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A unique and fascinating collection of thrilling short stories with the most various and electrifying plots and settings.
"Las autodenominadas "mujeres ardientes", que protestan contra una forma extrema de violencia domštica que se ha vuelto viral; una estudiante que se arranca las uąs y las pestaąs, y otra que intenta ayudarla; los aǫs de apagones dictados por el gobierno durante los cuales se intoxican tres amigas que lo serǹ hasta que la muerte las separe; el famoso asesino en serie llamado Petiso Orejudo, que sl̤o tena̕ nueve aǫs; hikikomori, magia negra, los celos, el desamor, supersticiones rurales, edificios abandonados o encantados . . . En estos once cuentos el lector se ve obligado a olvidarse de s ̕mismo para seguir las peripecias e investigaciones de cuerpos que desaparecen o bien reaparecen en el momento menos esperado. Ya sea una trabajadora social, una polica̕ o un gua̕ turs̕tico, los protagonistas luchan por apadrinar a seres socialmente invisibles, indagando as ̕en el peso de la culpa, la compasin̤, la crueldad, las dificultades de la convivencia, y en un terror tan hondo como verosm̕il. Mariana Enriquez es una de las narradoras ms̀ valientes y sorprendentes del siglo XXI, no sl̤o de la nueva literatura argentina a cargo de escritores nacidos durante la dictadura sino de la literatura de cualquier pas̕ o lengua. Mariana Enriquez transforma gňeros literarios en recursos narrativos, desde la novela negra hasta el realismo sucio, pasando por el terror, la crn̤ica y el humor, y ahonda con dolor y belleza en las rac̕es, las llamas y las tinieblas de toda existencia"--Amazon.com.
The “propulsive and mesmerizing” (The New York Times) story collection by the International Booker–shortlisted author of The Dangers of Smoking in Bed and Our Share of Night—now with a new short story. The short stories of Mariana Enriquez are: “The most exciting discovery I’ve made in fiction for some time.”—Kazuo Ishiguro “Violent and cool, told in voices so lucid they feel spoken.”—The Boston Globe (Best Books of the Year) Electric, disturbing, and exhilarating, the stories of Things We Lost in the Fire explore multiple dimensions of life and death in contemporary Argentina. Each haunting tale simmers with the nation's troubled history, but among the abandoned houses, black magic, superstitions, lost loves and regrets, there is also friendship, compassion, and humor. Translated by the National Book Award-winning Megan McDowell, these “slim but phenomenal” (Vanity Fair) stories ask the biggest questions of life and show why Mariana Enriquez has become one of the most celebrated new voices in global literature.
Tantra Iluminado gu&ía al lector a lo largo de un viaje fascinante hacia el coraz&ón mismo del Tantra: sus ense&ñanzas principales, los linajes que le dan fundamento y sus pr&ácticas transformativas. Desde que Occidente descubri&ó el Tantra hace 100 a&ños, este movimiento espiritual ha sido objeto de gran fascinaci&ón, especulaci&ón, y una buena dosis de desinformaci&ón. Ahora, por primera vez en nuestra lengua, Tantra Iluminado nos brinda una introducci&ón accesible a esta sagrada tradici&ón que naci&ó hace 1,500 a&ños en el norte de la India. Esta obra se sustenta en fuentes originales en s&ánscrito, ofrece una mirada profunda a la pr&áctica espiritual, y revela la rica historia del Tantra junto con sus poderosas ense&ñanzas.Entrar en el mundo del Tantra original es adentrarse en un reino de magia y misterio, en una filosof&ía que expande nuestra mente; llena de ritos arcanos; panteones de diosas feroces encarnadas en s&ílabas m&ísticas; diagramas energéticos que dibujan un mapa de las dimensiones de la realidad; visualizaciones de los centros de poder del cuerpo; posturas que expresan las formas m&ás puras de la conciencia; experiencias nect&áreas del éxtasis m&ás absoluto, portadoras un poder sobrenatural, y conceptos que desaf&ían las normas fundamentales de la sociedad tradicional. En pocas palabras, un mundo que abarca todo el rango de la actividad religiosa y espiritual del ser humano, desde las contemplaciones m&ás sublimes y elevadas de nuestra naturaleza interna, hasta las m&ás extra&ñas supersticiones. Hoy en d&ía, algunos est&án interesados en la elevada filosof&ía del Tantra, otros s&ólo quieren conocer las técnicas netamente pr&ácticas, mientras que a otros m&ás los mueve la curiosidad de conocer el contexto hist&órico. No importa quién seas, para sumergirte por completo en este mundo, deber&ás no nada m&ás renunciar a cualquier noci&ón de aquello que t&ú creas que es Tantra, sino también despojarte de algunas de tus creencias m&ás arraigadas sobre la realidad en s&í misma.
