Download Free Electronic Musical Instruments Book in PDF and EPUB Free Download. You can read online Electronic Musical Instruments and write the review.

xxii + 286 pp.Includes a Foreword by Ross Kirk
No further information has been provided for this title.
Since 1960, with the advent of musical electronics, composers and musicians have been using ever more sophisticated machines to create sonic material that presents innovation, color and new styles: electro-acoustic, electro, house, techno, etc. music. The music of Pierre Henry, Kraftwerk, Pink Floyd, Daft Punk and many others has introduced new sounds, improbable rhythms and a unique approach to composition and notation. Electronic machines have become essential: they have built and influenced the music of the most recent decades and set the trend for future productions. This book explores the theory and practice related to the different machines which constitute the universe of musical electronics, omitting synthesizers which are treated in other works. Sequencers, drum machines, samplers, groove machines and vocoders from 1960 to today are studied in their historical, physical and theoretical context. More detailed approaches to the Elektron Octatrack sequencer-sampler and the Korg Electribe 2 groove machine are also included.
"Your guide to the orchestra through sounds and stories." front cover.
We will address the historical development of the most relevant electronic instruments and explain each one without detailing their operation since many no longer operate today. In this sense, it is necessary to mention that it is not that the electronic instruments not developed in this volume do not matter, but that the importance of those addressed is much greater. Therefore, we will focus on the analysis of how they were manufactured and, where appropriate, how they evolved to become modern electronic music instruments. Since the design of new musical instruments has been complex, the instruments mentioned throughout this volume will not be explained primarily in technical detail. Still, the most relevant points will be mentioned as an introduction. Something that we must consider all the time when reading this volume is that all the instruments discussed have a common factor: their design has always been intrinsically linked to the technologies available to their inventor, depending on the time in which he lived. While many of them may seem somewhat outdated or childish when compared to those that exist today, we must never forget that most of these instruments ignored practices, aesthetic ideals, and industry standards about the time and place in which they were conceived, such as the ease of manufacture (the telharmonium is an incredible example), the sonic predictability and the economy of scale to be able to mass-manufacture them. For practical reasons, I have divided this volume into three sections: those developed in the 18th century, those produced in the 19th century, and finally, those manufactured in the 20th century, many of which are still in operation today. In this way, we will realize how most of the electronic instruments that are currently used are not more than a century old after they were manufactured for the first time, which is quite surprising. On the other hand, although a highly considerable number of patents for electronic instruments have been registered (especially in the 20th century), I have limited myself to mentioning the most relevant of them to have a notion of how it is that we got to the current point in this ambit. With this in mind, we will inevitably ask ourselves: Why have only very few of the electronic instruments discussed in this volume survived to date? Part of the answer to this question lies in the fact that those instruments that made it have had the capacity to adjust to the rapid and aggressive change of modernity, and because they have been conceived with too much intuition in mind; that is, they work perfectly or rarely fail, they generate familiarity in the consumer at the first contact, and their way of producing them has proven to be profitable for the investors behind the project or the company that manufactures them.
This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.
The author covers the development of the electronic musical instrument from Thaddeus Cahill's Telharmonium at the turn of the last century to the MIDI synthesizers of the 1990s. --book cover.
This is the perfect book for musicians who want to dive into the world of computer music and physical computing. This book is aimed at adventurous musicians who want to learn about music programming with Arduino, sensors, and Pure Data, and how to make new interfaces and even new instruments with that knowledge. You’ll learn the basics of the Pure Data and Arduino languages, how to incorporate sensors into your musical projects, and how to use embedded computers, like the Raspberry Pi, to create stand-alone projects. Along the way, you’ll learn how to create a variety of innovative musical projects, including an interactive bow for stringed instruments, a MIDI clavier synthesizer, an interactive drum set, a patch-bay matrix synthesizer, a guitar looper, and even a DIY theremin. If you are a musician or tinkerer who wants to explore the world of electronic and electroacoustic music and musical interfaces with Arduino, sensors, and Pure Data, Digital Electronics for Musicians is the book for you. What You Will Learn Learn the basics of the Pure Data and the Arduino languages Learn more about the available sensors on the market, and how you can incorporate them into your musical projects Focus on physical computing by combining Arduino and Pure Data, bringing the physical world to the world of the computers Make use of additional libraries that extend the capabilities of the Arduino Make use of external objects in Pure Data that help achieve certain goals, depending on the project Learn how a Pure Data patch functions and be able to modify other people's work that fits your needs Learn how the Arduino language works, enabling the modification of already existing code, according to your needs Get insight on the serial communication between the Arduino and Pure Data Learn how to approach various programming challenges in different ways Who This is For Musicians who want to explore the world of electronic and electroacoustic music and musical interfaces with Arduino, sensors, and Pure Data.