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The Art of Mindful Silence explores our existential search for mindful solitude, what it can mean, and how we can all benefit from peaceful solace. Silence-seeker Adam Ford wisely interrogates the quiet spaces and pauses in life, drawing upon the spirtual use of solitude in religious traditions from Native American intitiation ceremonies to Christian hermitages. He examines the creative power of silence as a source of inner strength and self-knowledge, and also reveals its darker side when used as a political or relationship weapon. Through personal anecdote and practical daily meditations, The Art of Mindful Silence shows how we can all find moments of soothing peace to nourish our spirits in an increasingly chaotic world.
From 1948 to 1952 the lives of Trappist monk Thomas Merton and British novelist Evelyn Waugh were closely intertwined. During these years, Waugh became enthusiastic about American Catholicism, and in particular, monasticism as seen through the eyes of the author of The Seven Storey Mountain. He agreed to edit Merton’s autobiography and the subsequent Waters of Siloe for publication in Britain. In this close examination of their friendship, through their correspondence, we see Waugh’s coaching of a younger writer and Waugh’s brief infatuation with America. Most of all, we witness Merton the writing student and spiritual master and Waugh the master of prose and conflicted penitent. And we see how the two men diverge as the Second Vatican Council takes hold in Catholicism and the church experiences profound change. "This careful study sheds light on Merton the writer with Evelyn Waugh as his tutor. It is also an interesting snapshot of the culture of midtwentieth century Catholic renewal." —Lawrence S. Cunningham, John A. O'Brien Professor of Theology (Emeritus), The University of Notre Dame “An absorbing exchange of letters between Thomas Merton and Evelyn Waugh, focusing principally on Waugh’s editing of the British publication of The Seven Storey Mountain and The Waters of Siloe. Waugh’s sometimes barbed comments caused Merton to reflect deeper on what he was writing and how he should respond, as positively as he could, to this influential Catholic novelist. A wonderful, brief study of both men.” —Patrick Samway, S.J., editor of The Letters of Robert Giroux and Thomas Merton (forthcoming, University of Notre Dame Press, 2015) “Dedicated readers of Evelyn Waugh and Thomas Merton know of the connections between two major Catholic writers, especially of Waugh as editor and writing coach for Merton's work. But in this brief but thoroughly researched book, Coady provides important new details about Merton's role not just as willing student but as spiritual advisor to Waugh and puts those details into the cultural and religious context of the years after World War II in clear and sometimes eloquent fashion.” —Robert Murray Davis, author of Brideshead Revisited: The Past Redeemed
The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.
"The Jesuit review of faith and culture," Nov. 13, 2017-
One man's search to find his role in the world is revealed in the writer's portrait of his youthful political activism and entry into a Trappist monastery