Aunt Tula (La tia Tula), published in 1921, is one of the few novels written by Miguel de Unamuno to centre on a female protagonist. It is a vivid, nuanced portrait of the intelligent, wilful and yet vulnerable Tula. Despite having no biological children of her own, the unmarried Tula becomes the primary maternal figure for successive generations of children; some related to her, others not. Her chaste maternity is presented as a complex response to her long-held, self-sacrificing romantic love for her brother-in-law, her antipathy for the submissive role expected of bourgeois married women, and Tula's fear of her own physicality. Julia Biggane's translation captures the accessibility of style and richness of literary substance in the original, and the introduction equips the reader with an understanding of the text's wider material contexts and historical significance. Of special interest is the novel's representation of womanhood and maternity, itself inflected by wider social changes in countries across Western Europe and Russia during the first two decades of the 20th century.
Immerse yourself in the charming and humorous world of ""The Umbrella"" by Guy De Maupassant. This delightful short story centers around an umbrella and the series of events that unfold due to its presence. Maupassant’s narrative explores themes of chance, human nature, and the quirks of everyday life. De Maupassant masterfully combines humor and observational insight, using the umbrella as a catalyst for a series of comedic and ironic situations. The story offers a lighthearted yet insightful look at the ways in which ordinary objects can influence our lives and interactions. ""The Umbrella"" is perfect for readers who enjoy humorous and cleverly constructed narratives. Ideal for those who appreciate Guy De Maupassant’s ability to find humor and significance in the mundane.
In the central highland Maya communities of Guatemala, the demands of the global economy have become a way of life. This book explores how rural peoples experience economic and cultural change as their country joins the global market, focusing on their thoughts about work and sustenance as a way of learning about Guatemala’s changing economy. For more than a decade, Liliana Goldín observed in highland towns both the intensification of various forms of production and their growing links to wider markets. In this first book to compare economic ideology across a range of production systems, she examines how people make a living and how they think about their options, practices, and constraints. Drawing on interviews and surveys—even retellings of traditional narratives—she reveals how contemporary Maya respond to the increasingly globalized yet locally circumscribed conditions in which they work. Goldín presents four case studies: cottage industries devoted to garment production, vegetable growing for internal and border markets reached through direct commerce, crops grown for export, and wage labor in garment assembly factories. By comparing generational and gendered differences among workers, she reveals not only complexities of change but also how these complexities arereflected in changing attitudes, understandings, and aspirations that characterize people’s economic ideology. Further, she shows that as rural people take on diverse economic activities, they also reinterpret their views on such matters as accumulation, cooperation, competition, division of labor, and community solidarity. Global Maya explores global processes in local terms, revealing the interplay of traditional values, household economics, and the inescapable conditions of demographic growth, a shrinking land base, and a global economy always looking for cheap labor. It offers a wealth of new insights not only for Maya scholars but also for anyone concerned with the effects of globalization on the Third World.
This Spanish-language anthology contains selections by 45 Latin-American authors. It is intended as a text for upper division Latin American literature survey courses. The anthology presumes a high level of linguistic command of Spanish, and it contains footnotes to allusions and cultural references, as well as words and phrases not found in standard bilingual dictionaries used in the US. Emphasis is on major 20th-century writers, while important works from colonial and 19th-century literature as also included. The diverse selections of Literature Hispanoamericana will enable students to have a more sustained exposure to major voices of Latin American literature than possible in anthologies built around fragments. By focusing on fewer authors but more significant selections from their writings, students will have a greater grasp of major canonical figures as well as emergent voices.