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This sword and sorcery epic follows the once cruel king, Elias, on a redemptive journey to reclaim his identity. The fallen king must restore his face that was stolen by the mighty malevolent sorcerer Melchior. Helped on his quest by an unlikely gang of misfits including a giant, a goblin-like creature and a female scientist, Elias The Cursed must battle both good and evil magic, and attempt to save his face, and perhaps even his soul.
“Whimsical, witty, and brimming over with charm” (India Holton), Olivia Atwater’s delightful debut will transport you to a magical version of Regency England, where the only thing more meddlesome than a fairy is a marriage-minded mother! It’s difficult to find a husband in Regency England when you’re a young lady with only half a soul. Ever since she was cursed by a faerie, Theodora Ettings has had no sense of fear or embarrassment—an unfortunate condition that leaves her prone to accidental scandal. Dora hopes to be a quiet, sensible wallflower during the London Season—but when Elias Wilder, the strange, handsome, and utterly ill-mannered Lord Sorcier, discovers her condition, she is instead drawn into peculiar and dangerous faerie affairs. If her reputation can survive both her curse and her sudden connection with the least-liked man in all high society, then she and her family may yet reclaim their normal place in the world. But the longer Dora spends with Elias, the more she begins to suspect that one may indeed fall in love even with only half a soul. Praise for Half a Soul “Whimsical but never frivolous, sweet but not sugary. I loved it.” —Alix E. Harrow “Delightful. Half a Soul is the definition of a comfort read.” —Hannah Whitten “I wolfed this down with great pleasure.” —KJ Charles “This winsome, whimsical fantasy romance sweeps you off your feet.” —Megan Bannen “Smart and subversive, Half a Soul will ignite your heart—and your hope.” —Shelley Parker-Chan “A perfect historical fantasy romance: warm, sparkling with magic, dangerous, and delightful.” —Tasha Suri
Filipino national hero Jose Rizal wrote The Social Cancer in Berlin in 1887. Upon his return to his country, he was summoned to the palace by the Governor General because of the subversive ideas his book had inspired in the nation. Rizal wrote of his consequent persecution by the church: "My book made a lot of noise; everywhere, I am asked about it. They wanted to anathematize me ['to excommunicate me'] because of it ... I am considered a German spy, an agent of Bismarck, they say I am a Protestant, a freemason, a sorcerer, a damned soul and evil. It is whispered that I want to draw plans, that I have a foreign passport and that I wander through the streets by night ..."
BOOK THREE IN THE NEW YORK TIMES BESTSELLING SERIES "Thrilling and hard to put down, readers will absolutely devour Tahir's latest." --BuzzFeed An Entertainment Weekly Summer Reads pick! "The perfect summer read." --The Washington Post The highly anticipated third book in #1 New York Times bestselling author Sabaa Tahir's EMBER QUARTET. Beyond the Martial Empire and within it, the threat of war looms ever larger. Helene Aquilla, the Blood Shrike, is desperate to protect her sister's life and the lives of everyone in the Empire. But she knows that danger lurks on all sides: Emperor Marcus, haunted by his past, grows increasingly unstable and violent, while Keris Veturia, the ruthless Commandant, capitalizes on the Emperor's volatility to grow her own power--regardless of the carnage she leaves in her path. Far to the east, Laia of Serra knows the fate of the world lies not in the machinations of the Martial court, but in stopping the Nightbringer. But in the hunt to bring him down, Laia faces unexpected threats from those she hoped would help her, and is drawn into a battle she never thought she'd have to fight. And in the land between the living and the dead, Elias Veturius has given up his freedom to serve as Soul Catcher. But in doing so, he has vowed himself to an ancient power that demands his complete surrender--even if that means abandoning the woman he loves.
Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung. Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society. Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.
Chise may have stopped the dragon's rampage, but at a great cost: she has been cursed, and a dragon's curse is unbreakable! Chise and Elias are visited by Marielle the witch, whose fellow witches claim to know the secret to helping Chise. There's one catch--in exchange for their aid, Chise must join the witches' coven.
The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography USA Today Biography of the Year
Condemned to hang after his raid on Harper’s Ferry, John Brown prophesied that the crimes of a slave-holding land would be purged away only with blood. A study of omens, maledictions, and inspired invocations, The Oracle and the Curse examines how utterances such as Brown’s shaped American literature between the Revolution and the Civil War. In nineteenth-century criminal trials, judges played the role of law’s living oracles, but offenders were also given an opportunity to address the public. When the accused began to turn the tables on their judges, they did so not through rational arguments but by calling down a divine retribution. Widely circulated in newspapers and pamphlets, these curses appeared to channel an otherworldly power, condemning an unjust legal system and summoning readers to the side of righteousness. Exploring the modes of address that communicated the authority of law and the dictates of conscience in antebellum America’s court of public opinion, Caleb Smith offers a new poetics of justice which assesses the nonrational influence that these printed confessions, trial reports, and martyr narratives exerted on their first audiences. Smith shows how writers portrayed struggles for justice as clashes between human law and higher authority, giving voice to a moral protest that transformed American literature.
In a world threatened by the imminent death of its sun, young Yama lives a relatively happy and peaceful life as the daughter of the chief of the village. But everything changes the day a sword of glass falls from the sky, just as the prophecy had announced. Anyone who touches the sword is instantly turned to glass and dies. Orland, the local lord of war, comes to take possession of the unique weapon but fails to retrieve it. In the process, Yama’s father is killed and her mother taken away. Yama, however, escapes and survives with only one thought: when she grows up, she will return to get the sword of glass, and avenge her parents.