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A moving poetic account of grief and record of post-traumatic stress after the loss of a parent.
A lyrical and haunting depiction of American racial violence and lynching, evoked through stunning full-color artwork In late May 1918 in Valdosta, Georgia, ten Black men and one Black woman—Mary Turner, eight months pregnant at the time—were lynched and tortured by mobs of white citizens. Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not and a time when white citizens baked pies and flocked to see Black corpses while Black people fought to make their lives—and their mourning—matter. Included are contributions from C. Tyrone Forehand, great-grandnephew of Mary and Hayes Turner, whose family has long campaigned for the deaths to be remembered; abolitionist activist and educator Mariame Kaba, reflecting on the violence visited on Black women’s bodies; and historian Julie Buckner Armstrong, who opens a window onto the broader scale of lynching’s terror in American history.
In this latest entry in Jacqueline Winspear’s acclaimed, bestselling mystery series—“less whodunits than why-dunits, more P.D. James than Agatha Christie” (USA Today)—Maisie Dobbs takes on her most personal case yet, a twisting investigation into the brutal killing of a street peddler that will take her from the working-class neighborhoods of her childhood into London’s highest circles of power. Perfect for fans of A Lesson in Secrets, The Mapping of Love and Death, or other Maisie Dobbs mysteries—and an ideal place for new readers to enter the series—Elegy for Eddie is an incomparable work of intrigue and ingenuity, full of intimate descriptions and beautifully painted scenes from between the World Wars, from one of the most highly acclaimed masters of mystery, Jacqueline Winspear.
Tara Hudson brings the dark, romantic Hereafter trilogy to a thrilling conclusion with her YA novel Elegy. The passionate love between ghost girl Amelia and human boy Joshua was powerful enough to break the barrier between life and death. Now the star-crossed lovers believe they can finally be together. But demonic forces threaten to tear them apart. The evil beings tell Amelia she must turn herself over to darkness or they will kill a human every week. Forces of light offer Amelia a solution. She can join them in gathering souls. If she does, however, she will never see Joshua again. Amelia refuses to be separated from Joshua. She will fight the forces of darkness and light if that’s what it takes to keep him.
November 1283. Prioress Eleanor's cousin, the Earl of Ness, visits with his wife, Eda. When his unloved spouse is murdered in a priory chapel, and his own knife is the weapon used, he becomes the prime suspect. Crowner Ralf claims the investigation belongs under the king's law, but Prioress Eleanor insists she take over jurisdiction, including the questioning of her own cousin. Overwhelmed with other problems from an arrogant new prior to an incompetent maid and the imminent death of her old nemesis, Sister Ruth, she is determined to find out why the murder rook place in her priory. Another killing takes place, and the answers she seeks become more complex. What is the possible connection between Eda, a woman who revelled in exposing secrets others wanted hidden, and that of a pious and quiet priest. What troubles her even more is that she knows her beloved cousin in lying to her.
Poetry. "Rather than introspection, sensationalism, or mere entertainment, remembering becomes an act of engagement, one that propels the poet toward a fierce intellectual and moral reckoning. And we in turn are held rapt by the lyric enactments of this poet who takes dangerous materials into his hands; who stubbornly pulls at the poisonous sumac obscuring a furnace's ruins; who probes old wound, transfiguring them into new patterns. MURDER BALLADS is wondrous and essential reading, a compelling debut" Jane Satterfield."
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
NEW YORK TIMES BESTSELLER "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times From a former marine and Yale Law School graduate, a powerful account of growing up in a poor Rust Belt town that offers a broader, probing look at the struggles of America’s white working class Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The decline of this group, a demographic of our country that has been slowly disintegrating over forty years, has been reported on with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually their grandchild (the author) would graduate from Yale Law School, a conventional marker of their success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that this is only the short, superficial version. Vance’s grandparents, aunt, uncle, sister, and, most of all, his mother, struggled profoundly with the demands of their new middle-class life, and were never able to fully escape the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. Vance piercingly shows how he himself still carries around the demons of their chaotic family history. A deeply moving memoir with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.
Both detective and reader attempt to solve the crimes in detective novels, relying on the same motifs but employing different narrative interpretations to do so. A unique and lucid examination of a complex genre.