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Originally published in 1970, Eleven Canadian Novelists Interviewed by Graeme Gibson is a collection of candid and wide-ranging interviews with Canadian writers, including Alice Munro, Mordecai Richler, Margaret Laurence, and more. With the intuition of an insider, Gibson asks the important questions: In what way is writing important to you? Do writers know something special? Does he or she have any responsibility to society? The result is a fascinating and immensely readable series of conversations with famed writers at the beginning of their careers. The A List edition will feature a new introduction by Graeme Gibson and interviews with the following authors: Margaret Atwood Austin Clarke Matt Cohen Marian Engel Timothy Findley Dave Godfrey Margaret Laurence Jack Ludwig Alice Munro Mordecai Richler Scott Symons
In honour of Alice Munro's Nobel Prize for Literature, Anansi Digital is re-releasing a candid interview with Munro by Canadian novelist Graeme Gibson. Taken from Eleven Canadian Novelists, which was originally published in 1973 by House of Anansi Press, the interview is a revealing and wide-ranging dialogue between two writers, and a rare view of Munro and her work. With the intuition of an insider, Gibson asks the important questions: In what way is writing important to you? Do writers know something special? Does he or she have any responsibility to society? The result is a fascinating and immensely readable conversation with the famed short story writer at the beginning of her career.
And, not coincidentally, to New York City, where, at a glitzy fundrai sing event, Fraser has an unexpected, intensely personal encounter. Gibson juxtaposes reality and fiction to reveal not only the legacies one generation bequeaths to the next, but also the responsibilities that we, the living, have to our own dead.
Set in southern Ontario in the late nineteenth century, at a time when the machine age was coming into its own, Perpetual Motion chronicles the fortunes of settler Robert Fraser, a man obsessed with power and control. Driven by the idea of inventing a perpetual motion machine which will utilize natural energy, he neglects and destroys not only the nature around him but his own family too, as his overbearing rationality becomes a kind of tragic lunacy. First published in 1982, Perpetual Motion is Graeme Gibson’s superb evocation of a time when faith in material progress is still challenged by superstition and a lingering belief in magic. It is an ironic yet compassionate examination of the painful consequences of human folly.
First published by Anansi in 1969, Five Legs was a breakthrough for Canadian experimental fiction, selling 1,000 copies in its first week. At the time Scott Symons wrote that "Five Legs has more potent writing in it, page for page, than any other young Canadian novel that I can think of." Or indeed any young American novel — including Pynchon and Farina. Five Legs is the subversive tale of two guilt-ridden young men, Lucan Crackell and Felix Oswald — one a professor, the other his student — caught in the grip of the North American Protestant ethic, with its emotional web-spinning and sexual torments. Gibson captures both their mortifications and their spirited resistance to all things WASP, themselves included, in stream-of-consciousness prose that is at once fluid, disjointed, and hilarious. Essential reading for any Canlit junkie, and quite a trip. This edition features a new introduction by Sean Kane.
WITH A NEW INTRODUCTION BY MARGARET ATWOOD Featured in the vast majority of mythologies and religions, birds are generally associated with creativity and the human spirit. From the Christian dove to Quetzalcoatl (the Aztec plumed serpent), and from Raven Man to Plato's description of the soul growing wings and feathers, birds have represented the soul in contrast to the body, the spiritual as opposed to the earthly. The Bedside Book of Birds is an unexpected and fascinating treasure trove of paintings, drawings, essays and scientific observations: it marvellously conveys the hope, the longing and the enchantment that birds have evoked in humans in all cultures and all times. Beautifully produced, the book contains more than one hundred illustrations, ranging from early cave paintings through works by Audubon, Morris and Gould, to Inuit and other works created in the twentieth century. There are writings by naturalists like W.H. Hudson, Laurens van der Post, Peter Matthiessen and Barry Lopez, and by classical authors such as Shakespeare, Coleridge, Melville and Poe. There is also a rich seam of contemporary work by Jorge Luis Borges, Ted Hughes, Italo Calvino, Bruce Chatwin and Haruki Murakami, among many others. The Bedside Book of Birds is a book to explore, to savour, and to learn from - a book for the winged soul in all of us.
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
Both a study of the emergence of a characters true self through his homosexual experiences and the decay of Canadian, and especially French-Canadian, traditions, Place dArmes was named one of the top 100 most important books in Canadian history.
This is the first full-length study of Alice Munro's work to be published in Britain. Highlights Munro's distinctive storytelling methods where everything becomes both 'touchable and mysterious'.
This book explores the Gothic tradition in Canadian literature by tracing a distinctive reworking of the British Gothic in Canada. It traces the ways the Gothic genre was reinvented for a specifically Canadian context. On the one hand, Canadian writers expressed anxiety about the applicability of the British Gothic tradition to the colonies; on the other, they turned to the Gothic for its vitalising rather than unsettling potential. After charting this history of Gothic infusion, Canadian Gothic turns its attention to the body of Aboriginal and diasporic writings that respond to this discourse of national self-invention from a post-colonial perspective. These counter-narratives unsettle the naturalising force of this invented history, rendering the sense of Gothic comfort newly strange. The Canadian Gothic tradition has thus been a conflicted one, which reimagines the Gothic as a form of cultural sustenance. This volume offers an important reconsideration of the Gothic legacy in Canada.