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Bateau me enseñó a comprender las cosas que pasan a nuestro lado... que fluyen por nuestra vida...Bateau me enseñó a distinguir entre los seres luminosos que le dan sentido a nuestro existir... y los seres parásitos, esos que absorben nuestra luz interior...Bateau me enseñó que la energía que fluye por nosotros, son nuestras actitudes, creencias más arraigadas, miedos, reacciones, auto-profecías...Bateau me enseñó a comprender que el mundo no es lo que creemos, ni lo que nos educaron...Bateau me permitió observar nuestro mundo desde una óptica diferente... el mundo de los seres invisibles a los ojos, el mundo en donde predomina la lógica de los sentimientos, la lógica de la energía divina que todos tenemos dentro... una lógica muy distinta a la lógica matemática o física, más real, una lógica que no es cultural ni caprichosa, no es lo que deseamos ni lo que creemos merecer, en donde la realidad no es como los entendemos los humanos, porque la realidad se toca con el sexto sentido...
Since the beginning of the Divine Creation, since water, earth, air and fire com-bined to form life, since early vegetation covered the land, since animals developed into dinosaurs, since giants (vegetable and animal) disappeared giving way to the world as we know it today, since the first man understood that he was no longer an ape and learned to use his intelligence, which is forever, the Kabala Judeo-Christian was present, revealing every step and every line of this Logic Divine Plan. This book answers the four most difficult questions us humans ask ourselves, the easiest way possible: Which is the Divine Logic Plan for each one of us? What should we do to find our Path? Who are we really and what is our goal? What is free will and how does it benefit us?
Documents and the History of the Early Islamic World presents new Greek, Arabic and Coptic material from the seventh to the fifteenth centuries C.E. from Egypt and Palestine and explores its rich potential for historical analysis.
Bernard Moitessier is a writer and one of France's most famous sailors.
Spain in the twentieth century gave birth to an array of astounding artistic and literary talent, including the passionately iconoclastic writer Federico Garcia Lorca. But his works were ill received in the homophobic atmosphere of institutionalized Spanish criticism. Because of this atmosphere, even today's critics have effectively marginalized and disavowed intimations of homo-affectivity and homoeroticism in the great Spanish works. This book first appeared in Spain in 1991 as counter-discourse against those prevailing ideological structures. Before its appearance, no significant work had focused on the position of Spanish culture towards homosexuality or on how homosexuality could affect the works of canonical writers. Engaging with homosexuality as an imperative source of meaning in artistic work, this volume rigorously studies the works of Federico Garcia Lorca and several of his marginalized homosexual contemporaries, including Emilio Prados, Luis Cernuda, Juan Gil-Albert, and Salvador Dali. The study relies on the textual evidence presented by these authors to define the homosexual culture as one plagued by the realities of rejection, fear of the law, self-doubts, the lack of an authorized language with which to convey emotions, the awareness of disgust around the individual, the need to accept marginality to find sexual or emotional satisfaction, and the knowledge of one's own social divergence, all of which have an enormous influence on any artist's work. With this new and updated translation, this work offers English-speaking readers the opportunity to focus on formal aspects of literary expressions of homosexuality.
Integrating the study of both music and art into an exploration of the early poetry of Eugenio Montale (1896-1982), this book situates Italy's premier poet of the twentieth century within the Modernist movement. Gian-Paolo Biasin finds in Montale's poetry broad resonances, reverberations, and comparisons that involve it in the European culture of its time and that invite the reading of poetry, music, and painting as texts in a cultural system. This interdisciplinary approach expands our appreciation of Montale's work in a way not possible with literary analysis alone. Biasin's study first shows the structural homology between some of Debussy's preludes for piano and certain poems in Montale's Ossi di seppia, emphasizing the rhythmic qualities of the compositions. This formal analysis leads to an understanding of the respective texts' thematic, symbolic, and cultural meaning--specifically, antiheroism as a choice of life. Similar methodology is then used to reveal the relationship between the poetry of Montale and Giorgio Morandi's etchings and between Montale's poetic persona, Arsenio, and the novelistic characters of Svevo and Pirandello. Each of these comparisons brings to light a shared image, that of the clown (or antihero) as a mocking self-portrait of the modern artist. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.