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The growing importance of the Indian diaspora is felt today across the globe due to its emergence as the second-largest dias¬poric community. By examining historical, socio-cultural, economic, political, and lite¬rary aspects of the Indian diaspora, this volume sets out to trace the latest devel¬opments in the field of Indian diaspora studies. It brings together essays by Indian and foreign scholars, thus providing an authoritative platform for discussions in which identities and affiliations are con¬tested and constituted through the hier¬archies of cross-cultural migration in this increasingly globalized world. This volume traces the transnational network of the Indian diaspora, and will prove of interest to scholars working in the fields of the Indian diaspora, diaspora theory, and cultural studies. Countries covered include Mauritius, Fiji, Singapore, Trinidad & Tobago, Guyana, Suriname, the UK, Ireland, the USA, Canada, Malaya, South Africa, and New Zealand. Creative writers dis¬cussed include Ramabai Espinet, Vikram Chandra, Rohinton Mistry, Chitra Banerjee Diva¬karuni, Nisha Ganatra, Jhumpa Lahiri, Kavery Nambisan, and Sarita Mandanna, along with the work of filmmakers (Mira Nair, Yash Chopra, Kabir Khan, Shuchi Kothari, Mandrika Rupa, Karan Johar, Sugu Pillay, Mallika Krishnamurthy, and Nisha Ganatra). Wideranging and scholarly. Dwivedi’s edited collection on routes and representations of the Indian diaspora is a vital contribution to the growing critical discourse on this subject. — Professor Janet Wilson, Northampton University, UK Tracing the New Indian Diaspora is a significant contribution to the understanding of the positions and representations of the Indian diaspora, forcing us to re-examine our notions of location and dislocation, of home and the world, of belonging and alienation: in short, of the politics of the diaspora today. — Professor GJV Prasad, Jawaharlal Nehru University, India Om Prakash Dwivedi is Assistant Professor in English at Taiz University, Yemen. His recent publications include The Other India: Narratives of Terror, Communalism and Violence (2012), Postcolonial Theory in the Global Age (co-ed. with Martin Kich, 2013), and a collection of short stories, The World to Come (2014).
This book provides a picture of a globalized Malaysia where its conventionally-conceived multi-ethnic composition of Malays, Chinese, Indians and Others rub shoulders with or interact more intimately on a daily basis with transnational ethnoscapes of migrant workers, asylum seekers, international students, and foreign spouses. It asks how, as Malaysians become wedded to their citizenship, they extend the same awareness of rights and claims to non-citizens such as African international students, the Indonesian maids who look after their children, and the Chins and stateless Rohingyas who populate the landscape as refugees and undocumented workers. What are the possibilities of forming cosmopolitan solidarities with non-Malaysians? And what are the newcomers’ strategies for place-making and belonging? And to bring the discussions of citizenship in Malaysia into relief, it is also asked how Malaysians abroad seek to enact and make meaningful their Malaysian citizenship. A diversity of experiences shapes the narratives in the chapters: of racialization, rejection, boundary-making and exclusivity, resilience and adaptation. This book was published as a special issue of Citizenship Studies.
The first introduction to the field of Diaspora criticism that serves both as a timely guide and a rigorous critique. Diaspora criticism takes the concept 'diaspora' as its object of inquiry and provides a framework for discussing displaced communities in a way that takes contemporary social, cultural and economic pressures into account. It also offers an alternative to Postcolonial Studies. This book is the first to provide an accessible overview of the critical trends in Diaspora criticism and to critically evaluate the major Diaspora critics and their models, with the aim of adding to the debate on methodology.
Diaspora & transnationalism are widely used concepts in academic & political discourses. Although originally referring to quite different phenomena, they increasingly overlap today. Such inflation of meanings goes hand in hand with a danger of essentialising collective identities. This book analyses this topic.
Never before has the future been so systematically envisioned, aggressively analyzed, and grandly theorized as in the present rush to cyberspace and digitalization. In the mid-twentieth century, questions about media technologies and society first emerged as scholarly hand-wringing about the deleterious sweep of electronic media and information technologies in mass culture. Now, questions about new technologies and their social and cultural impact are no longer limited to intellectual soothsayers in the academy but are pervasive parts of day-to-day discourses in newspapers, magazines, television, and film. Electronic Media and Technoculture anchors contemporary discussion of the digital future within a critical tradition about the media arts, society, and culture. The collection examines a range of phenomena, from boutique cyber-practices to the growing ubiquity of e-commerce and the internet. The essays chart a critical field in media studies, providing a historical perspective on theories of new media. The contributors place discussions of producing technologies in dialogue with consuming technologies, new media in relation to old media, and argue that digital media should not be restricted to the constraining public discourses of either the computer, broadcast, motion-picture, or internet industries. The collection charts a range of theoretical positions to assist readers interested in new media and to enable them to weather the cycles of hardware obsolescence and theoretical volatility that characterize the present rush toward digital technologies. Contributors include Ien Ang, John Caldwell, Cynthia Cockburn, Helen Cunningham, Hans Magnus Enzensberger, Guillermo G=mez-Pe±a, Arthur Kroker, Bill Nichols, Andrew Ross, Ellen Seiter, Vivian Sobchack, AllucquFre Rosanne Stone, Ravi Sundaram, Michael A. Weinstein, Raymond Williams, and Brian Winston. John Thornton Caldwell is chair of the film and television department at the University of California at Los Angeles. He is a filmmaker and media artist and author of Televisuality: Style, Crisis, and Authority in American Television (also from Rutgers University Press).
The basic concern of border studies is to examine and analyze interactions that occur when two groups come into contact with one another. Acculturation and globalization are at the heart of border studies, and cultural studies scholars try to describe the possible interactions in terms of conflicts and resolutions that become the result of those possible encounters. The present book is a peer-reviewed selection of papers presented during the IV Crossing Over Symposium at Cleveland State University held in October, 2011, and it is a follow-up to our discussion on border studies. The main focus of this volume is historical, [inter]national, gender and racial borders, and the implications that all of them have in the construction of an identity.
Jennifer M. Brinkerhoff examines the importance of digital disaporas and explores their implications for security and development policy.
Traces the rise of black participation in cyberspace.
Combining history, cultural studies, sociology, international politics, and anthropology, this multidisciplinary volume analyzes transnational connections in India and South Asia. The articles explore how politics, gender, religious discourses, regional concepts, and public culture are being re-imagined amidst translocal connections. In theoretical terms, the volume contributes to understandings of the relationship between culture, globalization and social imagination by posing following questions: What is the nature of relationships between local worlds and global flows both historically and in contemporary South Asia? What role does the state play amidst global flows? How do power issues and local hierarchies contribute to social imaginaries? And how do translocal flows influence opportunities for individual agency? The volume introduces articles dealing with various aspects and arenas of globalization in South Asia: the economy and the media landscape in India (Derné); cinema (Kumar); global brands (Majumder); religious music and South Asian Islam (Viitamäki); foreign politics (Grekova-Stefanova); politics and gender (Roy); political uses of mobile telephony (Tenhunen); Indian diaspora (Svensson); migration in colonial India (Adapa); and the position of history in classical India (Karttunen).