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Enden has been peaceful for many years except for the few border raids by the Races of Chaos, mostly by the Saurians. In the background are the Elden, a race of warriors who opposed Chaos on rare occasions. So rare that the Elden have been considered just a legend. The Elden Warlord, Cahan MacHaimheirgin, is given information about the new Saurian Outposts that are being built. Although the Saurians give the appearance of just fortifying their border there are strong indications the outposts are much more than they appear. At a meeting of the leaders of the Races of Order, the Elden are requested to reoccupy their old Holds, vacant for five hundred years, and reestablish a presence that could deter a Saurian invasion that would plunge Enden into war. The Bursh, a race of sorcerers, allied with the Races of Chaos, are concerned about a Saurian invasion as well for it could endanger the future Master Plan of World Conquest, a plan that is sponsored by the Race of Demons, leaders of Chaos. The plan could fail if the Elden reestablish a presence. The Bursh need to find the Holds and a way to neutralize them and the Elden.
The Saurians built new outposts under the guise of increasing security of their border, however, the large staging areas discovered hidden in the woods behind them caused the Races of Order concern about a possible invasion. A Saurian Invasion would also cause problems for the Demon and the Bursh. It would have a major impact on the Master Plan they had been working on for many years. The major key to the Plan was the Races of Order did not have a united front and the humans were unorganized, but an invasion could change that. If the unallied races and the Races of Order united, working together they could defeat the Master Plan. The Plan was designed for world conquest by the Races of Chaos to happen so quickly that the Elden would arrive too late to help. Now had to be modified because the Elden returned to their strongholds after five hundred years due to the invasion threat. The Saurians had to be stopped or defeated quickly. Unbeknownst to the Elden and the other Races of Order they had allies in the Demon and the Bursh who were taking their own steps.
The only authorised guide to the many New Zealand locations used in the filming of all three Lord of the Rings films. Since the first screening of The Lord of the Rings: The Fellowship of the Ring in 2001, New Zealand has become the embodiment of Middle-earth to millions of moviegoers and Tolkien readers the world over. This definitive full-colour guidebook, completely updated and expanded since it was first published as a New Zealand exclusive edition for Christmas 2002, showcases the principal movie set locations around New Zealand as seen in all three films. A perfect book for those swept away by the beauty of the locations in the Lord of the Rings trilogy, it includes: * Maps and location directions * Useful touring information including accommodation, food and entertainment suggestions * GPS references to location sites * Exclusive movie photographs, plus stunning before-and-after photos by the author * Sections written specially by Peter Jackson (Director), Alan Lee (Designer), Richard Taylor (Special FX) and Barrie Osborne (Producer), plus contributions from all the actors
The study of the Armenian system of notation called Khazs (Neumes) is of significance both for Armenian and Byzantine music from a historical and aesthetic point of view. Over the centuries the Armenian people have created a musical culture which is largely inaccessible because of the fact that to this day the medieval notation of this music has not been deciphered. Prof. R.A. At'ayan's unique study based on the abundant manuscript sources of the Institute of Ancient Manuscripts (Erevan) not only traces the origin and development of this notation system convincingly, but also re-creates the tunes of the numerous chants and songs composed over the centuries.
The Dialogue on Poetry is one of the most important of Schlegel's critical and philosophical writings. Modeled on Plato's Symposium, it comprises eulogies on poetry delivered by participants in a fictitious conversation, who represent the historical figures of the German Romantic School. Thus the Dialogue expounds the main critical ideas of German Romanticism and simultaneously provides a panorama of the early Romantic Movement. Schlegel was the leading critical thinker of the German Romanticists. His importance for the theory of Romantic poetry and the history of criticism becomes increasingly obvious with the growing interest in Romanticism. René Welleck called Schlegel "one of the greatest critics of history"; George Lukacs based his theory of the novel on Schlegel's ideas; and Ernest Robert Curtius said about Schlegel's position within the history of literary criticism: "In Germany we have Friedrich Schlegel--and beginnings." This first English edition of Dialogue on Poetry, which also contains a carefully chosen selection of Schlegel's poetic aphorisms, affords scholars and students in the field of Philosophy and in Comparative, General, and German Literature a new avenue of approach to European Romanticism.