Renaissance, orchestrated and aestheticized women's fighting words and, in so doing, showcased and augmented their cultural significance.
Writing from the model and authority of scripture, Bunyan offers his readers fictional narratives and theological treatises that variously challenge, resist, invert, and imaginatively transform, the conditions under which they are written."--BOOK JACKET.
The author reconstructs the lived experience of both captors and captives to show that captivity was always intertwined with gender struggles, providing a novel perspective on the struggles over female authority pervasive in colonial America.
Narratives of possession have survived in early English medical and philosophical treatises. Using ideas derived from cognitive science, this study moves through the stages of possession and exorcism to describe how the social, religious, and medical were internalized to create the varied manifestations of demon possession in early modern England.