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First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Elemental Passions explores the man/woman relaitonship in a series of meditations of the senses and the formal elements. Its form resembles a series of love letters in which, however, the identity-and even the reality-of the adressee are deliberately obscured.
Continuing the pioneering work in the field laid bare by the uncovering the Creative Condition of the human being in literature and fine arts, the elemental passion of place leads us through the creative imagination into the labyrinths of the ontopoiesis of life itself (Tymieniecka, in her inaugural study). Essays by A-T. Tymieniecka, Mary Catanzaro, W. Smith, Jadwiga Smith, L. Dunton-Downer, Jorge García Gomez, Ch. Eykmann, Marlies Kronegger, Eldon N. van Liere, Hans Rudnik make this collection a unique contribution to literary studies as well as to the metaphysics of life and of the human condition.
What does it mean to be human in a world filled with tragedy? With creativity and insight Edward Farley, one of today's most respected theologians, here addresses this universal and haunting question of evil. Farley anchors his discussion firmly in interhuman (I-thou) dynamics as a key to unfolding the personal and social spheres of human existence. "It is," says Farley, "the corruption of elemental passions and the resulting contagion of the personal and social spheres that provide a total view of human evil and its redemptive possibilities."
Literature reveals that the hidden strings of the human `passional soul' are the creative source of the specifically human existence. Continuing the inquiry into the `elemental passions of the soul' and the Human Creative Soul pursued in several previous volumes of this series, the present volume focuses on the `passions of the earth', bringing to light some of the primogenital existential threads of the innermost bonds of the Human Condition and mother earth. In Tymieniecka's words, the studies purpose to unravel the essential bond between the living human being and the earth - a bond that lies at the heart of our existence. A heightened awareness of this bond should enlighten our situation and help us find our existential bearings.
This book provides a rich feast of literary and philosophical insight, offering as it does the first English commentary on Luce Irigaray's poetic text, Elemental Passions. It explores Irigaray's images and intentions, developing the gender drama that takes place within her book, and draws the reader into the conversation between "I-woman" and "you-man" in the text.
Bachelard called them "the hormones of the imagination." Hegel observed that, "through the four elements we have the elevation of sensuous ideas into thought." Earth, air, fire, and water are explored as both philosophical ideas and environmental issues associated with their classical and perennial conceptions. David Macauley embarks upon a wide-ranging discussion of their initial appearance in ancient Greek thought as mythic forces or scientific principles to their recent reemergence within contemporary continental philosophy as a means for understanding landscape and language, poetry and place, the body and the body politic. In so doing, he shows the importance of elemental thinking for comprehending and responding to ecological problems. In tracing changing views of the four elements through the history of ideas, Macauley generates a new vocabulary for and a fresh vision of the environment while engaging the elemental world directly with reflections on their various manifestations.
'Spatial images', wrote the German cultural theorist, Siegfried Kracauer, 'are the dreams of society. Wherever the hieroglyphics of any spatial image are deciphered, there the basis of social reality presents itself.' But how exactly are these spatial images to be deciphered? Hieroglyphics of Space addresses this question with a series of insightful essays on some of the great metropolitan centres of the world. From political interpretations to gendered analyses, from methods of mapping to filmic representations, and from studies in consumption to economic surveys, the volume offers a range of strategies for reading and experiencing the modern metropolis.
How does one read the story of Sarah and Hagar, or Jezebel and Rahab today, if one is a woman reader situated in a postcolonial society? This is the question undergirding this work, which considers a selection of biblical texts in which women have significant roles. Employing both a gender and a postcolonial lens, it asks sharp questions both of the interests embedded in the texts themselves and of their impact upon contemporary women readers. Whereas most postcolonial studies have been undertaken from the perspective of the colonized this work reads the texts from the position of a settler descendant, and is an attempt to engage with the disquietening and challenging questions that reading from such a location raises. Letters from early settler women in New Zealand, contemporary fiction, and personal reminiscence become tools for the task, complementing those traditionally employed in critical biblical readings.