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1. Las parejas no casadas. Las uniones de hecho. Antonia Nieto Alonso. 2. Los requisitos del matrimonio. Josefina Alventosa del Río. 3. La nulidad del matrimonio. Carmen Bayod. 4. Separación judicial y de hecho. La disolución del matrimonio. Elena Bellod. 5. Medidas y efectos comunes en los procesos de separación, nulidad y divorcio. Francisco Lledó Yagüe. 6. Uniones de hecho y Registros Administrativos de uniones de hecho. Ana Isabel Herrán Ortiz. 7. El matrimonio y el Registro Civil. Ana Isabel Herrán Ortiz. 8. El sistema matrimonial español versus Derecho comparado. Elvira Alfonso Rodríguez. 9. Conceptos jurídicos. Óscar Monje Balmaseda. 10. Bibliografía. Óscar Monje Balmaseda.
A maid secretly takes her mistress’s place in an arranged marriage—igniting unexpected passion—in New York Times– and USA Today–bestselling author Heather Graham’s turn-of-the-century romance. On a frigid March day in Yorkshire in 1895, ten-year-old Marissa Ayers encounters a raven-haired, blue-eyed stranger for the first time. When next they meet, she has put the dust of the coal mines behind her and is now a lady’s maid at a fine estate, determined to escape her hardscrabble life. Marissa recognizes him instantly, but has no inkling that their lives are about to come together in the most intimate way—until her mistress begs her to take her place in a marriage of convenience. Haunted by the memory of his lost love, Ian Tremayne is honor-bound by the promise he made to an old friend. His marriage to Katherine Mary Ahearn will be a union in name only. Yet something about the proud, green-eyed Englishwoman seems familiar . . . and intrigues him. He takes her home to America, where the willful beauty slowly begins to thaw his guarded heart. But will she reveal herself to him completely? This ebook features an illustrated biography of Heather Graham, including rare photos from the author’s personal collection.
Accessible, introductory student guide which identifies key feminist approaches to popular culture from the 1960s to the present.. The only introduction to both feminist cultural studies and feminism and popular culture published in the UK.. Presents its information in a reader friendly series of case studies on: women's film romantic fiction soap opera consumption and material culture fashion and beauty proactices youth culture and popular music. Will appeal to students across a wide range of disciplines as a variety of popular cultural forms are discussed.
Since its inception, anthropology's authority has been based on the assumption that it is a unified discipline emanating from the West. In an age of heightened globalization, anthropologists have failed to discuss consistently the current status of their practice and its mutations across the globe. World Anthropologies is the first book to provoke this conversation from various regions of the world in order to assess the diversity of relations between regional or national anthropologies and a contested, power-laden Western discourse. Can a planetary anthropology cope with both the 'provincial cosmopolitanism' of alternative anthropologies and the 'metropolitan provincialism' of hegemonic schools? How might the resulting 'world anthropologies' challenge the current panorama in which certain allegedly national anthropological traditions have more paradigmatic weight - and hence more power - than others? Critically examining the international dissemination of anthropology within and across national power fields, contributors address these questions and provide the outline for a veritable world anthropologies project.
"From a leader in the field of psychotherapy this new book is the first dedicated to the topic of the fear of contamination. The book starts by defining the disorder, before considering the various manifestations of this fear, examining both mental contamination and contact contamination, and feelings of disgust. Most significantly it develops a theory for how this problem can be treated, providing clinical guidelines - based around cognitive behavioural techniques."--BOOK JACKET.